Publications
Discover the publications of the Group

Initially,  the Audiovisual Studies Research Group focused its research work on the systematic analysis of the trans-regional integration Galicia-North of Portugal, having as main activity the preparation and publication of biennial reports on the state of the Galician audiovisual. With the passage of time, it extended its scope of work and today it deals with the study of a wide range of issues related to communication and culture in the Atlantic periphery, the Portuguese-speaking area and the European sphere.

Based on different approaches -political, social, economic…- and with special attention to the construction of identity(s) and the preservation of cultural diversity, it articulates interdisciplinary research proposals whose results are directed to the scientific community, those responsible of public policies, the professionals of the sectors involved and the citizenship in general.

 

 

Scientific article
In its beginnings, silent cinema emphasised the expressive and communicative potential of the body by exacerbating gestures and actions. However, today’s fictional cinema is confronted with an opposite tendency: the passivity of body movement. This study analyses the representation of the body in three films of today’s silent cinema from…
Others
Review of the work: Scholz, A., Álvarez, M., Binimelis-Adell, M., Oroz, E. (Eds.)(2021). Entrevistas con creadoras del cine español contemporáneo. Millones de cosas por hacer. Peter Lang. This book brings together a series of interviews and encounters with women filmmakers of the 21st century whose voices are redrawing national filmmaking,…
Others
Hyperphotography, as an undercurrent of the broad concept of post-photography, has maintained a trend of high public interest for more than two decades. However, this media and socio-cultural attention is not being reciprocated by the academy. In photographic epistemology and analysis, one can find theoretical corpuses of a classical nature…
Others
Anna Turbau (Barcelona, 1949) is a Catalan photographer known for the images she took in Galicia from 1975 onwards, which helped to make visible many of the popular demands carried out in that context. Although Anna Turbau is mainly associated with her work as a photojournalist, she also carried out…
Scientific article
The present panorama shows a society saturated with images, driven by the use of mobile devices and constant audiovisual consumption. However, no greater skills are achieved in users, but on the contrary, there is evidence of a detriment in the rate of attention and the search for a differentiating product…
Scientific article
Històries del Punt is a documentary and community project for the valorisation of the memory of the working class of Mataró (Barcelona) through the recovery and reuse of sources traditionally considered minor for history and audiovisuals (amateur photographs, images from local television, industrial films and oral memory). Its aim is to…
Scientific article
  • Framing the gig economy: delivery riders in Spanish media (2015-2021)
    María Soliña Barreiro , Aina Fernàndez i Aragonès
    2023 Journal of Class and Culture. Intellect Books.
    Riders or delivery messengers are currently a symbol of job insecurity. However, companies in the so-called gig or platform economy continue to present themselves as modern ones, technologically adapted to the new scheme that defines the twenty-first century. The article analyses, from the perspective of framing and journalistic routines, the…
  • Future journalists’ fight against disinformation: analysis of university training offers and challenges in the Spanish context
    Marta Pérez Pereiro , Victoria Moreno-Gil, María-Ángeles Chaparro-Domínguez
    2023 Communication & Society
    Disinformation has become a global problem affecting mass media, governments and citizens globally. Besides the loss of trust in the media and its weakening influence, exposure to all manner of messages on social media in recent years has paved the way for disinformation, which has become a considerable challenge for…
  • Berlanga, Fernán Gómez and the path towards a popular, crusty and grotesque Iberian modernity
    José Luis Castro de Paz , Héctor Paz Otero
    2023 Fotocinema: Revista Científica De Cine Y Fotografía
    The revisiting of Spanish Republican cinema, as well as that produced in the first post-war decades, carried out since the end of the last century by a new historiography that uses film analysis as an unavoidable methodological weapon, constitutes the starting point to delve into the deep parallels and intertwining…
  • Servant girls and middle-class ladies in pre-development Madrid. Saura and Patino in the IIEC
    José Luis Castro de Paz , Asier Aranzubia Cob
    2023 L´Atalante. Revista de estudios cinematográficos
    The film production of the Instituto de Investigaciones y Experiencias Cinematográficas (IIEC) and its successor the Escuela Oficial de Cinematografía (EOC) offers, both in quantitative and qualitative terms, first-rate material for studying how Spanish cinema during the Franco period represented the city of Madrid. Based on a detailed analysis of…
  • Augmented screen, triple storytelling and the role of the user: a case study
    2023 Revista de Comunicación
    The present panorama shows a society saturated with images, driven by the use of mobile devices and constant audiovisual consumption. However, no greater skills are achieved in users, but on the contrary, there is evidence of a detriment in the rate of attention and the search for a differentiating product…
  • Metamorphosis from silent dynamic rhythm to the passivity of the body in fiction
    2023 Quiroga. Revista de patrimonio iberoamericano
    In its beginnings, silent cinema emphasised the expressive and communicative potential of the body by exacerbating gestures and actions. However, today’s fictional cinema is confronted with an opposite tendency: the passivity of body movement. This study analyses the representation of the body in three films of today’s silent cinema from…
  • Redefining journalism narratives, distribution strategies, and user involvement based on innovation in digital native media
    Ana Isabel Rodríguez Vázquez , José Sixto-García, Alba Silva-Rodríguez, Xosé López-García
    2022 Journalism
