Initially, the Audiovisual Studies Research Group focused its research work on the systematic analysis of the trans-regional integration Galicia-North of Portugal, having as main activity the preparation and publication of biennial reports on the state of the Galician audiovisual. With the passage of time, it extended its scope of work and today it deals with the study of a wide range of issues related to communication and culture in the Atlantic periphery, the Portuguese-speaking area and the European sphere.
Based on different approaches -political, social, economic…- and with special attention to the construction of identity(s) and the preservation of cultural diversity, it articulates interdisciplinary research proposals whose results are directed to the scientific community, those responsible of public policies, the professionals of the sectors involved and the citizenship in general.
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Intersections between TikTok and TV: Channels and Programmes Thinking Outside the BoxAna Isabel Rodríguez Vázquez , Jorge Vázquez-Herrero, María-Cruz Negreira-Rey2021 Journalism and MediaThe rise of the TikTok social network has caused the media to confront the younger generation. The platform, which hosts dances, challenges, and funny short videos, has unique features that force a reinvention of social networking strategies. Television has become social and has expanded to new platforms, while young people…
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Galicia’s voice: Ana Kiro, reception and national identity2021 AusArt Journal for Research in Art, númeroWhen an artist’s work is identified with a particular national identity, the artist usually becomes an object of debate and gives room to antagonistic readings. That is the case of Ana Kiro, a singer who since the 1970s became an enormously popular figure in Galicia by dealing with the experience…
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Social perception of journalism in SpainAna Isabel Rodríguez Vázquez , José Sixto-García, Xosé Soengas-Pérez, Jorge Vázquez-Herrero, Xosé López-García2021 AdComunicaJournalism is undergoing substantial changes derived from technological evolution and the social interaction that this evolution makes possible, especially the participation of the public in the construction of the storytelling. Apart from the traditional and digital media, new parajournalistic formulas are allowing the circulation of false or malicious content. These…
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Analysis Model for YouTube Channels: Application to Digital Native MediaAna Isabel Rodríguez Vázquez , José Sixto-García, Xosé Soengas-Pérez2021 Revista Latina De Comunicación SocialIntroduction: The participation in YouTube of an international sample of reference digital native media is analyzed based on a model proposed by the authors. Methodology: The evaluation takes into account the variables that characterize the journalistic models of content production and distribution in current convergent scenarios, such as the implementation…
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YouTube as a press distribution channel in SpainAna Isabel Rodríguez Vázquez , José Sixto-García2021 Estudios sobre el Mensaje PeriodísticoWe are witnessing an unprecedented development of web traffic in digital native newspapers, so that we can already refer to a manifest coexistence between these media and the matrix ones. This emerging phase of the natives as reference media in the Spanish press allows us to identify a revitalization of…
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Pedagogical Principles of Educational Films. Historical Approach to its Origins2021 Historia Social y de la Educación.The educational use of modern media has always originated exciting expectations, debate and controversy. So it happened with the Cinema in the early twentieth century, when a passionate defense of its use in education took place. This work aims to study this debate. To do this it takes place a…
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Machadian Film Bilogy: The Sombra de Caín on the ¡Hermosa tierra de España!José Luis Castro de Paz , Natalia Alonso Ramos, Fernando Gómez Beceiro2021 Signa, Revista De La Asociación Española De SemióticaJust after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo Ruiz- Castillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition…
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Media accountability in the age of social media: Participatory transparency of the audience in SpainMarta Pérez Pereiro , María Ángeles Chaparro, Ruth Rodríguez Martínez2021 Global Media and CommunicationThe mass media is increasingly promoting public participation. Taking as a starting point the participatory transparency concept enunciated by Karlsson (2010), our research studies the audience’s active role in holding Spanish media to account through a range of online tools. We study the role of the audience by analyzing the…
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Key Challenges and Recommendations to Provide Europe With a Film-Subtitling Protocol in the Digital Era Through Three Case Studies2021 Comunicação e SociedadeBy analysing European cultural policies and paradigmatic case studies, this article high-lights the close link between the normalisation of minority languages in Europe and film subti-tling. Film subtitling is an activity that urgently needs to be protocolised insofar as it guarantees both the preservation of the cultural originality of the…
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The visual strategies of struggle: domestic workers in hybrid filmic forms of confronting reality in Spain (2000-2020)María Soliña Barreiro , Elena Fraj Herranz2021 Cuadernos.InfoThis article studies the critical and activist documentaries produced in Spain in the last twenty years that address the situation of invisibility and exploitation of domestic workers and hotel maids. In these films, the features of labor struggles permeate the filmic construction. These documentaries are characterized by the work on…
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Perceived Effectiveness of Established and Innovative Media Accountability Instruments in Spain. Comparative Analysis in Andalusia, Euskadi, Catalonia, Galicia, Madrid and ValenciaMarta Pérez Pereiro , Aitor Zubergoitia, Jesús Díaz-Campo2020 Estudios sobre el Mensaje PeriodísticoThe perceived effectiveness of established and innovative media accountability instruments is analyzed in Andalusia, Euskadi, Catalonia, Galicia, Madrid and Valencia, and by means of a survey conducted among journalists, focus groups with media consumers in each community, and in-depth interviews with experts. Some differences are observed across professionals, citizens and…
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Co-creation in North American and European digital native media: Web, social networks and offline spacesAna Isabel Rodríguez Vázquez , Xosé Soengas, José Sixto2020 JournalismOrganisations from various productive sectors are increasingly involving their audiences in their co-creation processes, both for production and for the ideation and marketing of the products they offer. This research analyses this issue in native digital newspapers, offering a comparative perspective between Europe and the United States. The co-creation options…
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Conventions and disruptions in the coverage of political events in linear and social TV. 2019 26M election night analysisAna Isabel Rodríguez Vázquez , Alba Silva Rodríguez, Sabela Direito Rebollal, Berta García Orosa2020 El Profesional de la InformaciónThrough a mixed method, the linear (live), social (social media) and audience participation (live-tweeting) offer during the special information program of March, 26th 2019 electoral night in La 1 of TVE and La sexta is analysed. We had the hypothesis that television consumption has changed with the competition of VoD-OTT…
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The Tragedy in Abeyance of Cándida. Emigration and assimilation in the cinema of Niní Marshall2019 QuintanaIn his writings about cinema, Jean Epstein poetically explained that every film contains a ‘tragedy in abeyance’ that is not explicit in the narrative. This cinematic idea guides the analysis of the films Cándida (1939) and Cándida millonaria (1941), two of three comedies that Luis Bayón Herrera directed about a…
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Public policies and strategies to foster access to films in a minority language. Catalonia and film subtitling 2015-2017María Soliña Barreiro , Judith Clarés Gavilán2019 International Journal of Cultural PoliciesIn 2016, following the partial repeal of Catalonia’s Cinema Act (Llei del Cinema, 2010), the ‘Digital Levy’ (taxa tecnològica, 2014) and the serious economic crisis, the Department of Culture of the Generalitat de Catalunya decided to subsidise dubbing and subtitling to ensure that Catalans could have access to films in…
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Knowledge transfer from the innovative university. A model of information management in the digital context: the PIEDD case study2019 Comunicar. Revista Latina de Comunicación SocialTo continue fulfilling the imperative need to generate and transfer knowledge and innovation, universities must meet the growing demands of a society that is undergoing an unstoppable process of global digital migration. In this sense, since its creation in 2009 to the present, the Platform for Innovation and Experimentation in…
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Audiencias crossmedia: nuevas métricas y perfiles profesionales en los medios españolesAna Isabel Rodríguez Vázquez , Sabela Direito Rebollal, Alba Silva Rodríguez2018 El Profesional de la InformaciónThe relation between infomediary sector and audience measurement is tight: six out of ten entities cited by Spanish companies as data & information source providers are closely related to this area of audience measurement. The media convergence leads to loss of value of some former studies. Alternative sources are used,…
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Dubbing, subtitling and other lesser evilsThe two versions of the series Vidago Palace2018 TranslatologiaOne of the aims contemplated in Law 1/2014, of 24 March, on the use of the Portuguese language and Ties with Lusophony, popularly known as the Paz Andrade Law, was for Galician Television to promote the exchange of audiovisual productions and collaborate in the creation of new projects. One of…
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Diáspora en feminino e cinema2018 Cinema & Território, Revista Internacional de Arte e Antropologia das Imagen‘Forget who you are in order to be yourself/another’, says the voice and body in exile of the actor of Galician origin, Maria Casares, in Alain Resnais’s 1945 film, Gernika. So as not to forget the barbarity, the bombing of the civil population, the losses. To feel your body in…
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The (dis)solution of European cultural identities in the digital space: a critical reflection on small cinemas2018 Communication & Society
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In support of a wide notion of media accessibility: Access to content and access to creation2018 The Journal of Audiovisual TranslationThe prevailing narrow consideration of media accessibility (MA) as concerning only persons with sensory disabilities poses a series of epistemological and terminological issues, and limits the potential of MA to instigate social change. This article supports a wider view of MA that encompasses both people with and without disabilities who need access to audiovisual content.…
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Focalización, distancia y tratamiento temporal. Estudio de la implicación subjetiva en el discurso fílmico a través del análisis narratológico2018 Signa, Revista de la Asociación Española de semióticaTodo relato cinematográfico articula una determinada manera de dar a ver y de dar a conocer. Entre los niveles discursivos del mostrar y del narrar que todo filme construye y comunica existe una amplia graduación de implicación subjetiva que focaliza el material narrativo y lo hace llegar al sujeto-espectador. Este…
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Nuevos medios y medios tradicionales en la red. Espacios de opinión e interacción política en la era TrumpAna Isabel Rodríguez Vázquez , Xosé Rúas Araújo, Andrés Mazaira2018 Icono 14. Revista científica de Comunicación y Tecnologías EmergenteIn the context of the political and media confrontation of the last presidential elections of the United States of America, this research compares the impact and scope of the traditional media’s political opinion (The New York Times and The Washington Post) against two digital native media (The Huffington Post and…
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New habits in smartphones photo managementAndrés Fraga Pérez , María Azul Forti Buratti2017 adComunicaThis article studies the habits in the use and manages of smartphone images. Being smartphones the most universal product, and their camera a key element, this research is based on the hypothesis that current photo habits exceed mobile photo management tools. A survey of smartphone users sought a general view…
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The Role of Original Version Cinema into the European Digital Space2017 ComunicarOne of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
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Transmedia or repurposing journalism? News brands in the era of convergenceCompared study os Greek elections coverage by El País (ES), The Guardian (UK), La Repubblica (IT), and Público (PT).Ana Isabel Rodríguez Vázquez , Carmen Costa Sánchez, Xosé López García2017 JournalismJournalism is once again facing a context of technological and social changes. The current stage is characterized for being mobile, multi-screen, and visual. Citizens have adopted with ease the new mobile media for content consumption. Transmedia narratives emerge as structures that can help creators to adapt contents to all platforms…
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Quality assessment in interlingual live subtitling: The NTR modelPablo Romero Fresco , Frank Pöchhacker2017 Linguistica Antverpiensia, New Series: Themes in Translation StudiesThis article presents a model for assessing the quality of interlingual live subtitling, as carried out by way of respeaking and automatic speech recognition or other means. The first part reviews the requirements and formulas for quality assessment in intralingual live subtitling and presents the NER model, developed by the…
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Public Policies, Diversity and National Cinemas in the Spanish context: Catalonia, Basque Country and GaliciaMaría Soliña Barreiro Ana Isabel Rodríguez Vázquez , Miren Manias Muñoz2017 Communication & SocietyThe 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of the diversity of cultural expressions. In the current global context, developing cultural policies and measures to nurture such creativity becomes key issue. Moreover, in the case of small communities in a minority situation where the cultural…
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Accessible Filmmaking in Documentaries2017 Intralinea, Special Issue: Building Bridges between Film Studies and Translation StudiesIn line with current attempts to build bridges between film and translation, the present article applies the notion of accessible filmmaking (the integration of audiovisual translation and accessibility as part of the filmmaking process) to the theory and practice of documentary film. The first part of the article offers a…
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The Use of Respeaking for the Transcription of Non-FictionalGenres: An Exploratory StudyPablo Romero Fresco , Anna Matamala, L. Daniluk2017 IntralineaTranscription is not only a useful tool for audiovisual translation, but also a task that is being increasingly performed by translators in different scenarios. This article presents the results of an experiment in which three transcription methods are compared: manual transcription, respeaking, and revision of a transcript generated by speech…
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Norma e autoridade lingüística no galego e no portugués brasileiroHenrique Monteagudo e Xoán Carlos Lagares2017 Labor históricoThis article proposes a compared analysis of the mode of normative construction and the inherent conflicts of the constitution of the normative authority in the Galician language and in the Portuguese from Brasil. The justification for this kind of comparative study is that they both as “emergent languages”, in a…
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La transmisión intergeneracional del gallego. Comparación con el catalánXaquín Loredo e Henrique Monteagudo2017 Treballs de sociolingüística catalanaThe decline of the Galician language shown by the latest demolinguistic surveys is gaining speed. This paper focuses on an analysis of the intergenerational language transmission of Galician on the basis of the Catalan Language Intergenerational Transmission Rate, which was designed by Torres (2009) and which is commonly used in…
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Docencia universitaria 2.0. Efectos de la Web 2.0 en la docencia universitaria como objeto de estudio en las revistas españolas de comunicaciónAna Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Sabela Direito-Rebollal2017 Revista Latina de Comunicación Social (RLCS)The emergence of the so called Web 2.0 has substantially changed the ways of communication and formation in this fiald also should have present the new environment. The present work carries out an analysis of the research on universitary teaching an social media in the period 2010-2015.
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MAM (Media Asset Management, Sistema de Gestión de Archivos de Medios)Introducción de la digitalización MAM en las televisiones en EspañaOswaldo García Crespo, Silvia García Mirón2017 Revista Latina de Comunicación SocialThis work analyzes the introduction in Spain of the first systems of production and television broadcasting based on computer files technology, also known as MAM (Media Asset Management). The establishment of the different MAM systems as a digitization, has meant the replacement of the technology based on video tapes, due…
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Competencias tecnológicas y nuevos perfiles profesionales: desafíos del periodismo actualAna Isabel Rodríguez Vázquez , Xosé López García, Xosé Pereira Fariña2017 ComunicarThe paper aims at understanding the intersections between technology and the professional practices in some of the new trends in journalism that are using the new tools: multimedia journalism, immersive journalism and data journalism. The great dilemma facing journalism when training new professionals –especially the youngest– is not anymore the…
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El periodismo biónico: fortalezas y amenazas para una profesión en cambioAna Isabel Rodríguez Vázquez , Xosé López García, Andrea Valencia Bermúdez2017 Estudios sobre el Mensaje PeriodísticoJournalism, which finds itself mired in the metamorphosis of the network society, should adopt techniques that allow it to meet the new challenges of complex societies of the third millennium. Although never before have been so many researches on journalism carried out, the application of that scientific knowledge comes too…
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Natural interaction in virtual TV sets through the synergistic operation of low-cost sensorsEnrique Castelló Mayo , Roi Méndez, Julián Flores, Jose R. R. Viqueira2017 International Journal Universal Access the Information SocietyA virtual TV set combines images from the real world with a virtual environment in order to obtain images that give the impression of the real elements, such as actors or physical objects, being present in a computer-generated scene. Thus, the audience has the feeling of the talents being present…
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New distributed virtual TV set architecture for a synergistic operation of sensor and improved interaction between real and virtual worldsEnrique Castelló Mayo , Roi Méndez, Julián Flores, José Ramon Rios Viqueira2017 Multimedia Tools and ApplicationsA virtual TV set is a studio that is able to combine recorded actors and objects with computer generated virtual environments in real time. In order to achieve this combination seamlessly, in an ideal configuration, several elements such as cameras, objects and people should be tracked so that all their…
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Getting the mob angryThe satire of Masa Enfurecida as political incorrectness in social networking2017 Humor. International Journal of Humor Researchince Ancient Greece satirists are feared figures in any group articulation. Often protected by anonymity, authors have defied political and social order with a harsh and unpleasant sense of humour, which pushes the limits of political correction. This form based in breaking news and everyday life has a particularly suitable…
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Efecto inmersión y relevancia cognoscitiva en los vídeos de guerra en la Red2017 Estudios sobre el Mensaje PeriodísticoThe way to represent war and social conflicts have been changing as those have been changing too: the recent wars in Iraq and Afghanistan, the Arab Springs, the actions of the Islamic State. The webcast amateur images are replacing the professional journalistic stories. As seemingly unrelated fragments, they form a…
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Conectar con el público: diseño estratégico de las comunidades de usuarios por la TV convergenteAna Isabel Rodríguez Vázquez , José Ignacio Aguaded, Rosa García-Ruíz2017 Observatorio (OBS) JournalThe challenges of human interaction go through the basic need to connect. TV digitization resulted in a converged environment that strengthens the “de-massification of the mass media“. The increasingly personalized, targeted, shared and commented consumption require strategies to connect directly to each user, while seeking his own connection with other…
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“Volvoretas con las alas cortadas”Algunas cuestiones sobre el cine español 1962-19762017 Volvoreta. Revista de literatura, Xornalismo e Historia do Cinema
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Carta da GalizaO espazo lusófono e a eterna diáspora2017 Anuario Internacional de Comunicação Lusófona«Ciberculture, regulation, cooperation are the three entries that articulated the XII LUSOCOM / III MEDIACOM congress, celebrated in Praia, capital of Cabo Verde, from 19th to 21st of October 2016. Departing from interconnected communication scenarios, it was an attempt to look for models of cooperation from difference, of arguing about…
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Cines nacionales y lenguas no hegemónicas. La invisibilidad del gallego frente a las políticas de diversidad cultural2016 CIC Cuadernos de Información y ComunicaciónIn the spirit of the proposals of the Agenda 2020 about the structural role of cinema in the configuration of the European identities, this article highlights the significance of the national cinemas in non-hegemonic languages in the conformation of a diverse European culture. Following this perspective, we use Galician cinema…
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European cinema in the languages of stateless and small nations2016 Revista Latina de Comunicación SocialThis article deals with the recent incorporation within the field of academic reflection bearing a variety of terms – the cinema of small nations, identity, in minority/minorised languages; the reconceptualisation of the term national cinema, which is symptomatic of the multiplicity of practices of surviving languages; and a discussion of…
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Acciones (in)diferentes, tensiones latentesA propósito de feminismo y “Novo Cinema Galego”2016 IC Revista Científica de Información y ComunicaciónAre there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
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Cine accesible: Uniendo los puntos entre la traducción audiovisual y la realización cinematográfica2016 Prosopopeya. Revista de Crítica Contemporánea, Traducción, ideología y poder en la ficción audiovisual. Frederic Chaume Varela e Maberl Richart Marset (eds.)In spite of the peak of the research in Audiovisual Translation (AVT) and the accessibility to the media, its main modalities of translation (dubbing, interlinguistic subtitling, deaf subtitling and audiodescription) are yet an element added to the filmmaking production process, which creates a concerning lack of investment in this industry…
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Accessing communication: The quality of live subtitles in the UK2016 Language & CommunicationThis article presents the results of the first official assessment on the quality of live TV subtitles in the UK as a form of access to audiovisual communication for deaf and hard-of-hearing viewers. Carried out in collaboration with the British governmental regulator Ofcom, this is the largest analysis ever conducted…
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Mobile Devices: The New Challenge for the Newspaper and Book Industry in SpainAna Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Xosé López-García2016 Palabra ClaveThis article analyzes the changes introduced by new mobile devices in more traditional European cultural industries: the newspaper and the publishing industry. After evaluating the current situation in both sectors in Spain, this reflects on the real change that is occurring in the media ecosystem, due to the emergence of…
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Software, statistics, and database management for data journalistsAna Isabel Rodríguez Vázquez , Xosé López García, Carlos Toural Bran2016 El profesional de la informaciónJournalists must update their competencies and skills to produce quality articles for today’s digital environment. New roles for journalists include data journalists, network managers, multimedia journalists, content curators, and mobile journalists. This article analyzes the evolution of the data journalist from its earliest beginnings to the present. The analysis includes…
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El documental en España: espacios de lo políticoMargarita Ledo Andión , Jordi Revert, Mercedes Álvarez, Georgina Cisquella, Isadora Guardia2016 L’Atalante. Revista de Estudios CinematográficosThe development of the political documentary film in Spain has been conditioned by a historical itinerary that has resulted determinant in the almost absence of a consolidated tradition of audiovisual militancy from non-fiction. Nevertheless, and despite the obstacles, the format has going on reinventing itself from the adversity to conform…
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Transcoding strategies for prime TV genres in SpainAna Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez2016 El profesional de la informaciónToday’s TV context is defined by new services like view-on-demand, “extra” content, and conversations with the audience. The public has more power to decide what to view and can influence the programming with their comments. Because of this, TV channels have created strategies to improve the online products and encourage…
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O sucesso dos cinemas menoresBaixo orçamento e alternativas cinematográficas no Brasil e na GalizaSilvia Roca Baamonde Marta Pérez Pereiro , Karine Ruy2016 Eptic online: revista electronica internacional de economia política da informaçao, da comuniçao e da culturaThis article discusses the existence of an increasingly prominent film industry that opera- tes on the margins of the commercial system and that, despite limited resources – both economic and technical –, presents notable visibility within the international festival circuit. Even though low-budget films from Brazil and the limited production…
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O xornalismo en transición, a antesala dun modelo de ‘Total Journalism’Ana Isabel Rodríguez Vázquez , Xosé López García2016 Intercom. Revista Brasileira de Ciências da ComunicaçãoJournalism is undergoing for a strong metamorphosis in the process of reconfiguration of the media scene. The impact of the internet on the news routines was a turning point in the professional practice. No one doubts the relevance of the recent changes. There have been changes both in the search…
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El fact checking como reclamo y como servicio en los cibermediosAnálisis de las experiencias de The Washington Post y The GuardianAna Isabel Rodríguez Vázquez , Xosé López García, Lucía Álvarez Gromaz2016 TelosThe fact checking, one of the new information verification systems sponsored by technology, seems to gain prominence in the main cybermedia. This article analyses the fact checking model developed by The Guardian and The Washington Post, where it is found that the verifying processes are mainly applied to Politics and…
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La televisión de proximidad como eje de la oferta audiovisual cercanaEl papel de TVG en GaliciaAna Isabel Rodríguez Vázquez , Xosé López García, Xosé Soengas Pérez2016 adComunicaTelevision has shown its strengths in the formation of the present media environment, which has been built around the new paradigm of the global communication: the Internet. The best evidence of this assertion is the growing audience share of the different TV offerings. All this has been made possible by…
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An approach to fan cinema: home recordings of pop concerts2015 Fonseca. Journal of CommunicationThis article explores the phenomenon of home recordings of pop music concerts as a possible example of a terminological proposal of “fan cinema”. Through the film analysis of numerous concert videos taken from the Internet and films that use it, the text aims to understand if fan identity determines the…
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La ruta de las voces invisibles. Voz narradora en el cine español del primer franquismo2015 L’AtalanteThe use of a voice over narrator in outstanding fictions of the first Francoism comes in direct line of those other voices of comment, tutelary and persuasive, that already appeared in the news and documentaries of the Civil War, of which it is still a trace more of his presence…
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Festivales de cine y tendencias de futuro. Un estudio de caso2015 Opción. Revista de Ciencias Humanas y SocialesThis article aims to study the phenomenon cinema festival from its capacity to conform a specific personality and, thus, influence issues of aesthetic nature and advance the cinematographic art in a certain direction. On this basis, we analyze a case of success, the Curtas Vila do Conde-International Film Festival, a…
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Cine Documental. Cibercultura, tecnologías de proximidad.2015 Telos. Cuadernos de Comunicación e InnovaciónCyborg automatism and cultural hybridization are at the base of an expansive terminology that indicates, in the present, the implication of technology in personal and political experience. Documentary cinema, one of those objects in which the brand of the technological device is part, at the same time, of the relationship…
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Renaiming Itself. Nuevas definiciones en el cine contemporáneoMargarita Ledo Andión , Begoña Gutiérrez2015The idea of renaming the cinema from certain practices, taking a position and aspects that are not well regulated, when not made invisible, took shape in the conjunction of the use of technologies as a resource for diversity policies and a growing critical commitment, as well from the Academy, to…
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Identidades al margen y en los márgenesFrontera y laberinto en Arraianos (Eloy Enciso, 2012)2015 Fonseca Journal of CommunicationThe film we are studying here, Arraianos (Eloi Enciso, 2012), emerges as a crossroad where the fictional and the documentary converge, where an anti-naturalistic representation of a space is confined, and of the human group that it inhabits, and a will of visual investigation of this space, in which the…
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Propuesta de alfabetización mediática ante los estereotipos de género en los medios de comunicación.Resultados y valoración de 'Rostros de Mujer'.Ana Isabel Rodríguez Vázquez , Rosa García Ruiz, Ignacio Aguaded Gómez2015 Prisma Social. Revista de Ciencias SocialesEducating today’s society requires moving towards to new forms of literacy that promote a critical attitude towards the media, as a responsibility shared by various actors. In this paperwork, we propose an innovative resource to improve media education, aimed at different groups, addressing gender stereotypes that appear in different media…
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Medios de comunicación móviles.Potencialidades de las aplicaciones para smartphone de los medios de comunicación españoles de mayor audienciaAna Isabel Rodríguez Vázquez , Carmen Costa Sánchez, Xosé López García2015 Prisma Social. Revista de Ciencias SocialesMobile devices have come to stay. Both traditional and new media are making a commitment to walk with us in our pockets. The present article analyses the potentialities of mobiles (customization, geolocation, and multimedia integration) in the 30 most viewed Spanish media (press, radio and television). Results indicate that geolocation…
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La metamorfosi del giornalismo: reinventarsi per essere piú utile.Ana Isabel Rodríguez Vázquez , Xosé López García2015 Problemi dell'informazioneJournalism of the third millennium is undergoing huge changes, a real metamorphosis, but the basic (the elements of journalism) remains. What have changed, though, are some techniques and processes of seeking, producing, and disseminating, due to the new technologies and the proliferation of communicative processes. Journalism has adapted itself to…
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Governmental Control of Spanish Public Televison and Pluralism in NewcastsAna Isabel Rodríguez Vázquez , Xosé Soengas2015 Estudios sobre el Mensaje PeriodísticoThe goal of this study is to analyze and compare television newscasts broadcast during the most recent terms of office for Spain’s two primary political parties: the PSOE (the Socialist Party) and the PP (the conservative People’s Party); in order to better understand the characteristics of RTVE’s (The Spanish Radio…
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Proximity cyber media from Spain and Portugal in social media: channels for strengthening bonds with local communitiesAna Isabel Rodríguez Vázquez , Xosé López García, Carlos Torual Bran, Alba Silva Rodríguez2015 Revista Latina de Comunicación SocialThe evolution of social media is transforming proximity cyber media, especially the impact these models have on local communities. The evolution of the new media ecosystem over the past ten years has involved the proliferation of proximity cyber media, both born-digital and digitised media. Only time will tell whether these…
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From transmedia to repurposing journalism. Elpais. com press coverage about case of ebola in SpainAna Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Xosé López-García2015 Profesional de la InformacionTransmedia storytelling has become a useful strategy for fiction, documentaries, and for marketing and corporate communication. However, the study of this new tool applied to journalism and reporting has received less attention and has been more recent and theoretical. The aim of the present work is to determine whether or…
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La situación profesional de los periodistas españoles: las repercusiones de la crisis en los mediosAna Isabel Rodríguez Vázquez , Xosé Soengas; Natalia Abuín2014 Revista Latina de Comunicación SocialThis research analyzes the professional, labor and economic situation of journalists in Spain in the last five years, a period in which the crisis and media convergence coincide with the digitalization process. Method. To know the characteristics of the current scenario we conducted a qualitative and quantitative analysis with surveys…
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Ver y querer ver. Foto de guerra contra periodismo2014 Chasqui. Revista Latinoamericana de ComunicaciónWho deserve tears and who just a place in a database? How can we update the substantive role of images in violent conflicts? A letter by MacCullin published in The Times in July the 17th of 1982 talks about the banning of photographing the Falklands: “they saw in my experience…
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Creative Destruction as Economic Pattern of Europe’s Small-Scale Audiovisual Media Markets and Minority -Language Film Industries2014 China-USA Business ReviewThe small cinematography model as well as its incorporation into creation of the European digital space emerges as a paradigm of the creative destruction phenomenon in the way that Sombart spoke about and, afterwards, Schumpeter disseminated it seven decades ago. Working from this perspective, the University of Santiago de Compostela (USC)’ audiovisual…
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La diversidad cultural a través de la Red: el caso del cine identitario2013 Comunicar, Revista Científica Iberoamericana de Comunicación y EducaciónThe research «Cinema, Diversity and Networks» tries to isolate the principal stimuli or reticences in the consumption of products generated by small cinematographies, analyzing the particular case of the diffusion through the digital interactive networks of cinematographic contents produced in Galicia. It is a multicentral investigation with the collaboration of…
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A popularización do fonógrafo en Galicia: 1878-1895Xaime Fandiño, Zósimo López, Henrique Neira2013 Revista dos socios e Socias do Museo do Pobo Galego
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Comunicación e imaxe gráfica nas formacións orquestrais de GaliciaXaime Fandiño, Jesús Pérez, Henrique Neira2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
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Comunicación e imaxe suxerida nas formacións orquestrais de GaliciaXaime Fandiño, Jesús Pérez, Zósimo López2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de PoderAs a complement to the aesthetic and technical analysis of the posters of Galician orchestras, this work aims to deepen their discursive elements and detect the possible existence of latent discourses in the posters analyzed.