    Digital journalism is seeking to redefine its role in the communicative ecosystem in the network society of the third decade of the 21st century. This has been made through innovation processes that entail renewed narratives and formats, greater user involvement, and advanced dissemination strategies. Thousands of digital native media, most…
  • Històries del Punt: oral memory and minor archives for a history of industrial Mataró from below
    María Soliña Barreiro , Aina Fernàndez-Aragonès
    2022 Documentación de las Ciencias de la Información
    Històries del Punt is a documentary and community project for the valorisation of the memory of the working class of Mataró (Barcelona) through the recovery and reuse of sources traditionally considered minor for history and audiovisuals (amateur photographs, images from local television, industrial films and oral memory). Its aim is to…
  • Intersections between TikTok and TV: Channels and Programmes Thinking Outside the Box
    Ana Isabel Rodríguez Vázquez , Jorge Vázquez-Herrero, María-Cruz Negreira-Rey
    2021 Journalism and Media
    The rise of the TikTok social network has caused the media to confront the younger generation. The platform, which hosts dances, challenges, and funny short videos, has unique features that force a reinvention of social networking strategies. Television has become social and has expanded to new platforms, while young people…
  • Galicia’s voice: Ana Kiro, reception and national identity
    2021 AusArt Journal for Research in Art, número
    When an artist’s work is identified with a particular national identity, the artist usually becomes an object of debate and gives room to antagonistic readings. That is the case of Ana Kiro, a singer who since the 1970s became an enormously popular figure in Galicia by dealing with the experience…
  • Social perception of journalism in Spain
    Ana Isabel Rodríguez Vázquez , José Sixto-García, Xosé Soengas-Pérez, Jorge Vázquez-Herrero, Xosé López-García
    2021 AdComunica
    Journalism is undergoing substantial changes derived from technological evolution and the social interaction that this evolution makes possible, especially the participation of the public in the construction of the storytelling. Apart from the traditional and digital media, new parajournalistic formulas are allowing the circulation of false or malicious content. These…
  • Analysis Model for YouTube Channels: Application to Digital Native Media
    Ana Isabel Rodríguez Vázquez , José Sixto-García, Xosé Soengas-Pérez
    2021 Revista Latina De Comunicación Social
    Introduction: The participation in YouTube of an international sample of reference digital native media is analyzed based on a model proposed by the authors. Methodology: The evaluation takes into account the variables that characterize the journalistic models of content production and distribution in current convergent scenarios, such as the implementation…
  • YouTube as a press distribution channel in Spain
    Ana Isabel Rodríguez Vázquez , José Sixto-García
    2021 Estudios sobre el Mensaje Periodístico
    We are witnessing an unprecedented development of web traffic in digital native newspapers, so that we can already refer to a manifest coexistence between these media and the matrix ones. This emerging phase of the natives as reference media in the Spanish press allows us to identify a revitalization of…
  • Pedagogical Principles of Educational Films. Historical Approach to its Origins
    2021 Historia Social y de la Educación.
    The educational use of modern media has always originated exciting expectations, debate and controversy. So it happened with the Cinema in the early twentieth century, when a passionate defense of its use in education took place. This work aims to study this debate. To do this it takes place a…
  • Machadian Film Bilogy: The Sombra de Caín on the ¡Hermosa tierra de España!
    José Luis Castro de Paz , Natalia Alonso Ramos, Fernando Gómez Beceiro
    2021 Signa, Revista De La Asociación Española De Semiótica
    Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo Ruiz- Castillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition…
  • Media accountability in the age of social media: Participatory transparency of the audience in Spain
    Marta Pérez Pereiro , María Ángeles Chaparro, Ruth Rodríguez Martínez
    2021 Global Media and Communication
    The mass media is increasingly promoting public participation. Taking as a starting point the participatory transparency concept enunciated by Karlsson (2010), our research studies the audience’s active role in holding Spanish media to account through a range of online tools. We study the role of the audience by analyzing the…
  • Key Challenges and Recommendations to Provide Europe With a Film-Subtitling Protocol in the Digital Era Through Three Case Studies
    By analysing European cultural policies and paradigmatic case studies, this article high-lights the close link between the normalisation of minority languages in Europe and film subti-tling. Film subtitling is an activity that urgently needs to be protocolised insofar as it guarantees both the preservation of the cultural originality of the…
  • The visual strategies of struggle: domestic workers in hybrid filmic forms of confronting reality in Spain (2000-2020)
    María Soliña Barreiro , Elena Fraj Herranz
    2021 Cuadernos.Info
    This article studies the critical and activist documentaries produced in Spain in the last twenty years that address the situation of invisibility and exploitation of domestic workers and hotel maids. In these films, the features of labor struggles permeate the filmic construction. These documentaries are characterized by the work on…
  • Perceived Effectiveness of Established and Innovative Media Accountability Instruments in Spain. Comparative Analysis in Andalusia, Euskadi, Catalonia, Galicia, Madrid and Valencia
    Marta Pérez Pereiro , Aitor Zubergoitia, Jesús Díaz-Campo
    2020 Estudios sobre el Mensaje Periodístico
    The perceived effectiveness of established and innovative media accountability instruments is analyzed in Andalusia, Euskadi, Catalonia, Galicia, Madrid and Valencia, and by means of a survey conducted among journalists, focus groups with media consumers in each community, and in-depth interviews with experts. Some differences are observed across professionals, citizens and…
  • Co-creation in North American and European digital native media: Web, social networks and offline spaces