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Festivais de difusión identitaria. Máis alá da músicaXaime Fandiño, Carlos Regueira, Oswaldo García Crespo2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
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Informe Orquestras de Galicia 2011/2012 (As verbenas)Xaime Fandiño, Carlos Regueira, Henrique Neira2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
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The Role of the Internet and Social Networks in the Arab Uprisings An Alternative to Official Press CensorshipXosé Soengas Pérez2013 Comunicar (DOI: 10.3916/C41-2013-14)This research analyzes the power of the Internet and social networks in the Arab uprisings. We are interested in learning about the contribution of communication technology in low advanced societies in conflict situations and the value of the network as a link between young people who supported the changes from…
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Retos de la radio en los escenarios de la convergencia digitalXosé Soengas Pérez2013 AdComunica. Revista Científica de estrategias, tendencias e innovación en comunicación. Castellón: Facultat de Ciencies Humanes i Sociais. Universitat Jaume IThis article analyzes the current situation of the Spanish radio in the new media scenery, characterized by digital convergence, the redefinition of the classical functions in the media and the constant development of an increasingly more demanding and segmented audience. In the era of information, the codes and rules existing…
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El nuevo escenario informativo en españa después de la implantación de la Televisión Digital TerrestreXosé Soengas Pérez2013 Ámbitos. Revista Internacional de Comunicación. Sevilla: Departamento de Periodismo II. Universidad de SevillaIn this scientific paper, we intend to analyze the situation of the Spanish news scenario after the arrival of Digital Terrestrial Television, the characteristics of programs offered and the viability of different channels in a context set by changes, the economic downturn and the lack of a strategy in the…
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Galicia e a construción dun cinema nacional2013 A Trabe de Ouro: publicación galega de pensamento crítico
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Carta da GalizaMargarita Ledo Andión , Xosé López García2013 Anuário Internacional de Comunicaçao Lusófona 2013. Comunicación na diáspora e diásporas na comunicación.«A singular ephemeris opens the door to this new edition of the Anuário: the institutional recognition of Galician as the only own language of Galiza, that was the condition for the Lei de Normalización Lingüística de 1983 and that, in a volume articulated around a, is relevant to be aware…
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Pieza de aprendizaje: roots & routes2012 Telos, Revista de pensamiento sobre Comunicación, Tecnología y Sociedad
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Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space2012 Communication and Society/Comunicación y SociedadThis research article analyses the main barriers and motivations in the understanding and acceptance of Galician audiovisual media products by a sample of consumers located in different areas of the Lusophone space, according to the new circulation and consumption modes of audiovisual products. To this end, we examined the influence…
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Carta da Galiza2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/AgacomThinking the lusophony as a material and intellectual communication project, as a place for the relationship between knowledge and as a territory of concrete proposals, takes us to a scenario, that of globalization under neoliberal guidelines, where it is easy to lose foot when talking of expression, information and communication,…
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A incidencia do espazo mediático na identidade cultural cotiá: espazo público vs. espazo privado2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/AgacomBased on the hypothesis of the human production of signs generates a reality, this work tries to analyze the importance of the “mass media”, and his importance in the construction of the identity of the targets. Basing on the theories of the Sociology of the Knowledge, and of his precursor…
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Debates abertos en torno aos medios públicos audiovisuais galegos: xustificar o inxustificable?2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/AgacomThe context of the deep economic crisis puts the public media in general, and to Galicia in particular, at the crossroads of values that require them to justify the unjustifiable, meaning this last not need justification because it is obvious. TV and in times of crisis. And the questions that…
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Ausencia y representación, mirada y poder: la imagen que no vimos de Bin Laden2012 Estudios sobre el Mensaje PeriodísticoThe picture of Barak Obama and his group of collaborators, all watching to a screen that provided information on the operation that led to the death of Bin Laden, represents nowadays the visual reference that reports that momentous event. In view of the absence of the image of the terrorist…
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La realidad informativa en EE.UU., Europa y América LatinaXosé Soengas Pérez2012 Chasqui. Revista Latinoamericana de ComunicaciónThe analysis of the information reality in the USA, Europe and Latin America shows that the difficulties to inform and press coercions are common, especially in conflict zones. Censorship is presented in different ways and the different modalities correspond, almost always, with the nature of the political regimes and with…
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Sangre, fetiche, ceguera: deseos y abrazos rotos2012 Fotocinema. Revista científica de Cine y FotografíaSecond part of the (until now) dark almodovarian trilogy about male desire, the “Woman” object of that desire, and its devastating avatars (with Talk to her [2002] and The skin I live [2011]), The broken hugs constitutes one of the peaks of the filmography of Pedro Almodóvar, combining the reformulation…
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Cidus, de la integración digital a la consiliencia2012 Estudios sobre el mensaje periodísticIn 2009 the University of Santiago de Compostela starts the Platform for the Innovation and Experimentation and Innovation in Digital Contents (CIDUS): a pioneering experience of trans-disciplinary collaboration between 81 investigators of reference in the digital contents area, with a technological and socio-communicative profile, from fields as different as Physics,…
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A responsabilidade pública sobre a discapacidade no texto cinematográfico2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófonoThe present work analyzes the cinematographic text and his relation with the presence of the disability. After considering the logic of functioning of the different levels of the text, we come to the question of the foundation of the sense, as principal function of the text, relating the above mentioned…
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O encaixe da ‘Tripla A’ na ‘Tripla C’ do novo consumo televisivo2012 Papeis da Academia (Academia Galega do Audiovisual)Why? It is the fundamental question, the basic question on which the positioning of television products should be focused in the new consumption scenario.
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Tres fotografías: dende onde o mundo se chama Galicia2011 Fotocinema. Revista Científica de Cine y FotografíaIf our main goal is to reconstruct the history of photojournalism in Galicia from the photograph as part of the journalistic discourse, it leads us to confirm some uncertainties that disable a linear story by being unable to construct, much less in the case of a social institution as the…
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Photographs from where the world is called Galicia2010 Revista Latina de Comunicación Social
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De la no ficciónOn non fiction2010 L'Atalante. Revista de Estudios CinematográficosBeyond certain narrative styles of non-fiction in fiction, what is posed – through such different authors (by genre, age and film culture) as Winterbotton or Marguerite Duras – is the relationship of personal experience with the way to give body, through a work, to that intensity that the real brings…
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Nós, imaxinar a nación2010 A Trabe de Ouro: Publicación galega de pensamento crítico
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Algunhas notas sobre a investigación como realizativo2008 Anuário internacional da comunicaçao lusófona 2007
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Análise de contido, tratamento estético e linguaxe dos informativos audiovisuais en GaliciaAna Isabel Rodríguez Vázquez , Xosé Soengas Pérez; Anxela Chillón Álvarez, María Salgueiro Santiso2008 Anuário Internacional de Comunicação Lusófona 2008Within the framework of a research project of the Audiovisual Studies Group of the Department of Communication Sciences of the USC, an audiovisual information management system has been designed with the objective of periodically monitoring the news of the radio stations. and television in Galicia with higher ratings and regional…
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Análise de contido, tratamento e estética, e de linguaxe dos informativos de radio e televisiónAna Isabel Rodríguez Vázquez , María Salgueiro Santiso, Anxela Chillón Álvarez2008 Actas do Congreso Internacional Fundacional AE-IC I+C Investigar la ComunicaciónWithin the framework of a research project of the Group of Audiovisual Studies of the Department of Communication Sciences of the USC, a system of audiovisual information expenditure has been designed with the objective of carrying out a periodic follow-up of the news of the radio stations. and television in…
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“Mar adentro” (Alejandro Amenábar. 2004) y las zozobras del cine español2008 Foro hispánico: revista hispánica de Flandes y Holanda | Pietsie Feenstra e Hub. Hermans (dirs)An approach to the obsessive authorial career of Alejandro Amenábar and the striking critical and social conflict that gave rise to the premiere of “Mar adentro”, both for his (apparent) vocation of active proclamation in favor of euthanasia, and for its extraordinary international repercussion and the extreme critical reactions aroused.…
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Por debajo del cine documental, lo real: la inclusión del mundo2008 El Valor de la Palabra
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Terra do Xicle. Carlos Velo, México, 19522007 Trípodos
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Ante la aparición de Tierra del chicle, Carlos Velo, México, 19522007 TrípodosA producer, Barbachano Ponce; an ideologue and cultural animator, Fernando Gamboa; an exiled republican cineaste, Carlos Velo, are part of a generation which transformed the way of thinking about documentaries while at the same time applying it to the making of certain works which comprise the body of film work…
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La información en televisión: espectáculo y realidad manipuladaXosé Soengas Pérez2007 Revista ICONO14. Revista científica de ComunicaciónThis research addresses the main aspects that correspond to the scope and context of television information: origin of the information, nature of the sources and protagonists, characteristics of the news, treatment and focus of the contents and analysis of the characters protagonists of the events. Studying these details will determine…
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El control de la información en televisiónXosé Soengas Pérez2007 Ámbitos (Revista internacional de comunicación)This research analyses the main aspects of broadcast news: Information origin, sources and the leading characters, news´s characteristics, news´s treatment and analysis of the main facts. To study all this will show us if there is, o not censorship, news manipulation and inappropriate news treatment. We focused our main interest…
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A experiencia dunha proposta audiovisual on line2007 Maremagnum, publicación galega sobre os transtornos do espectro autistaIn 2009 the University of Santiago de Compostela starts the Platform for the Innovation and Experimentation and Innovation in Digital Contents (CIDUS): a pioneering experience of transdisciplinary collaboration between 81 investigators of reference in the digital contents area, with a technological and sociocommunicative profile, from fields as different as Physics,…
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Singularización e indiferenciación: la paradoja contemporánea de la esfera cultural2006 Anuário Internacional de Comunicaçao Lusófona 2005: Comunicaçao, Identidades, Migraçoes e culturas na Lusofonía
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A identidade galega nas televisións estatais e na TVGAna Isabel Rodríguez Vázquez , Xosé Soengas Pérez2005
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El discurso radiofónico. Particularidades de la narración sonoraXosé Soengas Pérez2005 PRISMA.COM. Revista de Ciencias da Informaçao e da Comunicaçao do CETAC.The narrative characteristics of the radio story are defined by the diversity of the elements that compose the message. The sonorous dimension of radio implies some peculiarities that differentiate it from other media and, at the same time, conditions the construction of the story. Besides, it is important to analyse…
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Los contenidos informativos en las televisiones generalistasXosé Soengas Pérez2005 Ámbitos (Revista internacional de comunicación)There’s a great homogeneity on Spanish television. The structure of many tv production departments and the contents analysis of their news show that television works are based in strictly defined balances between political, economical and society news. Powerless people are silenced. Their problems aren’t correctly reflected. Formal pluralism doesn’t mean…
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O tratamento informativo dos acontecementos de relevancia extraordinariaXosé Soengas Pérez2005Informative events of outstanding significance need a specific treatment due to their peculiar characteristics. Since they have a huge impact in society and bring highly relevant consequences to it, these events endure much longer than everyday news. Facts are measured out and different dimensions of events are progressively amplified. This…
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El Paradigma Mercantil en la Generación de la Cultura Mediática: Experiencia vs. Consumo2004 Razón y Palabra. Primera revista electrónica en América Latina especializada en tópicos de comunicaciónThe generation of the more recent media culture as a huge mosaic points to communication media and, more widely, to cultural industries, as their main authors. The cultural grid resulting will answer to a series of characteristics analysed, such as segmentation, excision, disconnection, and incoherence, but also the tendency to…
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A impronta sociocultural da televisión local: o valor da identidade local no mundo globalO impacto das novas tecnoloxías da dimensión televisiva de proximidade. O caso galego2004 AGIR (Asociaçao para a Investigaçao e Desenvolvimento Sócio-Cultural)
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Violence in Television Fiction Aimed at the Child-Juvenile Audience: An Alternative Analysis2004 Newsletter on Children, Youth &Media in the World
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Os estados xerais da cinematografía e do audiovisual2003 Anuário Internacional de Comunicaçao Lusófona, LUSOCOM, Federaçao Lusófona de Ciencias da Comunicaçao, Ano I
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O xornalista especializado: formación e característicasXosé Soengas Pérez2003The specialised information was born from the journalist purpose to deepen in public interest topics and to process them as monographs. The proliferation of information proposals and the increasing of competitiveness forced many media to look for a new place in the market by means of the specialization of contents,…
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La manifestación de la violencia en televisión: la crisis del texto publicitario2003 Anuario de Sphera Pública. Revista de Ciencias Sociales y de la Comunciación “La violencia en la generación de culturas fronterizas”The increasing concern for the presence of violent demonstrations manifestations in television, one of the main agents in the configuration of individual and collective reality in the modern societies, has been translated in a myriad of investigations that, despite its omnipresence, usually exclude the advertising texts. Even though advertising discourse…
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La producción del presente social en Televisión2003 Publicación anual I/C. Revista científica de Información y ComunicaciónThe increasing mediation of the experience, articulated by the so called communication media –and in a hegemonic way by the TV dispositive–, constitutes one of the defining elements of the configuration of the individual and collective reality in modern societies. It is a mediation whose intensity and omnipresence pushes the…
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Radiografía de la Televisión Local en Galicia2003 Emisiones Tv
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Variantes na mundialización: Galiza na Lusocom2003 Tempo Exterior, revista de análise e estudios internacionaisAs often happens in history, the idea precedes its implementation; necessity created a certain state of consciousness; thinking about diversity and the European policy of cultural exceptionalism, which we apply to the field of cinematography and audiovisual, allowed us to take the debate to a new stage, and everything is…
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La mirada documental2002 Temes de DissenyThere is a way of producing images that brings with it the inevitability of the viewer, the relationship between author, characters and representation, towards an out of field in which a caryatid maintains with his diaphanous hand the passage of time and the contingent construction of the time on the…
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Quince Anos de Televisión2001 Estudios de ComunicaciónThe assessment and analysis of television are approached from the setting and evolution of certain programming constants, from budgetary aspects and, especially, from their role in a process -regular- that we call “normalization”. As a result and as an operator in the construction of a national collective subject, public television…
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Documental y nación.comPolíticas públicas e identidad: Québec-Canadá.2001 Anàlisi, Quaderns de Comunicació i CulturaA new way of inserting reality into documentaries. The wide-angle lens apparatus, as part of the relationship between the film and the viewer, make Les Raquetteurs (1958, by Michel Brault/Gilles Groulx) a good example of the direct before the direct cinema. The street, the ritual, the sense of belonging, the…
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Diversificar a mundialización2000 Eptic, revista electrónica sobre TIC«We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
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A mundialización, en plural2000 A Trabe de Ouro, publicación galega de pensamento crítico«We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
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Aquel, máis que neve branco2000 Revista de estudios rosalianos
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Tv and interculturalism in Brittany, Galicia and Wales1998 Anuario Unesco/Umesp de Comunicaçao regional 1998, Ano II
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A propósito de la visibilidad1998 Forum Mundial de la Televisión Infantil 1997/World Forum on Chlindren’s Television
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Televisión e interculturalidade: Bretaña, Galicia e País de Gales1998 A Trabe de Ouro, publicación galega de pensamento crítico
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A tele, metáfora virtual1996 A Trabe de Ouro, publicación galega de pensamento crítico
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A tecnoloxía como contido1995 A Trabe de Ouro, publicación galega de pensamento crítico
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De xornalismo en lingua galega1995 Colóquio/Letras
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Documentalismo contemporáneo: da inocencia á lucidez1993 Revista de Comunicaçao e Linguagens, Centro de Estudios de Comunicaçao e Linguagens (CECL)
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Réplica a “Nacionalismo e Información”1991 A Trabe de Ouro, publicación galega de pensamento crítico
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Dereito de autodeterminaciónUn exemplo dos límites democráticos do Estado Español verbo das NacionalidadesMargarita Ledo Andión , Josep M. Sole i Sabaté1990 A Trabe de Ouro, publicación galega de pensamento crítico
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En defensa da subxectividade1990 A Trabe de Ouro, publicación galega de pensamento crítico
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Escritores en Lingua Galega: opoñentes, orgánicos, mediáticos1989 Journal of Interdisciplinary Literare Studies
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La revuelta en la mirada: Las imágenes del tiempo en el cine de vanguardia europeo de los años veinte2022 La revuelta en la mirada: Las imágenes del tiempo en el cine de vanguardia europeo de los años veinteAvant-garde filmmakers travelled through modernity rescuing images and times discarded by the dominant visual and historical discourses. Cinema allowed them to give vent to a joie de voir not only for the pleasure of astonishment, but also for the disarmament of the discursivisation of life, of the image and of…
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De illas e sereasPara unha historia do cinema en lingua galega (3)Margarita Ledo Andión José Luis Castro de Paz Antía López Gómez Marta Pérez Pereiro Fernando Redondo Neira Cibrán Tenreiro Uzal , Alberte Pagán, Pablo Suárez-Mansilla2020 De illas e sereas. Para unha historia do cinema en lingua galega«Para unha historia do cinema en lingua galega, 1, 2 e 3» é a proba fáctica do noso «desexo de comunidade» tal e coma Jacques Rancière observa determinados acontecementos contemporáneos que queren ocupar a esfera pública, evitar o seu aniquilamento. E a creación, en calquera soporte, linguaxe ou formulación, é…
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Cadernos de Comunicación e Xénero CO(M)XÉNERO 1Margarita Ledo Andión Marta Pérez Pereiro Silvia Roca Baamonde , Ana Jorge Alonso, Ana Catarina Pereira, Elena Oroz, Carla Cerqueira, Dhaunae De Vir2020 Cadernos de Comunicación e Xénero CO(M)XÉNEROPresentamos o primeiro Caderno de Comunicación e Xénero CO(M)XÉNERO, resultado das tres primeiras sesións do seminario, para ampliar o debate sobre os temas e motivos que nos levaran á realización destes encontros. Situámonos no pensamento crítico, na súa aplicación aos lugares que habitamos, ás propostas que construímos, ás obras onde…
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A foresta e as árboresPara unha historia do cinema en lingua galega (2)Margarita Ledo Andión José Luis Castro de Paz Antía López Gómez Enrique Castelló Mayo Fernando Redondo Neira Marta Pérez Pereiro María Soliña Barreiro , Xosé Nogueira Otero, Iván Villarmea Álvarez2019 A foresta e as árbores. Para unha historia do cinema en lingua galega«So o enunciado A foresta e as árbores, neste novo volume adentrámonos na análise dunha mostra representativa de filmes que, en presente, contrúen, balizan e normalizan un ámbito singular da cultura: producir películas na lingua propia de Galiza […] Sobordando tópicos, este é un libro no que as árbores deixan…
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Os amorodos de BergmanPremio Ramón Piñeiro de Ensaio 2018Between 1925 and 1934, the group of excursionists called Sociedade Amigos do Campo shot about one hundred films that showed their interest for the landscape. These travel films, instead of exceptional events, gather up trivial moments. Fernando Redondo Neira’s essay departs from that film register, without montage or other complements,…
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El cuerpo y la cámaraBy Margarita Ledo Andión2019 El cuerpo y la cámaraMargarita Ledo reflects on the body when is filmed, photographed, represented. In the era of “selfies”, when “smartphones” have turned photography into a daily, proliferating and domestic gesture for all of us, a pertinent question may be who, in truth, are we representing to? What do we seek to put…
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Marcas na paisaxe. Para unha historia do cinema en lingua galegaPara unha historia do cinema en lingua galegaMargarita Ledo Andión Fernando Redondo Neira Marta Pérez Pereiro Brais Romero José Luis Castro de Paz , Xan Gómez Viñas, Xosé Nogueira2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega.«On the occasion of two ephemeris, the fiftieth year of 1968 as an animator of the militant cinema and the 2018 declaration as ‘European Year of Cultural, Material, Immaterial and Digital Heritage’, we wanted to resume the paths of cinema with chapters that bring us back again to the of…
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Cine y exilio. Forma(s) de la ausencia2017 Cine y exilio. Forma(s) de la ausenciaWhat could has been perhaps one of the causes of the republican defeat, that bustling disorder of the febrile and burning masses that inhabit the war reports of the loyal band to the democratic government, would turn later into in the most painful procession of humiliated and mutilated people, barely…
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Fernando Rey. Cabaleiro de cinema (1917-2017)José Luis Castro de Paz , Rubén Ventureira2017 Fernando Rey. Cabaleiro de cinema. (1917-2017)
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Alén das Fronteiras. Redes na diversidadeMargarita Ledo Andión Ana Isabel Rodríguez Vázquez , Francisco Campo, Carlos Toural, Xosé Rúas, Carmen Costa, María Salgueiro, Marta Rodríguez (Eds)2017 Alén das Fronteiras. Redes na diversidade. Actas do I Congresso Internacional da Asociación Galega de Investigadoras e Investigadores en ComunicaciónIt is always a motive of pride to present the achieves to a scientific meeting. But in this case it becomes specially relevant since under the title Alén das fronteiras: redes na diversidade, the AGACOM, Galician association of researchers on Communication, celebrates its first international congress. The event conjugates, therefore,…
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La televisión pública regionalEl caso de Televisión de Galicia: digitalización y evolución tecnológica en Televisión de Galicia (1985-2012)Rubén García-Loureda Díaz2017 La televisión pública regional. El caso de Televisión de Galicia: digitalización y evolución tecnológica en Televisión de Galicia (1985-2012)«This thesis analyzes the technological evolution of the TV of Galicia (TVG) since the launch of the first broadcasts in 1985 until the year 2012, which inaugurated what we could consider the first MAM digitalization of this company in the Delegation Provincial de Lugo of the autonomous public television of…
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Finlandia, Galicia, Gales. Os retos dos pequenos cinemas en linguas non hexemónicas2016 Finlandia, Galicia, Gales. Os retos dos pequenos cinemas en linguas non hexemónicas. Margarita Ledo Andión (coord.)
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A construción da(s) identidade(s) a través da comunicaciónAnais do XI Congreso LUSOCOM 2014Margarita Ledo Andión , Emma Torres Romay; José Rúas Araújo; Francisco Campos Freire2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014The lusophone research in Communication conquers new spaces. This new edition of the yearbook collects, under the prism of an approach of the cartographies of the lusophone investigation, a group of approaches that reflect the progressive dynamism that characterizes the work of consolidated research teams in the different countries. Some…
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eDCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o.2016 eDCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o. Margarita Ledo Andión (coord.)
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Vida en sombrasEl cine español en el laberinto (1939-1953)2016 Vida en sombras. El cine español en el laberinto (1939-1953)The book, born from the homonymous season of Reina Sofía’s Museum, seeks to give light to one of the darkest times of the Spanish film history. An age marked by the organization imposed by the dictatorial regime, that has arrived to our days with the heavy charge of clichés that…
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Anais do XI Congreso LusocomMargarita Ledo Andión , Emma Torres Romay, José Rúas Araújo e Francisco Campos Freire2016 Anais do XI Congreso LusocomAlongside these 2 decades of LUSOCOM, our mark-territory of esteem, as is collected in the statutes of the Federaçao, has resulted in the approach of the Angolan, Brazilian, Galician, Portuguese, from Mozambique, Guinea or Cabo Verde academic communities, translated in scientific events, publications and in the edition of the Anuário…
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La renovación del periodismo en la sociedad en redAna Isabel Rodríguez Vázquez , Xosé López García, Carlos Toural Bran2016The journalism has become complex in the complex contemporary society. Any approach to current journalism, for thorough it intents to be, always takes the risk of resulting partial because in the world panorama there are many journalistic nuances. There is not only one way of understanding journalism, despite there are…
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Comunicación, Cultura e Esferas de PoderMargarita Ledo Andión , Maria Immacolata Vassallo de Lopes2015 Comunicación, Cultura e Esferas de Poder. Maria Immacolata Vassallo de Lopes e Margarita Ledo Andión (eds.)