    José Sixto-García, Ana Isabel Rodríguez-Vázquez, Xosé Soengas-Pérez
    2020 Journalism
    Organisations from various productive sectors are increasingly involving their audiences in their co-creation processes, both for production and for the ideation and marketing of the products they offer. This research analyses this issue in native digital newspapers, offering a comparative perspective between Europe and the United States. The co-creation options…
  • Conventions and disruptions in the coverage of political events in linear and social TV. 2019 26M election night analysis
    Ana Isabel Rodríguez Vázquez , Alba Silva Rodríguez, Sabela Direito Rebollal, Berta García Orosa
    2020 El Profesional de la Información
    Through a mixed method, the linear (live), social (social media) and audience participation (live-tweeting) offer during the special information program of March, 26th 2019 electoral night in La 1 of TVE and La sexta is analysed. We had the hypothesis that television consumption has changed with the competition of VoD-OTT…
  • The Tragedy in Abeyance of Cándida. Emigration and assimilation in the cinema of Niní Marshall
    In his writings about cinema, Jean Epstein poetically explained that every film contains a ‘tragedy in abeyance’ that is not explicit in the narrative. This cinematic idea guides the analysis of the films Cándida (1939) and Cándida millonaria (1941), two of three comedies that Luis Bayón Herrera directed about a…
  • Public policies and strategies to foster access to films in a minority language. Catalonia and film subtitling 2015-2017
    María Soliña Barreiro , Judith Clarés Gavilán
    2019 International Journal of Cultural Policies
    In 2016, following the partial repeal of Catalonia’s Cinema Act (Llei del Cinema, 2010), the ‘Digital Levy’ (taxa tecnològica, 2014) and the serious economic crisis, the Department of Culture of the Generalitat de Catalunya decided to subsidise dubbing and subtitling to ensure that Catalans could have access to films in…
  • Knowledge transfer from the innovative university. A model of information management in the digital context: the PIEDD case study
    2019 Comunicar. Revista Latina de Comunicación Social
    To continue fulfilling the imperative need to generate and transfer knowledge and innovation, universities must meet the growing demands of a society that is undergoing an unstoppable process of global digital migration. In this sense, since its creation in 2009 to the present, the Platform for Innovation and Experimentation in…
  • Audiencias crossmedia: nuevas métricas y perfiles profesionales en los medios españoles
    Ana Isabel Rodríguez Vázquez , Sabela Direito Rebollal, Alba Silva Rodríguez
    2018 El Profesional de la Información
    The relation between infomediary sector and audience measurement is tight: six out of ten entities cited by Spanish companies as data & information source providers are closely related to this area of audience measurement. The media convergence leads to loss of value of some former studies. Alternative sources are used,…
  • Dubbing, subtitling and other lesser evils
    The two versions of the series Vidago Palace
    One of the aims contemplated in Law 1/2014, of 24 March, on the use of the Portuguese language and Ties with Lusophony, popularly known as the Paz Andrade Law, was for Galician Television to promote the exchange of audiovisual productions and collaborate in the creation of new projects. One of…
  • Diáspora en feminino e cinema
    2018 Cinema & Território, Revista Internacional de Arte e Antropologia das Imagen
    ‘Forget who you are in order to be yourself/another’, says the voice and body in exile of the actor of Galician origin, Maria Casares, in Alain Resnais’s 1945 film, Gernika. So as not to forget the barbarity, the bombing of the civil population, the losses. To feel your body in…
  • The (dis)solution of European cultural identities in the digital space: a critical reflection on small cinemas
  • In support of a wide notion of media accessibility: Access to content and access to creation
    2018 The Journal of Audiovisual Translation
    The prevailing narrow consideration of media accessibility (MA) as concerning only persons with sensory disabilities poses a series of epistemological and terminological issues, and limits the potential of MA to instigate social change. This article supports a wider view of MA that encompasses both people with and without disabilities who need access to audiovisual content.…
  • Focalización, distancia y tratamiento temporal. Estudio de la implicación subjetiva en el discurso fílmico a través del análisis narratológico
    2018 Signa, Revista de la Asociación Española de semiótica
    Todo relato cinematográfico articula una determinada manera de dar a ver y de dar a conocer. Entre los niveles discursivos del mostrar y del narrar que todo filme construye y comunica existe una amplia graduación de implicación subjetiva que focaliza el material narrativo y lo hace llegar al sujeto-espectador. Este…
  • Nuevos medios y medios tradicionales en la red. Espacios de opinión e interacción política en la era Trump
    Ana Isabel Rodríguez Vázquez , Xosé Rúas Araújo, Andrés Mazaira
    2018 Icono 14. Revista científica de Comunicación y Tecnologías Emergente
    In the context of the political and media confrontation of the last presidential elections of the United States of America, this research compares the impact and scope of the traditional media’s political opinion (The New York Times and The Washington Post) against two digital native media (The Huffington Post and…
  • New habits in smartphones photo management
    Andrés Fraga Pérez , María Azul Forti Buratti
    2017 adComunica
    This article studies the habits in the use and manages of smartphone images. Being smartphones the most universal product, and their camera a key element, this research is based on the hypothesis that current photo habits exceed mobile photo management tools. A survey of smartphone users sought a general view…
  • The Role of Original Version Cinema into the European Digital Space
    One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
  • Transmedia or repurposing journalism? News brands in the era of convergence
    Compared study os Greek elections coverage by El País (ES), The Guardian (UK), La Repubblica (IT), and Público (PT).