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Cine Diversidad y Redes.Pequeñas cinematografías, políticas de la diversidad y nuevos modos de consumo culturalThis book has been written in the framework of the research “Cinema, Diversity and Networks” developed by the Grupo de Estudos Audiovisuais (GI 1786) of the Universidade de Santiago de Compostela with the collaboration of the Instituto Universitario Nacional del Arte de Argentina, the Universidad Nacional de Quilmes, the Instituto Escuela…
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Terra, Festas e Música PopularPequenas historias de Vedra de 1891 a 1900Henrique Neira Pereira2013
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Cine, Diversidad y Redes. Pequeñas cinematografías, Políticas de la Diversidad y Nuevos Modos de Consumo Cultural, Buenos Aires
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Modos de representación en el cine español posbélicoJosé Luis Castro de Paz offers, from the footprint of Wenceslao Fernández Flórez, a culmination and a starting point after more than two decades of research on Spanish cinema in the forties. As such, it is destined to become the inescusible historiographical foundation from which to look with meticulousness to…
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José Sellier en A Coruña: los comienzos del cine españolJosé Luis Castro de Paz , José María Folgar de la Calle2013Although he lives in A Coruña part of his childhood, José Sellier Loup (France, 1850, A Coruña, 1922) settled permanently in the Galician city in 1886. Immediately relevant photographer, acquires a cinematograph as soon as it is available for sale in May of 1897. That same month, he shoots “several…
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Comunicación na diáspora e diásporas na comunicaciónAnuário Internacional de Comunicaçao Lusófona 2013Margarita Ledo Andión , Xosé López García; María Salgueiro Santiso2013 Comunicación na diáspora e diásporas na comunicación. Anuário Internacional de Comunicaçao Lusófona 2013. Margarita Ledo Andión, Xosé López García; María Salgueiro Santiso (eds.)A singular ephemeris opens the door to this new edition of the Anuário: the institutional recognition of Galician as the only own language of Galiza, that was the condition for the Lei de Normalización Lingüística de 1983 and that, in a volume articulated around a, is relevant to be aware…
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Medios Públicos e Espazo LusófonoAnuario Lusocom 20122013 Medios Públicos e Espazo Lusófono. Anuario Lusocom 2012The multiple landscape in which the different public systems of communication of the lusophone space are developed constitutes the origin of the 2012 yearbook that, in addition to this wide and plural theme regarding gazes, analysed aspects and objects, delves into the discussion around questions of language and communication, ciberculture…
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Investigar la comunicación en Loja-ecuadorEl valor de la formación, producción y consumoAna Isabel Rodríguez Vázquez , Gabriela Coronel Salas2012Investigar la comunicación is a collective work of investigations of 22 authors in the area of study of communication in Ecuador and in a international level. For those who do not have information about it, Loja is traditionally known for its richness in culture, music, and as a university city.…
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Anuário Internacional de Comunicação LusófonaMedios púbicos e espazo lusófonoMargarita Ledo Andión , Xosé López e María Salgueiro (Eds)2012The mulpiple landscape in which the different public systems of communication of the lusophone space are developed constitutes the core of the Anuário 2012 that, in addition to this wide and plural theme regarding gazes, aspects and objects of analysis, deepens in the debate of questions relative to language and…
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Sombras desoladas. Costumbrismo, humor, melancolía y reflexividad en el cine español de los años cuarentaA close and unprejudiced historiographical and textual analysis of the cinema of the 1940s demonstrates the survival, despite everything, of varied (often rich, always conditioned) filmic formulations able to maintain a common underground current that constitutes its authentic genetic material and that assures the recognition of its public and the…
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Lusofonía, interactividade e interculturalidade
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Do palco ao escenario. Unha aproximación analítica á industria da música nas festas populares de Galicia. (e-pub)Xaime Fandiño (comp.)2011
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Indicios de desaparición e tres fotografías dende onde o mundo se chama Galicia
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Galicia 1936-2011: Estudos sobre o filme de Carlos VeloMargarita Ledo Andión , Ramiro Ledo Cordeiro, Pablo Cayuela Miguel2011Ledo Andión, M; Ledo Cordeiro, R. & Cayuela, P. (2011)- Galicia 1936-2011. Estudos sobre o filme de Carlos Velo. Santiago de Compostela: USC, Grupo de Estudos Audiovisuais. Galicia 1936-2011. Estudos sobre o filme de Carlos Velo Serie de 3 estudos sobre ‘Galicia’ (Carlos Velo, 1936), co gallo da aparición, en…
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A discapacidade en imaxe2011 A discapacidade en imaxe
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Cine + Guerra Civil. Novos achádegos: Aproximacións analíticas e historiográficasJosé Luis Castro de Paz , David Castro de Paz2009
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Do bucle e da fenda. Para un ensaio crítico sobre a cultura galega2009 Do bucle e da fenda. Para un ensaio crítico sobre a cultura galega«Will the Real Academia Galega be able to become one of these places for memory, of conscious and unconscious models that hold that new and old treasure that makes that many of us can share the act of seeing, beyond the individualities of this ritual, of this board of 30…
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El enfoque informativo. Los puntos de vista de una noticia en televisiónXosé Soengas Pérez2008The liberal theories about objectivity that rested on the idea of information as a neutral and transparent representation of reality, showed as simplistic as critical theories that identified the means with instruments of power, which led to explain the contents in role of owners controlling the media. The reality is…
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Políticas de comunicación e identidad cultural: estrategias gubernamentales sobre la comunicación social.2007«This work constitutes, firstly, a tentative of covering an abandoned field by the essay production, the one constituted by the theme of communication policies. A desertion that results even more evident if we link this to other theme, the relating to cultural identity. Verified the difficulty of finding related literature,…
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Cine de fotógrafosRespect for the camera and a kind of empathy with what is going to be filmed connotes a type of film made by photographers: the documentary. In it, subjectivity gave way to self-referentiality, to the author as part of his material, and to the exploration of interstitial practices that unite…
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Comunicación audiovisual en la era digitalXosé López García, Xosé Soengas Pérez2005
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El Espéctaculo de lo Real en el Texto Televisivo: Gran HermanoThe purpose of this work is to study the Spectacle of the Real Televised (SRT), in general, as well as the analysis of a paradigmatic television format of the SRT, “GRAN BROTHER”, in particular. The investigation is divided into four chapters. The first one is devoted to the study of…
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Os “Estados Xerais” da Cinematografía e do Audiovisual en Galiza
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Del Cine-Ojo a Dogma 95The documentary, that cinema in the photographic way that for so long was considered a minor product, now reappears not only as an auteur cinema, but as one of the most appropriate products for the new contemporary reflection on the cultural industry and its exceptionality . The idea, the camera,…
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Informativos radiofónicosXosé Soengas Pérez2003Twenty-five years after the restoration of freedom of information on Spanish radio, the prestigious institutional image of this media is still linked to journalism with a program aimed mainly at the treatment of news in its different formats and journalistic genres. This book presents in a clear and simple way…
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El tratamiento informativo de lenguaje audiovisualXosé Soengas Pérez2003
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La dimensión de lo axiológico en el discurso del spot publicitarioThesis2003The statement that, in the shape of the unknown, leads since its beginning this research, is summed up in an attempt for positioning, detecting, if possible, the place of a particular request, the subject of unconscious, in the framework of an emblematic discourse, for its omnipresence, of our contemporary age:…
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Galicia-Finlandia. Modos de Pensar, Santiago de CompostelaMargarita Ledo Andión , Tapio Varis (Editores)2002
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Observatorio do Audiovisual Galego: Informe e catálogo 1999-2000
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Production télévisée et identité culturelle en Bretagne, Galice et Paes de Galles, RennesMargarita Ledo Andión , Jacques Guyot, Roland Michon2000
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Comunicar no século XXIXosé López García, Xosé Soengas Pérez2000The reports collected in this book were exposed during the conference “Comunicar no Século XXI”, which was held between the days 22nd and 26th of November, 1999, organized by the Department of Communication Sciences of the University of Santiago de Compostela.
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Comunicación Audiovisual: Investigación e Formación UniversitariasMargarita Ledo Andión , Margarida Krohling Kunsch (Editoras)1999
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A comunicación audiovisual na era dixitalXosé López García, Xosé Soengas Pérez1999The audiovisual landscape is undergoing important transformations and there is a growing need for new skills among professionals. Now we witness the consolidation of the Net Based Communication, whose main attributes are the following: first, it is multimedia; second, it is hypertextual; third, it has a synchronous character; and fourth,…
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Tv and Interculturalism: Brittany, Galicia and Walles/Tv e Interculturalidade. Bretaña, Galicia, Gales, Santiago de CompostelaMargarita Ledo Andión , Jacques Guyot, Roland Michond, Ellan Closs Stephens1998
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Documentalismo fotográfico. Éxodos e IdentidadeThe uses of image in the press can be classified through the search of the truth-effect, from the illusion of resemblance, when the photo presents itself as proof in the history of something that happened somewhere. The photo-truth was shaped in the 1930s as a need in the modeling of…
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Comunicación na Periferia Atlántica / Communication in the Atlantic Periphery
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Os informativos na radioXosé Soengas Pérez1996
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Documentalismo fotográfico contemporáneoThere was a time, the time of universal language, in which the photo was presented as the record of the plainly truth. After that, the genders of realism, the documentary and the report came, and the photo became part of the press and the credible. Meanwhile, the sublime was classified as…
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A linguaxe da radioXosé Soengas Pérez1993
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Los informativos diarios en las televisiones autonómicas (TVG, TV3 y ETB)Xosé Soengas Pérez1993The goal of this text is to prove the degree of transformations of the representation of the reality conveyed by the TV newsreel with the appearance of the autonomic televisions in the historical nationalities of the Spanish state, as well as the level of decentralization induced by the emergence of…
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O diario post-televisivo1993 O diario post-televisivo
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Linguas mortas. Serial radiofónico1989 Linguas mortas. Serial radiofónico
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Foto-xoc e Xornalismo de Crise
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Found in Translation: Film Festivals, Documentary and the Preservation of Linguistic DiversityAntía López Gómez María Soliña Barreiro , Aída Vallejo; Amanda Paz Alencar2020 Documentary Film Festivals Vol. 1 Methods, History, Politics.Vallejo, Aida, Winton, Ezra (Eds.)Written by Antía López Gómez, Aida Vallejo, Mª Soliña Barreiro and Amanda Paz Alencar, this chapter argues that research about minority-language films can be highly enriched if focused on the documentary genre. In opposition to the artificial imposition of dubbing practices, documentary films favour subtitling practices, providing the means for…
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Proemio. De illas e sereas2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Desexo de cinema: emoción e inscrición de clase2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Entre illas. Reciclaxe e arquivo no cinema galego2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Illas descoñecidasAlberte Pagán2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Illas espello2020 De illas e sereas. Para unha historia do cinema en lingua galega
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‘Lúa vermella’, de Lois Patiño. Unha mirada onírica a propósito dun universo real2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Se fan sufrir é porque sofren. Réquiem pola Galiza rural. (‘O que arde’, Oliver Laxe, 2019)José Luis Castro de Paz , Pablo Suárez-Mansilla2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Illas no deserto. Cinema galego na diáspora2020 De illas e sereas. Para unha historia do cinema en lingua galega
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Género e jornalismo. Representações e (in)visibilidadesPropostas para un tratamento informativo livre de tópicos sexistasCarla Cerqueira2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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Proemio. Caderno CO(M)XÉNERO 12020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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A Análise Crítica do DiscursoAna Jorge Alonso2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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A creación do suxeito feminino no cinemaInicios, consolidación e novos camiños da teoría e crítica feministas2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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Uma câmara só para ela: A construção de identidades através do cinemaAna Catarina Pereira2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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Soft monies/Hard realities: fronteira, tecnoloxía e xénero nos primeiros vídeo-ensaios de Ursula BiemannElena Oroz2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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A muller como creadora, protagonista e consumidora de videoxogos e transmediaDhaunae De Vir2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
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Prefacio. A foresta e as árbores2019 A foresta e as árbores. Para unha historia do cinema en lingua galegaSo o enunciado A foresta e as árbores, neste novo volume adentrámonos na análise dunha mostra representativa de filmes que, en presente, constrúen, balizan e normalizan un ámbito singular da cultura: producir películas na lingua propia de Galiza. Outra volta a distinción dos capítulos vai cara a aspectos que pasan…
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Filmar o dóDó de nós. Filmar a perda2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar o veladoXosé Nogueira Otero2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar o traballo2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar a ollada2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar as pulsiónsFormas e montaxes do desexo. As pulsións e os seus destinos no cine en galego actual2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar a pantasma2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Filmar a triboFilmar a tribo, filmar o íntimo no cinema galego contemporáneo2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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Fóra de campoTraumas históricos e persoais no cinema galegoIván Villarmea Álvarez2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
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No corpo da fala2018 De la escritura como resistencia. Textos in honorem Jenaro Talens
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Alma Pneumática/Alma neumática/Pneumatic Soul2018 Juliao Sarmento WITHOUT
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Prologue. National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian Peninsula2018 National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian PeninsulaMargarita Ledo signs the prologue of this book that collects a selection of articles developed from the most inspiring presentations at the XV Forum for Iberian Studies. Here, the concepts of Nation and Identity are analyzed from the literary, theatrical and filmic points of view.
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Proemio. Marcas na paisaxe2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega
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O Cine en Galiza, un relato descontinuo2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
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Filmar a Terra. A paisaxe como cuestión de clase2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
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O amador no cinema militante2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega
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Identidades buscadas e construídas: imaxes da emigración galega no cinema2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
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Un debate arredor da lingua2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
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Cinema nacional-popular: de “Fendetestas” até “A Esmorga”José Luis Castro de Paz , Xosé Nogueira2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
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Reception studies in live and pre-recorded subtitles for the deaf and hard of hearing2018 Reception Studies and Audiovisual Translation. Elena Di Giovanni y Yves Gambier (eds.)This chapter aims to provide an overview of reception research in the field of subtitling for the deaf and hard of hearing (SDH). Given that the development of reception research in this area is closely linked to the development of SDH as a professional practice and academic field of study,…
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Eye-tracking, Subtitling and Accessible Filmmaking2018 Seeing into Screens: Eye Tracking and the Moving Image. Tessa Dwyer, Claire Perkins, Sean Redmond y Jodi Sita (eds.)«Film and translation have not always been divorced from one another. They once lived happily together when the translation of intertitles was carried out as part of the post-production process in silent films, and even more happily throughout the 1930s with the so-called multiple-language versions (Vincendeau 1999), when films were…
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Respeaking: subtitling through speech recognition2018 The Routledge Handbook of Audiovisual Translation Studies. Luis Pérez-González (ed.)In broad terms, respeaking may be defined as the production of subtitles by means of speech recognition. A more thorough definition would present it as ‘a technique in which a respeaker listens to the original sound of a (live) programme or event and respeaks it, including punctuation marks and some…
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Accessible Filmmaking: Translation and Accessibility from Production2018 The Routledge Handbook of Audiovisual Translation Studies. Luis Pérez-González (ed.)Accessible filmmaking sets out to address the issues and integrate audiovisual translation (AVT) and accessibility as part of the filmmaking process through collaboration between filmmakers and translators. This chapter provides an overview of how the notion of accessible filmmaking is being applied in research, training and professional practice. It focuses…
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Periodismo de futuro y con futuroAna Isabel Rodríguez Vázquez , Xosé López García, Jorge Vázquez Herrero e Cruz Negreira Rey.2018 Periodismo con futuro. Puentes Rivera, I.; Campos Freire, F.; López García, X. (coords).Journalism has present and future. It is said by many academics, professional organizations and social and political actors. But that is not enough. It is not about convictions, desires or good intentions. The debates on the journalism future, needed and opportune in this time of transformation and change, feed declarations…
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The funny others on our screensStereotype, self-loathing and resistance in the audiovisual representation of Wales and GalciciaMarta Pérez Pereiro , Daryl Perrins2018 National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)Comparative analysis of humour in television and cinema narratives in Wales and Galicia in order to understand the evolution of both stereotypes.
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Candida, The Emigrant2018 National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)
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El “cambio de ola” en la investigación de audienciasEfectos en la planificación estratégica de los mediosAna Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez2018 Periodismo con futuro. Puentes Rivera, I.; Campos Freire, F.; López García, X. (coords).The updating of the communication paradigm in the digital era urges media to examine in deep its productive processes as well as its strategies to approach an audience that demands new enriched experiences, also in the consumption of informative products. Digital audiences position journalism in a new scenario of changes…
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As pasaxes múltiples: apuntamentos sobre as relacións de investigación da Galiza co espazo Iberoamericano2017 Cenários Comunicacionais: Entre as Sociedades Industriais e as Emergentes.The intersection between the two areas that this collective work calls “Ibero-American World”, the Portuguese-speaking and Spanish-speaking world, was one of the principles that guided the development of significant lines and research programs within the framework of the University of Santiago de Compostela, USC, in close collaboration with the Galician…
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Hacia el Total View y la medición integrada: la televisión pública y su conexión con la audienciaAna Isabel Rodríguez Vázquez , Sabela Direito-Rebollal2017 La comunicación en la nueva sociedad digitalTotal Brand / Total View / Total Audience, total, integrated and crossmedia measurement, is the immediate final destination of the changes that are being made in audience measurement systems. Although not all the value is quantitative, public television, like the rest of the media in the current digital communication ecosystem,…
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A Intimidade da Imaxe2017 Anna Turbau. Galicia 1975-1979
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Comunicación, Cultura, Internacionalización. Á volta do compromiso intelectual2017 A Internacionalização das Comunidades Lusófonas e Ibero-americana de Ciências Sociais e Humanas
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La realitat resideix entre els plecs…2017 Una trilogía de la conducta
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O cinema de Carlos Velo: expresión e construción de esfera pública2017 Galicia. Un século de creación 1916-2016A small film named Galicia by Carlos Velo (1936), lost as a result of the Spanish Civil War (1936-1939) and provisionally recomposed in 2011 from the appearance of two reels in a Russian archive, serves as pretext for a journey to the inner work-example of the “artistic mass production” that…
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Ver e querer ver. Foto de guerra contra Jornalismo2017 Comunicação, Guerra e Paz
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Montando «El mundo sigue». Entrevista con Rosa G. (Graceli) SalgadoJosé Luis Castro de Paz , Juan Estelrich, Héctor Paz Otero2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),The 27th of May of 2016 we visited in her adress in Madrid Rosa G. Salgado, editor of El mundo sigue and other thirteen titles of the filmography of Fernando Fernán-Gómez as director. Despite what is generally stated, her debut as chief editor was, in fact, El mensaje (1953), second…
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El bosque animado2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
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La culminación de la mirada crispada, violenta y popular de Fernando Rey: «El mundo sigue» (1963)2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),Fernán-Gómez’s work as director has a wide variety of influences: the literary tradition of the sainete and the costumbrismo of authors such as Arniches or Fernández Flórez, Spanish filmmakers he worked with such as Neville, Serrano de Osma or Saenz de Heredia, and last but not least Italian Neorealism, which…
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Locura de amorJosé Luis Castro de Paz , Rubén Ventureira2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
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Marcelino, pan y vino2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
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Voces sobre películas: Los últimos de Filipinas2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
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O Cine de Fernando Rey. Azar, dor, tenacidade e talento2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
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Television and Social NetworksAn analysis of the influence of Live-Tweeting in the Social AudiencesAna Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez2017 Recent Advances in Information Systems and Techologies. Álvaro Rocha, Ana Maria Correia, Hojjat Adeli, Luís Paulo Reis, Sandra Costanzo (eds.)Social networks have transformed the conception of the television audience. In order to adapt to a viewer increasingly active on the Internet, televisions conducted social media strategies to generate interactivity and attract users to their social profiles. One of them is based on the live-tweeting phenomenon, in which the conversation…
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Mesa redonda: El reestreno de “El mundo sigue”José Luis Castro de Paz , Juan Estelrich, Cristina Ros Berenguer, Belén Vidal, Ralf Junkerjürgen2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),In the framework of the congress “El mundo sigue, redescubrimiento de un clásico”, Juan Estelrich, fil director, restorer of El mundo sigue and godson of Fernando Fernán-Gómez, José Luis Castro de Paz (University of Santiago de Compostela), film historian and specialist in the film work of Fernán-Gómez, Cristina Ros Berenguer…
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“Devuélvanme lo que me han quitado”. Entrevista con Gemma CuervoJosé Luis Castro de Paz , Juan Estelrich, Cristina Alonso-Villa2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),In a few days Gemma Cuervo is going tobe 80 years old and we want to discuss a job that she carried out more than 50 years ago. Alongside the interview, we not only go deep in the knowledge about her work with Fernán-Gómez in this film, but, through the…
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SaúdaAlén das Fronteiras. Redes na diversidade2017 Alén das Fronteiras. Redes na diversidade. Actas do I Congresso Internacional da Asociación Galega de Investigadoras e Investigadores en Comunicación
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Experimentar, innovar e aprenderAna Isabel Rodríguez Vázquez , Xosé López García2017 Media e jornalismo de proximidade na era digital. Pedro Jerónimo (org.)20 years of ciberjournalism of proximity have allowed many and varied initiatives in different places of the globe. We can sum up the way, that allows us to speak of a majority of age of Ciberjournalism in this modality, at least in the conventions applied to the evolution of people,…
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Carlos Velo y el documental español de los años treinta2017 Cine, modernidad y cultura popular en los años treinta. M. García Carrión (ed.)
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Testemuñas do seu tempo. Cinema en Galicia nos anos vinte e trinta2017 Camiños da imaxe. Joaquín García Portela ‘Costiña’. Xurxo González e Isabel Martínez (coord.)
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Trends in Journalism for Metamedia of Connectivity and MobilityAna Isabel Rodríguez Vázquez , Xosé Soengas Pérez2017 Media and Metamedia Management. Francisco Campos Freire, Xosé Rúas Araújo, Valentín Alejandro Martínez Fernández, Xosé López GarcíaThe evolution of the networked society is defining journalistic practices and trends. While the elements of journalism remain, there is no doubt that the possibilities offered by existing tools feed experiencing renewed dimensions, from which there arise formats and pieces that help professionals to develop more quality information, according to…
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Reseñas2017 Anuário Internacional de Comunicaçao Lusófona 2015/2016. Metologias da pesquisa, cibercultura, regulaçao e cooperaçao
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La industria de la comunicación en Galicia (2010-2015)Ana Isabel Rodríguez Vázquez , Xosé Soengas Pérez2017 Observatorio Europeo de los Estudios en Comunicación. Competencias y Formación en Comunicación para el Empleo en la Economía Digital. Vivar-Zurita, H. e Abuín-Vences, N. (Eds.)
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Registrar el concierto pop: usos amateurs de las tecnologías digitales de imagen y sonido2017 Música, Sonido y Silencio en el Audiovisual: El sonido documental. Daniel Torras i Segura (ed.)Audio and video recording technologies have evolved in a relatively parallel way. In the two cases their cost has come down, their use has become easier and, consequently, their usage has been widespread. In the current digital era, the access of non-professional users to these technologies provides of register capacity…
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Algunas cuestiones sobre el cine republicano españolMargarita Ledo Andión , Alfonso Del Amo; Félix Fanés; Jesús García de Dueñas; Joan Minguet; Alfonso Punyal; Julio Pérez Perucha2016 Faros y Torres Vigía. El cine español durante la segunda república
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Galicia 1936-2011. Estudos sobre o filme de Carlos Velo.Margarita Ledo Andión , Ramiro Ledo Cordeiro; Pablo Cayuela de Miguel2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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Galicia y la construcción de un cine nacional2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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Limiar. edCINEMA. Cara o Espazo Dixital Europeo2016 edCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o.pp.
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Medios sociais e ensaio documental feminista2016 Comunicação, Cultura e Mídias Sociais. Lopes, M.I.V. & Kunsch, M.M.K. (Coords.)
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El malestar en el tiempo modernoLa melancolía como índice de las transformaciones históricas temporales y perceptivas en la urbe moderna a través del cine de vanguardia de los años 202016 Faros y Torres Vigía. El cine español durante la II República. José Pérez Perucha e A. Rubio Alcober (eds.)
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“Condenado a vivir” (Roberto Bodegas, 2001) y “Mar adentro” (Alejandro Amenábar, 2004): diferentes formas y propuestas de sentido2016 Javier Maqua, más que un cineasta. Análisis de sus obras. A. Montiel, J. Moral e F. Canet (coords.)
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“Lombrices que palpitan en el culo de la historia”"Tu estás loco, Briones" (Javier Maqua, 1980)2016 Javier Maqua, más que un cineasta. Análisis de sus obras. A. Montiel, J. Moral e F. Canet (coords.)
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Un fértil humus literario entre la aurora y la melancolíaLas dos versiones de «El malvado caravel» de Wenceslao Fernández Flórez (Edgar Neville, 1935; Fernando Fernán Gómez, 1955)2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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«¡Qué bello es vivir!» (1946)2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Destellos de genio» (2008)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«El dilema» (1999)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«El jardinero fiel» (2005)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«El mercader de Venecia» (2008)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«El soplón» (2009)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Gilda» (1946)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«La red social» (2010)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Lloyd de Londres» (1936)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Margin call» (2011)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Perdición» (1946)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Plácido» (1961)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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«Wall Street» (1987)José Luis Castro de Paz , David Castro de Paz2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
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Unha aproximación ao escenario laboral da industria da música en GaliciaXaime Fandiño, Zósimo López Pena e Henrique Neira Pereira2016 A comunicación en Galicia 2015. Xosé López García e Rosa Aneiros (coord.)The music industry in Galicia, due to its dimension, strategy, identity elements, authorship, entrepreneurship… needs of punctual studies and following in time that show its reality and evolution. With the data obtained and the hypothesis formulated in these sector works, we will be in conditions of reaching proposals and strategies…
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Cara o espazo dixital europeoAnálise das políticas de distribución do cine galego no contexto das cinematografías pequenas en versión orixinalAna Isabel Rodríguez Vázquez , Xaime Fandiño2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
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Las raíces culturales de un cineasta olvidadoAproximación a la trayectoria artística de Arturo Ruiz Castillo durante la Segunda RepúblicaFernando Gómez Beceiro2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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Una película histórica de la posguerra civil española sobre la discordia y la conciliación«La manigua sin Dios» (Arturo Ruiz-Castillo, 1947)Fernando Gómez Beceiro, Héctor Paz Otero2016 Diversidad en la literatura, el cine y la prensa española contemporánea. Fidel López Criado (coord.)
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Proemio-PrólogoFaros y Torres Vigía. El cine español durante la II República2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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SaúdaAnais do XI Congreso Lusocom2016 Anais do XI Congreso Lusocom
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Looking for a Place in Social Media Without Getting Trapped in NetworksAna Isabel Rodríguez Vázquez , Xosé López García, Xosé Soengas Pérez2016 New Advances in Information Systems and Technologies. Álvaro Rocha, Ana Maria Correia, Hojjat Adeli, Luis Paulo Reis, Marcelo Mendonça Teixeira (coord.)Journalism today is looking for new ways to ensure its survival in a context of reconfiguration of media and communication processes. It tests several options, even it is aware that it is at risk of being trapped in some dimensions of the digital world. As the change progresses, there arise…
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Evaluación preliminar del sensor Kinect V2 para su uso en platós virtuales de televisión con interacción naturalEnrique Castelló Mayo , Roi Méndez, Julián Flores, R. Arenas2016 Actas del XVII Congreso Internacional de Interacción Persona-Ordenador. Interacción 2016
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Galicia en NO-DO: Comunicación, cultura e sociedade (1942-1981)Catalogación e análiseJosé Luis Castro de Paz , Héctor Paz Otero, Natalia Alonso Ramos2016 Represión franquista e memoria histórica. Novos enfoques e achegas
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La retransmisión de un acontecimiento solemneEntre el espectáculo y el protocolo. La sucesión del papa.Pérez Feijoo, P. e García Crespo, O.2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
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Novo Cinema GalegoCartografías audiovisuais trazadas desde a periferia2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
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Escribir de cine durante la Segunda RepúblicaAlgunos ejemplo de la reflexión y el debate de ideas2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
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Linguas minorizadas, cinema e identidadeDa ausencia do galego na produción e exhibición cinematográficas2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
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El cuerpo, esa insoportable lengua comunal2015 El tratamiento informativo de la violencia contra las mujeres. Cuadernos Artesanos de Comunicación Social
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Entre-fronteiras: o cinema como lugar xeo-político
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Limiar. Comunicación, Cultura e Esferas de Poder
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All photographs are a form of transport and an expression of absence2014 Marxes
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Propuestas para pensar la diversidad desde el cine nación2013 Cine, Diversidad y Redes. Pequeñas cinematografías, Políticas de la Diversidad y Nuevos Modos de Consumo Cultural | Margarita Ledo Andión (coord.)
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Festas e música popular en Sanxenxo na última década do século XIX. A visión dende a prensaHenrique Neira, Zósimo López2013 Sanxenxo na Historia. Vol. III: Arquitectura, música e economía mariñeira.
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No interior do frame/Inside the frame2013 Imagens do Real Imaginado 10 anos
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Antes del Cinematografista. José SellierJosé Luis Castro de Paz , José María Folgar de la Calle2013 José Sellier en A Coruña: los comienzos del cine español. | José Luis Castro de Paz (coord.)
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José Sellier Loup (Givors, 1850-A Coruña, 1922)-Fotógrafo y cineastaJosé Luis Castro de Paz , y otros2013 José Sellier en A Coruña: los comienzos del cine español. | José Luis Castro de Paz (coord.)
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Prólogo. La década del miedo. Dramaturgias audiovisuales post-11 de septiembre2013 La década del miedo. Dramaturgias audiovisuales post-11 de septiembre
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Vestigio y extrañeza: sobre la obra de Bernardo Tejeda2013 Imagen, cuerpo y sexualidad. Representaciones del cuerpo en la cultura audiovisual contemporánea
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Diáspora e experiencia migratoria desde a proposta anovadora dun Novo Cine Galego2013 Anuario Internacional da Comunicación Lusófona I 2013Emigration as a life experience, but also as nostalgia and a wound, conforms the semantic universe of two films that aim to find a representation of the untold: the life-changing voyages, the expression of hidden feelings, the lessons of time. This is the proposal of Vickingland (Xurxo Chirro, 2011) and…
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O dereito a ver: Cine, Diversidade e Redes2012 Comunicación, Políticas y Redes en Europa. Valentín Alejandro Martínez e Xosé Rúas Araújo (Coord.)