    Ana Isabel Rodríguez Vázquez , Carmen Costa Sánchez, Xosé López García
    2017 Journalism
    Journalism is once again facing a context of technological and social changes. The current stage is characterized for being mobile, multi-screen, and visual. Citizens have adopted with ease the new mobile media for content consumption. Transmedia narratives emerge as structures that can help creators to adapt contents to all platforms…
  • Quality assessment in interlingual live subtitling: The NTR model
    Pablo Romero Fresco , Frank Pöchhacker
    2017 Linguistica Antverpiensia, New Series: Themes in Translation Studies
    This article presents a model for assessing the quality of interlingual live subtitling, as carried out by way of respeaking and automatic speech recognition or other means. The first part reviews the requirements and formulas for quality assessment in intralingual live subtitling and presents the NER model, developed by the…
  • Public Policies, Diversity and National Cinemas in the Spanish context: Catalonia, Basque Country and Galicia
    2017 Communication & Society
    The 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of the diversity of cultural expressions. In the current global context, developing cultural policies and measures to nurture such creativity becomes key issue. Moreover, in the case of small communities in a minority situation where the cultural…
  • Accessible Filmmaking in Documentaries
    2017 Intralinea, Special Issue: Building Bridges between Film Studies and Translation Studies
    In line with current attempts to build bridges between film and translation, the present article applies the notion of accessible filmmaking (the integration of audiovisual translation and accessibility as part of the filmmaking process) to the theory and practice of documentary film. The first part of the article offers a…
  • The Use of Respeaking for the Transcription of Non-Fictional
    Genres: An Exploratory Study
    Pablo Romero Fresco , Anna Matamala, L. Daniluk
    2017 Intralinea
    Transcription is not only a useful tool for audiovisual translation, but also a task that is being increasingly performed by translators in different scenarios. This article presents the results of an experiment in which three transcription methods are compared: manual transcription, respeaking, and revision of a transcript generated by speech…
  • Norma e autoridade lingüística no galego e no portugués brasileiro
    Henrique Monteagudo e Xoán Carlos Lagares
    2017 Labor histórico
    This article proposes a compared analysis of the mode of normative construction and the inherent conflicts of the constitution of the normative authority in the Galician language and in the Portuguese from Brasil. The justification for this kind of comparative study is that they both as “emergent languages”, in a…
  • La transmisión intergeneracional del gallego. Comparación con el catalán
    Xaquín Loredo e Henrique Monteagudo
    2017 Treballs de sociolingüística catalana
    The decline of the Galician language shown by the latest demolinguistic surveys is gaining speed. This paper focuses on an analysis of the intergenerational language transmission of Galician on the basis of the Catalan Language Intergenerational Transmission Rate, which was designed by Torres (2009) and which is commonly used in…
  • Docencia universitaria 2.0. Efectos de la Web 2.0 en la docencia universitaria como objeto de estudio en las revistas españolas de comunicación
    Ana Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Sabela Direito-Rebollal
    2017 Revista Latina de Comunicación Social (RLCS)
    The emergence of the so called Web 2.0 has substantially changed the ways of communication and formation in this fiald also should have present the new environment. The present work carries out an analysis of the research on universitary teaching an social media in the period 2010-2015.
  • MAM (Media Asset Management, Sistema de Gestión de Archivos de Medios)
    Introducción de la digitalización MAM en las televisiones en España
    Oswaldo García Crespo, Silvia García Mirón
    2017 Revista Latina de Comunicación Social
    This work analyzes the introduction in Spain of the first systems of production and television broadcasting based on computer files technology, also known as MAM (Media Asset Management). The establishment of the different MAM systems as a digitization, has meant the replacement of the technology based on video tapes, due…
  • Competencias tecnológicas y nuevos perfiles profesionales: desafíos del periodismo actual
    Ana Isabel Rodríguez Vázquez , Xosé López García, Xosé Pereira Fariña
    2017 Comunicar
    The paper aims at understanding the intersections between technology and the professional practices in some of the new trends in journalism that are using the new tools: multimedia journalism, immersive journalism and data journalism. The great dilemma facing journalism when training new professionals –especially the youngest– is not anymore the…
  • El periodismo biónico: fortalezas y amenazas para una profesión en cambio
    Ana Isabel Rodríguez Vázquez , Xosé López García, Andrea Valencia Bermúdez
    2017 Estudios sobre el Mensaje Periodístico
    Journalism, which finds itself mired in the metamorphosis of the network society, should adopt techniques that allow it to meet the new challenges of complex societies of the third millennium. Although never before have been so many researches on journalism carried out, the application of that scientific knowledge comes too…
  • Natural interaction in virtual TV sets through the synergistic operation of low-cost sensors
    Enrique Castelló Mayo , Roi Méndez, Julián Flores, Jose R. R. Viqueira
    2017 International Journal Universal Access the Information Society
    A virtual TV set combines images from the real world with a virtual environment in order to obtain images that give the impression of the real elements, such as actors or physical objects, being present in a computer-generated scene. Thus, the audience has the feeling of the talents being present…
  • New distributed virtual TV set architecture for a synergistic operation of sensor and improved interaction between real and virtual worlds
    Enrique Castelló Mayo , Roi Méndez, Julián Flores, José Ramon Rios Viqueira
    2017 Multimedia Tools and Applications
    A virtual TV set is a studio that is able to combine recorded actors and objects with computer generated virtual environments in real time. In order to achieve this combination seamlessly, in an ideal configuration, several elements such as cameras, objects and people should be tracked so that all their…
  • Getting the mob angry
    The satire of Masa Enfurecida as political incorrectness in social networking
    2017 Humor. International Journal of Humor Research
    ince Ancient Greece satirists are feared figures in any group articulation. Often protected by anonymity, authors have defied political and social order with a harsh and unpleasant sense of humour, which pushes the limits of political correction. This form based in breaking news and everyday life has a particularly suitable…
  • Efecto inmersión y relevancia cognoscitiva en los vídeos de guerra en la Red
    2017 Estudios sobre el Mensaje Periodístico
    The way to represent war and social conflicts have been changing as those have been changing too: the recent wars in Iraq and Afghanistan, the Arab Springs, the actions of the Islamic State. The webcast amateur images are replacing the professional journalistic stories. As seemingly unrelated fragments, they form a…
  • Conectar con el público: diseño estratégico de las comunidades de usuarios por la TV convergente
    Ana Isabel Rodríguez Vázquez , José Ignacio Aguaded, Rosa García-Ruíz
    2017 Observatorio (OBS) Journal
    The challenges of human interaction go through the basic need to connect. TV digitization resulted in a converged environment that strengthens the “de-massification of the mass media“. The increasingly personalized, targeted, shared and commented consumption require strategies to connect directly to each user, while seeking his own connection with other…
  • “Volvoretas con las alas cortadas”
    Algunas cuestiones sobre el cine español 1962-1976
    2017 Volvoreta. Revista de literatura, Xornalismo e Historia do Cinema
  • Carta da Galiza
    O espazo lusófono e a eterna diáspora
    2017 Anuario Internacional de Comunicação Lusófona
    «Ciberculture, regulation, cooperation are the three entries that articulated the XII LUSOCOM / III MEDIACOM congress, celebrated in Praia, capital of Cabo Verde, from 19th to 21st of October 2016. Departing from interconnected communication scenarios, it was an attempt to look for models of cooperation from difference, of arguing about…
  • Cines nacionales y lenguas no hegemónicas. La invisibilidad del gallego frente a las políticas de diversidad cultural
    2016 CIC Cuadernos de Información y Comunicación
    In the spirit of the proposals of the Agenda 2020 about the structural role of cinema in the configuration of the European identities, this article highlights the significance of the national cinemas in non-hegemonic languages in the conformation of a diverse European culture. Following this perspective, we use Galician cinema…
  • European cinema in the languages of stateless and small nations
    2016 Revista Latina de Comunicación Social
    This article deals with the recent incorporation within the field of academic reflection bearing a variety of terms – the cinema of small nations, identity, in minority/minorised languages; the reconceptualisation of the term national cinema, which is symptomatic of the multiplicity of practices of surviving languages; and a discussion of…
  • Acciones (in)diferentes, tensiones latentes
    A propósito de feminismo y “Novo Cinema Galego”
    2016 IC Revista Científica de Información y Comunicación
    Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
  • Cine accesible: Uniendo los puntos entre la traducción audiovisual y la realización cinematográfica
    2016 Prosopopeya. Revista de Crítica Contemporánea, Traducción, ideología y poder en la ficción audiovisual. Frederic Chaume Varela e Maberl Richart Marset (eds.)
    In spite of the peak of the research in Audiovisual Translation (AVT) and the accessibility to the media, its main modalities of translation (dubbing, interlinguistic subtitling, deaf subtitling and audiodescription) are yet an element added to the filmmaking production process, which creates a concerning lack of investment in this industry…
  • Accessing communication: The quality of live subtitles in the UK
    2016 Language & Communication
    This article presents the results of the first official assessment on the quality of live TV subtitles in the UK as a form of access to audiovisual communication for deaf and hard-of-hearing viewers. Carried out in collaboration with the British governmental regulator Ofcom, this is the largest analysis ever conducted…
  • Mobile Devices: The New Challenge for the Newspaper and Book Industry in Spain
    Ana Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Xosé López-García
    2016 Palabra Clave
    This article analyzes the changes introduced by new mobile devices in more traditional European cultural industries: the newspaper and the publishing industry. After evaluating the current situation in both sectors in Spain, this reflects on the real change that is occurring in the media ecosystem, due to the emergence of…
  • Software, statistics, and database management for data journalists
    Ana Isabel Rodríguez Vázquez , Xosé López García, Carlos Toural Bran
    2016 El profesional de la información
    Journalists must update their competencies and skills to produce quality articles for today’s digital environment. New roles for journalists include data journalists, network managers, multimedia journalists, content curators, and mobile journalists. This article analyzes the evolution of the data journalist from its earliest beginnings to the present. The analysis includes…
  • El documental en España: espacios de lo político
    Margarita Ledo Andión , Jordi Revert, Mercedes Álvarez, Georgina Cisquella, Isadora Guardia
    2016 L’Atalante. Revista de Estudios Cinematográficos
    The development of the political documentary film in Spain has been conditioned by a historical itinerary that has resulted determinant in the almost absence of a consolidated tradition of audiovisual militancy from non-fiction. Nevertheless, and despite the obstacles, the format has going on reinventing itself from the adversity to conform…
  • Transcoding strategies for prime TV genres in Spain
    Ana Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez