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Galicia en V.O El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo2012 La mirada comprometida de Llorenç Soler. | Miguel Francés (ed.)
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La televisión española mirando a Europa: tiempos difíciles2012 Economía de la Cultura y la Comunicación en la era Digital. | Fernando Salgado e Valentín Alejandro (coords.)
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Las formas de Drácula entre las sombras del cinematógrafo2012 Drácula. Un monstruo sin reflejo. Cien años sin Bram Stoker . Jesús Egido (coord).
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Ahí le ha dao’ … Santos Zunzunegui, las vetas creativas del cine español y nosotros2012 Composiciones de lugar. Ensayos in honorem Santos Zunzunegui | Asier Aranzubía, Carmen Arozena, Pilar Carrera, Imanol Zurralde (eds.)
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La exhibición cinematográfica primitiva: el caso gallego (1896-1906/08)José Luis Castro de Paz , José María Folgar de la Calle2012 Cines de Galicia | J. Cabo Villaverde e J.A. Sánchez García (eds)
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Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo2012 Llorenç Soler. La mirada comprometidaFrom 1976 to 1978, Llorenç Soler shot in Galicia four medium-length films which became a reference for militant cinema, for cinema in Galician language and as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
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Cine, Diversidade e Redes2012 Comunicaçao Iberoamericana. Sistemas Midiáticos, Diversidade Cultural, Pesquisa e Pos-Graduaçao
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Comunication, citizenship and Lusophony: Rethinking difference2012 Comunication and Citizenship. Rethinking crisis and change
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Os paradoxos das políticas da diversidade2012 Economía de la Cultura y la Comunicación en la Era Digital
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Pieza de aprendizaje. Image et Éducation2012 Image et Éducation
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La variante lusófona2011 Cultura Latina y Revolución Digital
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El cuerpo y la forma / The body and the shape2011 Outumuro looks
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Filmar as cicatrices do real2011 A discapacidade en imaxe
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Peza de aprendizaxe: comunicación, cidadanía, lusofonía2011 Á beira de Beiras
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La proyección del fantasma o “El niño soy yo”2010 François Truffaut: el deseo del cine. | Carlos Losilla Alcalde (coord.)
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Castelao como mediação2010 Sempre Castelao
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Medios e identidade2010 Políticas de Comunicação e da Cultura: contribuições acadèmicas e intervenção social
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O(s) sentido(s) da relación Galiza-países lusófonos2010 Teorias e prácticas dos Media: Situando o Local no Global. Cláudia Alvarez e Manuel José Damásio (eds.)
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Anos setenta: elipse e cinema2009 Unha achega ás artes e á cultura na galicia dos anos setenta. Portas de Luz
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Ollar o real: Manuel María nos xornais2009 Actas do congreso. Manuel María Literatura e Nación
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Michael Brault: momentos de conquista
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A creación e a imaxe2008 Galicia. Unha cultura para un novo século
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O malestar da comunicación: sobre a pertinencia de pensar a investigación en comunicación como realizativo2007 Mercado e Comunicaçao na Sociedade Digital
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A propósito del aprendizaje: documental y ética2007 El lenguaje de las pantallas: del cine al ordenador Publicación: 2007
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Ben-Cho-Shey, entre a tradición popular e o xornalismo críticoXosé Seongas Pérez2007 Xornalistas con opinión
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Cine inscripción. Cine descripción2007 DOCS, observaciones de lo real, Tercer Cine
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A televisión local en Galicia ante a dixitalizaciónAna Isabel Rodríguez Vázquez , Xosé Seongas Pérez2007 Comunicación local no espazo lusófono
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A televisión local na estrutura audiovisual de Galicia. O impacto tecnolóxico no valor da identidade. Estigmas, condicionamentos e retos do medio televisivo local2007 Comunicación e Cultura en Galicia e Portugal. Relatorios e comunicacións do III Congreso Luso-Galego de Estudos Xornalísticos.
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Contradicciones sobre la telebasura2007 Propuestas para una comunicación de calidad. Contenidos, efectos y formación
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DDT, é dicir, sobre a diferencia, a diversidade e mais a tele2007 Mulleres en Galicia e outros pobos na península
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Más allá de la Misión Pedagógica2007 70 años de Periodismo y Comunicación en América Latina
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La involución de la ficción televisiva generalista2006 Propuestas para una comunicación de calidad
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Identity, Utopia, Knowledge Society: some reasons in order to make research part of national wealth
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Narrativa radiofónicaXosé Seongas Pérez2006 Narrativa audiovisual (Francisco García y otros, Ed.)
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Narrativa radiofónicaXosé Seongas Pérez2006 Narrativa audiovisual
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A televisión local en Galicia ante a dixitalización. Transformacións e redefinición do modelo televisivo de proximidade2006 Do local ao Global nos Meios de Comunicaçao Lusófonos: especificidades nacionais, fluxos e contra-fluxos
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A Misión Pedagóxica
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La atmósfera como figura artística/L’atmosphere comme figure artistique2006 Paloma Navares: Del alma herida/de l´âme blessèe/L´anima ferita
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A ollada documental en Cursos de verán 2002. Realidade e ficción: a imaxe na arte e nos medios de comunicación2005, LU-134-2005
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O ensino no documental, o documental no ensino. Encontro internacional de investigadores
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Vanguardia y pensamiento documental como arte aplicada2005 Documental y Vanguardia | Casimiro Torreiro e Josetxo Cerdán (eds.)
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El doble bucle de la foto como colección2005 Experimentación en la colección fotográfica del IVAM
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Entre cine e foto: o sorriso á cámara2005 Estética e tecnologias da imagem
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Atando cabos. Libro homenaxe a Francisco Pillado2005 Atando cabos. Libro homenaxe a Francisco Pillado
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El doble bucle de la foto2004 (versión en catalán e en inglés) Experimentación en la colección fotográfica do IVAM
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O papel da televisión de Galicia e da Radio Galega na normalización lingüísticaXosé Seongas Pérez2004 A lingua galega: historia e actualidade
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Fotografía do monumento, fotografía do movemento2004 Eduardo Blanco Amor. A ollada do desexo. Obra fotográfica 1933-1973
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¿Herencia de la Fotografía?: Si2004 Documental, carcoma de la ficción
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A importancia da tecnoloxía no proceso informativo: ventaxas e perigosXosé Seongas Pérez2004 Jornalismo de referencia
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La descodificación en la narración sonora: las imágenes auditivasXosé Seongas Pérez2004 Información, producción y creatividad en la comunicación
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A televisión local en Galicia. Inquedanzas e problemas non resoltos cara o futuro dixital e a concentraciónAna Isabel Rodríguez Vázquez , Marcelo Martínez Hermida2004
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A importancia da tecnoloxía no proceso informativo: ventaxas e perigos, en Jornalismo de referencia (Jorge Pedro Sousa, Ed.)Xosé Soengas Pérez2004
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Prensa e Galeguismo2004 O Xornal Galicia (1922-1926) o alento da modernidade
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Políticas de comunicación y tendencias descentralizadoras: A propósito del marco comunitario2003 Televisiones en Europa: Proximidad, Programación y Políticas de Comunicación
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Televisións Locais en Galicia. 20 anos de andadura2003 Medios locais e prensa gratuíta. XIII Xornadas de Comunicación Interdepartamental da Xunta de Galicia
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Spanish Documentary Photo: A Kind of Paradox2002 (versión en inglés e finlandés) Backlight 02, Antti Haapio e Harri Laakso (Editores)
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Baixo o signo do plural2002 Galicia-Finlandia: Modos de pensar
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Un mundo diverso è possibile2002 A Comunicación en Galicia 2002, Xosé López (Editor)
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Los medios de comunicación en la escuelaXosé Seongas Pérez (Soengas, X., Pena, A. y Maceira, A., Ed.)2002
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La audiencia como factor determinante de las políticas de programaciónXosé Soengas Pérez2002 Los medios del tercer milenio. Actas del III congreso de investigadores audiovisuales
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Del doble al autor2002 Literatura española y cine, Norberto Miguez (Coord.)
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De identidade y contenidos: vectores políticos en la investigación2001 Valores y Medios de Comunicación, Benavides Delgado e Fernández Blanco (Comp.
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Multiculturalismo e Globalización: unha relación paradoxal2001 Comunicaçao e Multiculturalismo – Krohling Peruzzo, Cicilia Maria e Pinho, José Benedito (Comp.)
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Ver vs. Escrever2001 A Utopia do Real
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Tecnologia e Solidao2001 Resistência
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Nuevos formatos audiovisuales, en Valores y medios de comunicaciónXosé Seongas Pérez2001 De la innovación mediática a la creación cultural – Juan Benavides y otros, Ed.
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Como una película. Sobre “Asaltar los Cielos”2001 Imagen, memoria e fascinación. Notas sobre el documental en España
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Da investigación na formación: Prosa do Observatorio2001 Jornadas sobre tendencias en el Periodismo
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Louvor de Ferrín2001 Un escritor nos xornais, Xosé Luis Méndez Ferrín, artigos periodísticos
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Mujeres viendo mujeres2001 Comunicación y género, Aeala Castro, Fernández Soriano & Fernández de la Torre (Comp.)
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Galicia: Televisión pública e mercado audiovisual2000 Televisión e Desarrollo. Francisco Vacas (coord.), Junta de Extremadura, Badajoz
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O audiovisual2000 A Comunicación en Galicia 2000, Xosé López, (Comp.)
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O fascinio do segredo, a ironía da súa visión2000 Rituais (Vítor Vaqueiro, fotos)
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La imagen velada o la inquietante extrañeza2000 Las Convergencias de la Comunicación. Problemas e perspectivas investigadoras
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Radio en Galicia, 1980-2000Xosé Soengas Pérez2000 Gran enciclopedia gallega
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Sobre el deseo de ser optimista2000 El oficio de vivir. Literaturas de la imagen de Carmelo Herando
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Prensa e novas tecnoloxíasXosé Soengas Pérez1999, (Versión en gallego) As fronteiras do novo xornalismo. AA.VV.
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Triple Nacionalidade1999 Comunicación Audiovisual: Investigación e Formación universitarias, Ledo Andión, M. e Krohling Kunsch. M. (Comp.)
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Galicia telépolis: redes e interculturalidade1999 Galicia, España, Portugal e as factorías do futuro
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Isto non é unha foto1999 As fronteiras do novo xornalismo
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O galego visíbel1999 Actas do V Congreso Internacional de Estudios Galegos, Dieter Kremer (ed.)
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Baixo o signo do real1999 Cinguidos por unha arela común. Homaxe ao Prof. Alonso Montero (Tomo I), Alvarez, R e Vilavedra, D, (Comp.)
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Postelevisivo, postelevisión1999 Comunicación Audiovisual na Era Dixital, López, X. e Soengas, X. (Comp.)
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Las formas de consumo de la televisión como generadoras de identidade1998 El debate de la comunicación
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De la memoire à la nostalgie1998 Image e Politique; Docquiert, F. & Piron, F. (Coord.)
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Sobre el deseo de ser optimista1998 El oficio de vivir. Literaturas de la imagen de Carmelo Hernando
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Le photomontage politique: Fakture, Frakture et Agit-Prop1997 Ethique, Esthétique, Politique
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Muntadas: Comme simulation et comme ressemblance1997 Ethique, Esthétique, Politique
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Como o corte no corazón dun albre1997 De Asorey ós noventa: a escultura moderna en Galicia
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Galice Celtique1997 Printemps Celte
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A guerra e a imaxe da guerra1996 Construir a Paz; Jares, Xesús R. (Coord.)
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Falsos e información na televisión, en Falso pero crible. A metamorfose mediáticaXosé Soengas Pérez1995
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As pernas do ciclista1995 Falso pero críble
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Astuta serpente antiga1995 Antoni Muntadas: Verbas, A Sá de Prensa
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De los cincuenta a los sesenta1995 Cuélguese en un bar visible. Ricard Terré
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Duplicidades1995 Cultura e a creatividade galegas cara ao ano 2000
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Introducción. Comunicación na Periferia Atlántica1994 Comunicación na Periferia Atlántica/Communication in the Atlantic Periphere
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Le droit à l’autodéterminationMargarita Ledo Andión , Josep Maria Solé Sabaté1993 Politique Symbolique en Europe/Symbolische Politik in Europe
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Deseño, fotografía, gráficos, Infográficos1993 Informe sobre a Comunicación en Galicia. Rivas, M. & López, X. (eds)
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Mal se lle acomodan…1993 Santiago, pequena historia natural. Anna Turbau
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No porto de Anveres1993 Sobre Santiago. Tres de Magnum
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A foto dun lápis1992 Sebastiao Salgado. Outras américas
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De la Foto en los Medios1991 10 Anos de Fotoxornalismo en Galicia 80-90
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Fotos de Diario1991 Las Mentiras de la Guerra. Desinformación y censura en el conflicto del Golfo
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O Pre-existente como Modelo1991 Introducción a la edición facsimil del periódico A Nosa Terra
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Un quinto de estrella1991 Barcelona, Murs. Cano, G. & Rabuñal, A. (coord.)
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O último organizador colectivo1989 Prólogo a la edición facsimil de la revista Vieiros (México 1959-1968)
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Foto-reportaxe: a disfunción no tempo para ollar1988 Social Communication and Cultural Identity
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Do proceso de connotación na fotografía de prensa1984 1º Seminario Galego de Arte/Comunicación
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¿In-dependencia da prensa?1982 Medios de comunicación social en Sociedades Dependientes, Miguel Cancio (ed)
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De la cultura lingüística a la política lingüística. Reflexiones desde el Finis terraeHenrique Monteagudo2018 lnternationale Fachtagung ‘Methoden zur Erforschung der Kultur der regionalen Mehrsprachigkeit’. Christian-Albrechts-Universität zu Kiel
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Ensuring language diversity through subtitling the audiovisual in small nationsAn approach to Scottish GaelicAntía López Gómez , Miren Manias Muñoz2018 Ponencia en ICCPR 2018, 10th International Conference on Cultural Policy Research. Universidade de Tallín.