    2016 El profesional de la información
    Today’s TV context is defined by new services like view-on-demand, “extra” content, and conversations with the audience. The public has more power to decide what to view and can influence the programming with their comments. Because of this, TV channels have created strategies to improve the online products and encourage…
  • O sucesso dos cinemas menores
    Baixo orçamento e alternativas cinematográficas no Brasil e na Galiza
    2016 Eptic online: revista electronica internacional de economia política da informaçao, da comuniçao e da cultura
    This article discusses the existence of an increasingly prominent film industry that opera- tes on the margins of the commercial system and that, despite limited resources – both economic and technical –, presents notable visibility within the international festival circuit. Even though low-budget films from Brazil and the limited production…
  • O xornalismo en transición, a antesala dun modelo de ‘Total Journalism’
    Ana Isabel Rodríguez Vázquez , Xosé López García
    2016 Intercom. Revista Brasileira de Ciências da Comunicação
    Journalism is undergoing for a strong metamorphosis in the process of reconfiguration of the media scene. The impact of the internet on the news routines was a turning point in the professional practice. No one doubts the relevance of the recent changes. There have been changes both in the search…
  • El fact checking como reclamo y como servicio en los cibermedios
    Análisis de las experiencias de The Washington Post y The Guardian
    Ana Isabel Rodríguez Vázquez , Xosé López García, Lucía Álvarez Gromaz
    2016 Telos
    The fact checking, one of the new information verification systems sponsored by technology, seems to gain prominence in the main cybermedia. This article analyses the fact checking model developed by The Guardian and The Washington Post, where it is found that the verifying processes are mainly applied to Politics and…
  • La televisión de proximidad como eje de la oferta audiovisual cercana
    El papel de TVG en Galicia
    Ana Isabel Rodríguez Vázquez , Xosé López García, Xosé Soengas Pérez
    2016 adComunica
    Television has shown its strengths in the formation of the present media environment, which has been built around the new paradigm of the global communication: the Internet. The best evidence of this assertion is the growing audience share of the different TV offerings. All this has been made possible by…
  • An approach to fan cinema: home recordings of pop concerts
    2015 Fonseca. Journal of Communication
    This article explores the phenomenon of home recordings of pop music concerts as a possible example of a terminological proposal of “fan cinema”. Through the film analysis of numerous concert videos taken from the Internet and films that use it, the text aims to understand if fan identity determines the…
  • La ruta de las voces invisibles. Voz narradora en el cine español del primer franquismo
    2015 L’Atalante
    The use of a voice over narrator in outstanding fictions of the first Francoism comes in direct line of those other voices of comment, tutelary and persuasive, that already appeared in the news and documentaries of the Civil War, of which it is still a trace more of his presence…
  • Festivales de cine y tendencias de futuro. Un estudio de caso
    2015 Opción. Revista de Ciencias Humanas y Sociales
    This article aims to study the phenomenon cinema festival from its capacity to conform a specific personality and, thus, influence issues of aesthetic nature and advance the cinematographic art in a certain direction. On this basis, we analyze a case of success, the Curtas Vila do Conde-International Film Festival, a…
  • Cine Documental. Cibercultura, tecnologías de proximidad.
    2015 Telos. Cuadernos de Comunicación e Innovación
    Cyborg automatism and cultural hybridization are at the base of an expansive terminology that indicates, in the present, the implication of technology in personal and political experience. Documentary cinema, one of those objects in which the brand of the technological device is part, at the same time, of the relationship…
  • Renaiming Itself. Nuevas definiciones en el cine contemporáneo
    Margarita Ledo Andión , Begoña Gutiérrez
    2015
    The idea of ​​renaming the cinema from certain practices, taking a position and aspects that are not well regulated, when not made invisible, took shape in the conjunction of the use of technologies as a resource for diversity policies and a growing critical commitment, as well from the Academy, to…
  • Identidades al margen y en los márgenes
    Frontera y laberinto en Arraianos (Eloy Enciso, 2012)
    2015 Fonseca Journal of Communication
    The film we are studying here, Arraianos (Eloi Enciso, 2012), emerges as a crossroad where the fictional and the documentary converge, where an anti-naturalistic representation of a space is confined, and of the human group that it inhabits, and a will of visual investigation of this space, in which the…
  • Propuesta de alfabetización mediática ante los estereotipos de género en los medios de comunicación.
    Resultados y valoración de 'Rostros de Mujer'.
    Ana Isabel Rodríguez Vázquez , Rosa García Ruiz, Ignacio Aguaded Gómez
    2015 Prisma Social. Revista de Ciencias Sociales
    Educating today’s society requires moving towards to new forms of literacy that promote a critical attitude towards the media, as a responsibility shared by various actors. In this paperwork, we propose an innovative resource to improve media education, aimed at different groups, addressing gender stereotypes that appear in different media…
  • Medios de comunicación móviles.
    Potencialidades de las aplicaciones para smartphone de los medios de comunicación españoles de mayor audiencia
    Ana Isabel Rodríguez Vázquez , Carmen Costa Sánchez, Xosé López García
    2015 Prisma Social. Revista de Ciencias Sociales
    Mobile devices have come to stay. Both traditional and new media are making a commitment to walk with us in our pockets. The present article analyses the potentialities of mobiles (customization, geolocation, and multimedia integration) in the 30 most viewed Spanish media (press, radio and television). Results indicate that geolocation…
  • La metamorfosi del giornalismo: reinventarsi per essere piú utile.
    Ana Isabel Rodríguez Vázquez , Xosé López García
    2015 Problemi dell'informazione
    Journalism of the third millennium is undergoing huge changes, a real metamorphosis, but the basic (the elements of journalism) remains. What have changed, though, are some techniques and processes of seeking, producing, and disseminating, due to the new technologies and the proliferation of communicative processes. Journalism has adapted itself to…
  • Governmental Control of Spanish Public Televison and Pluralism in Newcasts
    2015 Estudios sobre el Mensaje Periodístico
    The goal of this study is to analyze and compare television newscasts broadcast during the most recent terms of office for Spain’s two primary political parties: the PSOE (the Socialist Party) and the PP (the conservative People’s Party); in order to better understand the characteristics of RTVE’s (The Spanish Radio…
  • Proximity cyber media from Spain and Portugal in social media: channels for strengthening bonds with local communities
    Ana Isabel Rodríguez Vázquez , Xosé López García, Carlos Torual Bran, Alba Silva Rodríguez
    2015 Revista Latina de Comunicación Social
    The evolution of social media is transforming proximity cyber media, especially the impact these models have on local communities. The evolution of the new media ecosystem over the past ten years has involved the proliferation of proximity cyber media, both born-digital and digitised media. Only time will tell whether these…
  • From transmedia to repurposing journalism. Elpais. com press coverage about case of ebola in Spain
    Ana Isabel Rodríguez Vázquez , Carmen Costa-Sánchez, Xosé López-García
    2015 Profesional de la Informacion
    Transmedia storytelling has become a useful strategy for fiction, documentaries, and for marketing and corporate communication. However, the study of this new tool applied to journalism and reporting has received less attention and has been more recent and theoretical. The aim of the present work is to determine whether or…
  • La situación profesional de los periodistas españoles: las repercusiones de la crisis en los medios
    Ana Isabel Rodríguez Vázquez , Xosé Soengas; Natalia Abuín
    2014 Revista Latina de Comunicación Social
    This research analyzes the professional, labor and economic situation of journalists in Spain in the last five years, a period in which the crisis and media convergence coincide with the digitalization process. Method. To know the characteristics of the current scenario we conducted a qualitative and quantitative analysis with surveys…
  • Ver y querer ver. Foto de guerra contra periodismo
    2014 Chasqui. Revista Latinoamericana de Comunicación
    Who deserve tears and who just a place in a database? How can we update the substantive role of images in violent conflicts? A letter by MacCullin published in The Times in July the 17th of 1982 talks about the banning of photographing the Falklands: “they saw in my experience…
  • Creative Destruction as Economic Pattern of Europe’s Small-Scale Audiovisual Media Markets and Minority -Language Film Industries
    The small cinematography model as well as its incorporation into creation of the European digital space emerges as a paradigm of the creative destruction phenomenon in the way that Sombart spoke about and, afterwards, Schumpeter disseminated it seven decades ago. Working from this perspective, the University of Santiago de Compostela (USC)’ audiovisual…
  • La diversidad cultural a través de la Red: el caso del cine identitario
    2013 Comunicar, Revista Científica Iberoamericana de Comunicación y Educación
    The research «Cinema, Diversity and Networks» tries to isolate the principal stimuli or reticences in the consumption of products generated by small cinematographies, analyzing the particular case of the diffusion through the digital interactive networks of cinematographic contents produced in Galicia. It is a multicentral investigation with the collaboration of…
  • A popularización do fonógrafo en Galicia: 1878-1895
    Xaime Fandiño, Zósimo López, Henrique Neira
    2013 Revista dos socios e Socias do Museo do Pobo Galego
  • Comunicación e imaxe gráfica nas formacións orquestrais de Galicia
    Xaime Fandiño, Jesús Pérez, Henrique Neira
    2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
  • Comunicación e imaxe suxerida nas formacións orquestrais de Galicia
    Xaime Fandiño, Jesús Pérez, Zósimo López
    2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
    As a complement to the aesthetic and technical analysis of the posters of Galician orchestras, this work aims to deepen their discursive elements and detect the possible existence of latent discourses in the posters analyzed.
  • Festivais de difusión identitaria. Máis alá da música
    Xaime Fandiño, Carlos Regueira, Oswaldo García Crespo
    2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
  • Informe Orquestras de Galicia 2011/2012 (As verbenas)
    Xaime Fandiño, Carlos Regueira, Henrique Neira
    2013 Actas do XIII Congreso Internacional IBERCOM. Comunicación, Cultura e Esferas de Poder
  • The Role of the Internet and Social Networks in the Arab Uprisings An Alternative to Official Press Censorship
    Xosé Soengas Pérez
    2013 Comunicar (DOI: 10.3916/C41-2013-14)
    This research analyzes the power of the Internet and social networks in the Arab uprisings. We are interested in learning about the contribution of communication technology in low advanced societies in conflict situations and the value of the network as a link between young people who supported the changes from…
  • Retos de la radio en los escenarios de la convergencia digital
    Xosé Soengas Pérez
    2013 AdComunica. Revista Científica de estrategias, tendencias e innovación en comunicación. Castellón: Facultat de Ciencies Humanes i Sociais. Universitat Jaume I
    This article analyzes the current situation of the Spanish radio in the new media scenery, characterized by digital convergence, the redefinition of the classical functions in the media and the constant development of an increasingly more demanding and segmented audience. In the era of information, the codes and rules existing…
  • El nuevo escenario informativo en españa después de la implantación de la Televisión Digital Terrestre
    Xosé Soengas Pérez
    2013 Ámbitos. Revista Internacional de Comunicación. Sevilla: Departamento de Periodismo II. Universidad de Sevilla
    In this scientific paper, we intend to analyze the situation of the Spanish news scenario after the arrival of Digital Terrestrial Television, the characteristics of programs offered and the viability of different channels in a context set by changes, the economic downturn and the lack of a strategy in the…