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De los Medios a las Mediaciones2018 Invitada Panel en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
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La participación ciudadana en la gestión de su Patrimonio Cultural InmaterialReflexiones y actuaciones en torno al subtitulado audiovisual2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
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Programación, promoción y circulación a través de los festivales de cineAnálisis del uso de subtítulos en lenguas no hegemónicas2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
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Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
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Language(s), subtitling and cultural diversity in Europe2018 Ponencia Convidade en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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A Methodologial Approach to the project EUVOS-Intangible Cultural Heritage2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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Film and subtitling in CataloniaPolicies, Practices and Strategies (2015-2017)María Soliña Barreiro , Judith Clarés2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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Traducción y subtitulado en la cinematografía y el audiovisual en EuskadiBeatriz Zabalondo, Patxi Azpillaga e Marijo Deogracias2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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Ensuring Language Diversity. Through Subtitling the Audiovisual In Small Nations: An Approach to Scottish GaelicAntía López Gómez , Miren Manias Muñoz2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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O subtitulado nunha lingua minorizadaReflexións desde o galegoHenrique Monteagudo2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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Subtitles available in Sami (?)The absence of cultural policy for minority languagesPietari Käapä2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
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A desaparición do galego nas axudas ao audiovisual 2000-20152018 Ponencia en Galician Interdisciplinary Studies. University of Edimburgh
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Accessible Filmmaking: Producións cinematográficas accesibles2018 Conferencia Plenaria no Congreso e Festival de Cine Inclusivo de Vigo
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The Accessible Filmmaker. Translation, dubbing and accessibility: a new professional field2018 Ponencia en "Accessibility to the Audiovisual Product International Conference". Universidade de Turín
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Literacía Digital, Cidadanía e Democracia2017 Conferencia Convidada en III Congresso Internacional sobre Culturas. Interfaces da Lusofonía. Universidade do Minho
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Dobraxe e subtitulado ás dúas beiras da RaiaA dobre versión da serie Vidago Palace na TVG e a RTP2017 Conferencia en I Congreso Internacional AGACOM. Alén das Fronteiras: redes na diversidade. Universidade de Santiago de Compostela
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Collaboration between filmmakers and translators2017 Conferencia Plenaria en Simposio sobre trasvases culturales: Accesibilidad y traducción en entornos multilingües. Universidade do País Vasco
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Diáspora en feminino2017 Ponencia Convidada en IV Encontro Internacional Cinema e Territorio. Universidade da Madeira
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EU-VOS (Subtitling in non-hegemonic languages)2017 I Media Accessibility Platform International Conference. Universidade de Vigo
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La accesibilidad garante de la integración-inclusión de lenguas minoritarias en medios audiovisualesMarijo Deogracias2017 Ponencia en I Media Accessibility Platform International Conference. Universidade de Vigo
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Basque Language and cinema: policies, production and translationPatxi Azpillaga Goenaga2017 Ponencia en I Media Accessibility Platform International Conference. Universidade de Vigo
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Widening the Scope of Media Access: Interlingual Live Subtitling and Accessible Filmmaking2017 Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
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Subtitling in a kingdom of dubbingPolicies and practices of subtitling in Galician language2017 Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
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On Small Cinemas, Film Festivals and Transnational Circulation2017 Mesa Redonda en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
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Rethinking diversity: cinema in non-hegemonic languages as a symptom2017 Keynote Speaker en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidad del País Vasco. Donosti/Bilbo
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La subtitulación cinematográfica en catalán en VOD: legislación y prácticaMaría Soliña Barreiro , Judith Clarés2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
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Hizkuntza ez da oztopo ikus-entzunezkoen kontsumoa partekatzekoMarijo Deogracias2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
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Euskara sustatzeko politikak Euskal Herriko zinematografia sistemanPatxi Azpillaga Goenaga e Beatriz Zabalondo.2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
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Policies and collaborative practices for subtitling in Galician2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
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Accessible filmmaking: Film For All2017 Conferencia Plenaria en Access VFX Conference
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Cine, Lenguas No Hegemónicas e IdentidadSubtitulado y Nuevos Territorios para la Diversidad2017 Ponencia en Congreso Internacional IAMCR 2017. New Discourses and New Territorialities: Cultural and political mutations and communication. UNIMINUTO
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The Social Impact of Audiovisual Translation: Past, Present and Future2017 Conferencia Plenaria na 8th Annual International Translation Conference. Hamad Bin Khalifa University
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Estudios de recepción en TAV2017 Ponencia en Doble o Nada: VI Congreso de Traducción e Interpretación. Universidade de Alicante
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Patrimonio Cultural Inmaterial. Para un programa europeo de subtitulado en lenguas no hegemónicasMargarita Ledo Andión Pablo Romero Fresco , Henrique Monteagudo2016 Conferencia Plenaria en Colloque International Cultures de Résistance. Peuples & Langues Minorisés. Université Paris 8
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La situación del idioma gallego en el cine gallego2016 Ponencia en Colloque International Cultures de Résistance. Peuples & Langues Minorisés. Université Paris 8
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Política científica e política de linguaO Espaço Lusófono como Espaço de Conhecimento2016 Conferencia Plenaria en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação. Universidade de Cabo Verde
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Cibercultura, Regulação Mediática e Cooperação2016 Conferencia Plenaria de Apertura en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação
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Encerramento2016 Conferencia Plenaria en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação. Universidade de Cabo Verde
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Acciones (in)diferentes, tensiones latentes2016 Conferencia Plenaria en Seminario IC. Visualidades en tension. Universidade de Sevilla
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Bringing Translation and Accessibility Closer to Filmmaking2016 Conferencia Plenaria en 4th Edition of E por falar em Tradução. Institute of Language Studies, State University of Campinas
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Accessible Filmmaking2016 Ponencia Plenaria en Congreso Internacional de Actualización en Traducción e Interpretación, Universidade César Vallejo.
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Eye tracking and Audiovisual Translation2016 Conferencia Plenaria en Congreso Internacional de Actualización en Traducción e Interpretación, Universidad César Vallejo
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Integrating Film and Audiovisual Translation2016 Conferencia Plenaria en The Dialogue of Cultures in the Changing Global Information Space International Conference, Saint Petersburg State University
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Galicia 1936-2011: Estudos sobre o filme de Carlos VeloMargarita Ledo Andión , Ramiro Ledo Cordeiro, Pablo Cayuela Miguel2011Ledo Andión, M; Ledo Cordeiro, R. & Cayuela, P. (2011)- Galicia 1936-2011. Estudos sobre o filme de Carlos Velo. Santiago de Compostela: USC, Grupo de Estudos Audiovisuais. Galicia 1936-2011. Estudos sobre o filme de Carlos Velo Serie de 3 estudos sobre ‘Galicia’ (Carlos Velo, 1936), co gallo da aparición, en…
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Transgressive humour and extreme speech on social media. PewDiePie’s fandom response to the #killalljews controversyMarta Pérez Pereiro , Julia Romay Campos2020 Revista De La Asociación Española De Investigación De La ComunicaciónOn March 15, 2019 the Australian Brenton Tarrant broadcasted in Facebook live his attack to the mosque Al Noor in Christchurch, which caused 42 deaths. In the beginning of his broadcast Tarrant reminded his audience to subscribe to PewDiePie YouTube channel. The account of PewDiePie, the Swedish youtuber Felix Kjellberg,…
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European Public Television’s innovation in the digital audiovisual offer: new platforms for Generation ZAna Isabel Rodríguez Vázquez , Noelia Francisco Lens2020 Revista De La Asociación Española De Investigación De La ComunicaciónThe digital revolution experienced in recent years has forced television corporations to develop new strategies of content production and dissemination. The commitment to complement its main offer with other services aims to adapt television corporations to the consumption habits of new generations. In this investigation, through a quantitative exploraty-descriptive analysis…
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Family cinema and emigration: Image, reconstruction and memory2020 Novos Olhares: Revista De Estudos Sobre Práticas De Recepção a Produtos MidiáticosFamily cinema is a very revealing tool for us to inquire into a visual knowledge of an intimate and personal past, itself useful to rebuild customs that would help us understand how contemporary societies have evolved. Our work is based in considering the words of Patricia Zimmerman, its core location…
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The Algorithm Is Not My Boss Anymore: technological appropriation and (new) media strategies in Riders x Derechos and MensakasMaría Soliña Barreiro , Aina Fernàndez2020 Contracampo-Brazilian Journal of CommunicationThis paper studies how a group of delivery workers in Barcelona were able to organize a successful traditional and a social media strategy in order to claim for their rights as wage workers. They created a union, RidersxDerechos, and they also decided to create a worker’s cooperative, Mensakas, with their…
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Spanish Asylum Fernando Fernán-Gómez’s Eccentric Debut as a Film Director Adapting Gómez de la Serna, Poe, Kuprin and Andreiev (Manicomio, 1953)2020 ACTIO NOVA: Revista de Teoría de la Literatura y Literatura ComparadaIn 1953, Fernando Fernán-Gómez, whose birth ́s first centenary is held in 2021, made his debut as a film director with a movie called Manicomio (Madhouse). At the time, not only was he in full intelectual maturity process but also he was one of the most acclaimed actors in the…
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Emerging Journalistic Profiles Recognized in the University: Research, Conceptualization and Offer in the DegreeAna Isabel Rodríguez Vázquez , Pilar Sánchez-García, Berta García-Orosa, Xosé López-García2019 TrípodosEmerging Journalistic Profiles Recognized in the University: Research, Conceptualization and Offer in the DegreeThe reshaping of journalistic profiles poses one of the main professional and formative challenges in the coming decades. While the media assume the new roles in a changing process of ‘trial and error’, universities look into these…
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Underrepresentation and distortion of identity in mass media during labour dispute: The case of the Bershka workersMaría Soliña Barreiro , Aina Fernàndez i Aragonès2019 Sociología del TrabajoNews in mass media is still a battlefield during labour conflicts, even if social media has an increasing role because media are a pressure strategy and conflict socialization space. Workers usually fight against silence and distortion. This paper analyzes media coverage on the larger strike developed against Inditex, that has…
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Education and Communication Public Policy: Discussions and DevelopmentsAna Isabel Rodríguez Vázquez , Rosa García-Ruiz, Ignacio Aguaded2019 TrípodosRelations between citizens and mass media are becoming increasingly complex, making it necessary to plan and design education in a hypermediatic society, where new challenges arise: education has got the primary responsibility of training citizens to consume and produce in a media ecosystem with great capacities and potentialities for new…
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Arqueoloxía(s) do saberA crítica feminista desde as orixes até a actualidade2018 A Cuarta Parede«Un her article “The Crisis of Naming in Feminist Film Criticism”, published in Jump Cut in 1978, Ruby Rich recuperated the main events and publications of the feminist film criticism of the decade, as well as the premieres of the first feminist films according to this criticism. Rich thus made…
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Jaume Ripoll: ”En Filmin creemos que es necesaria la distribución de películas en lenguas minoritarias”María Soliña Barreiro , Judith Clarés2017 COMeIN«We decided to create the website filmin.cat because we considered that there was a need of coverage for the own production shot here in Catalonia or shot in Catalan and also for all those contents, series and films, feature and short films, that have been dubbed or subtitled in Catalan.…
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Llega FilminCAT: el portal de vídeo bajo demanda de cine y series en catalánJudith Clarés2017 COMeINCoinciding with the 10th anniversary celebration of Filmin, on friday 2nd of June FilminCAT arrived, the fist platform of video on demand of cinema and series integrally in Catalan accessible from Spain and Andorra.
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Homenaxe da Asociación Española de Investigación en Comunicación (AE-IC) ao Dr. José Marqués de Melo2017 Anuario Internacional de Comunicação Lusófona
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Resistencia e dereito á renacenza2016 Boletín da Real Academia GalegaIt’s Monforte. It is the dining room of a rationalist house with a semi-gallery facing the street. I finished the first course at the School of Journalism in Barcelona. I’m nineteen years old and I’m comming to meet Manuel María and Saleta. A few months ago I wrote a letter…
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Linguas, globalización e interculturalidade. Unha reflexión desde o galegoHenrique Monteagudo Romero2016Neoliberal globalization tends to reduce the value of the languages to their economic dimension, lessening them to merchandise (comodification). The old notion of linguistic-cultural community suffers from the competence of the new idea of linguistic market. On the other side, globalization also erodes the status of the official languages in…
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Sen ir máis lonxe2015 Boletín da Real Academia Galega¿E ti dirás? ¿A que vén todo isto? ¿E ten que vir a algo? Pois ben, a nada. A ter con quen falar. A ter a quen lle dicir certas cousas que pensamos moitos e case todo o mundo cala. (Roberto Vidal Bolaño. Sen ir máis lonxe) And it was…
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A construción dunha xinea2014 Grial. Revista Galega de Cultura
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Dedos no texto: conversa con Antonio Tàpies vinte e oito anos despois2012 Grial. Revista Galega de Cultura
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O(s) sentido(s) da relación Galiza-Países lusófonos2010 Grial. Revista Galega de Cultura
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Uxío Novoneyra. Letras galegas 20102010 Boletín da Real Academia Galega
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Un filme político, por favor2006 Andaina, revista galega de pensamento feministaAlterity, the passage through the experience, that bite in the apple without the temptation of the snake; the body, the selfreference; the invisible spaces, inside the family, roles well in sight. The documentary film as inscription-truth. And the journy: the next one that takes the fair distance for coming back…
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Vous avez dit “Carlos Velo”? / Did you say “Carlos Velo”?2005 Cinéma du Réel. 27º Festival International
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Lingua e sociedade en GaliciaResumo de resultados 1992-2016Henrique Monteagudo, Xaquín Loredo e Martín Vázquez2018The article provides a wide review on the social situation of Galician language, beginning with a brief history of its contact with the Spanish and specially focusing on sociolinguistic changes of last decades, after its officialization as “own language” of Galician Autonomous Community. The work presents and analyses statistical data…
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A discapacidade en imaxe2011 A discapacidade en imaxe