  • Galicia e a construción dun cinema nacional
    2013 A Trabe de Ouro: publicación galega de pensamento crítico
  • Carta da Galiza
    Margarita Ledo Andión , Xosé López García
    2013 Anuário Internacional de Comunicaçao Lusófona 2013. Comunicación na diáspora e diásporas na comunicación.
    «A singular ephemeris opens the door to this new edition of the Anuário: the institutional recognition of Galician as the only own language of Galiza, that was the condition for the Lei de Normalización Lingüística de 1983 and that, in a volume articulated around a, is relevant to be aware…
  • Pieza de aprendizaje: roots & routes
    2012 Telos, Revista de pensamiento sobre Comunicación, Tecnología y Sociedad
  • Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space
    2012 Communication and Society/Comunicación y Sociedad
    This research article analyses the main barriers and motivations in the understanding and acceptance of Galician audiovisual media products by a sample of consumers located in different areas of the Lusophone space, according to the new circulation and consumption modes of audiovisual products. To this end, we examined the influence…
  • Carta da Galiza
    2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
    Thinking the lusophony as a material and intellectual communication project, as a place for the relationship between knowledge and as a territory of concrete proposals, takes us to a scenario, that of globalization under neoliberal guidelines, where it is easy to lose foot when talking of expression, information and communication,…
  • A incidencia do espazo mediático na identidade cultural cotiá: espazo público vs. espazo privado
    2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
    Based on the hypothesis of the human production of signs generates a reality, this work tries to analyze the importance of the “mass media”, and his importance in the construction of the identity of the targets. Basing on the theories of the Sociology of the Knowledge, and of his precursor…
  • Debates abertos en torno aos medios públicos audiovisuais galegos: xustificar o inxustificable?
    2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
    The context of the deep economic crisis puts the public media in general, and to Galicia in particular, at the crossroads of values that require them to justify the unjustifiable, meaning this last not need justification because it is obvious. TV and in times of crisis. And the questions that…
  • Ausencia y representación, mirada y poder: la imagen que no vimos de Bin Laden
    2012 Estudios sobre el Mensaje Periodístico
    The picture of Barak Obama and his group of collaborators, all watching to a screen that provided information on the operation that led to the death of Bin Laden, represents nowadays the visual reference that reports that momentous event. In view of the absence of the image of the terrorist…
  • La realidad informativa en EE.UU., Europa y América Latina
    Xosé Soengas Pérez
    2012 Chasqui. Revista Latinoamericana de Comunicación
    The analysis of the information reality in the USA, Europe and Latin America shows that the difficulties to inform and press coercions are common, especially in conflict zones. Censorship is presented in different ways and the different modalities correspond, almost always, with the nature of the political regimes and with…
  • Sangre, fetiche, ceguera: deseos y abrazos rotos
    2012 Fotocinema. Revista científica de Cine y Fotografía
    Second part of the (until now) dark almodovarian trilogy about male desire, the “Woman” object of that desire, and its devastating avatars (with Talk to her [2002] and The skin I live [2011]), The broken hugs constitutes one of the peaks of the filmography of Pedro Almodóvar, combining the reformulation…
  • Cidus, de la integración digital a la consiliencia
    2012 Estudios sobre el mensaje periodístic
    In 2009 the University of Santiago de Compostela starts the Platform for the Innovation and Experimentation and Innovation in Digital Contents (CIDUS): a pioneering experience of trans-disciplinary collaboration between 81 investigators of reference in the digital contents area, with a technological and socio-communicative profile, from fields as different as Physics,…
  • A responsabilidade pública sobre a discapacidade no texto cinematográfico
    2012 Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono
    The present work analyzes the cinematographic text and his relation with the presence of the disability. After considering the logic of functioning of the different levels of the text, we come to the question of the foundation of the sense, as principal function of the text, relating the above mentioned…
  • O encaixe da ‘Tripla A’ na ‘Tripla C’ do novo consumo televisivo
    2012 Papeis da Academia (Academia Galega do Audiovisual)
    Why? It is the fundamental question, the basic question on which the positioning of television products should be focused in the new consumption scenario.
  • Tres fotografías: dende onde o mundo se chama Galicia
    2011 Fotocinema. Revista Científica de Cine y Fotografía
    If our main goal is to reconstruct the history of photojournalism in Galicia from the photograph as part of the journalistic discourse, it leads us to confirm some uncertainties that disable a linear story by being unable to construct, much less in the case of a social institution as the…
  • Photographs from where the world is called Galicia
    2010 Revista Latina de Comunicación Social
  • De la no ficción
    On non fiction
    2010 L'Atalante. Revista de Estudios Cinematográficos
    Beyond certain narrative styles of non-fiction in fiction, what is posed – through such different authors (by genre, age and film culture) as Winterbotton or Marguerite Duras – is the relationship of personal experience with the way to give body, through a work, to that intensity that the real brings…
  • Nós, imaxinar a nación
    2010 A Trabe de Ouro: Publicación galega de pensamento crítico
  • Algunhas notas sobre a investigación como realizativo
    2008 Anuário internacional da comunicaçao lusófona 2007
  • Análise de contido, tratamento estético e linguaxe dos informativos audiovisuais en Galicia
    Ana Isabel Rodríguez Vázquez , Xosé Soengas Pérez; Anxela Chillón Álvarez, María Salgueiro Santiso
    2008 Anuário Internacional de Comunicação Lusófona 2008
    Within the framework of a research project of the Audiovisual Studies Group of the Department of Communication Sciences of the USC, an audiovisual information management system has been designed with the objective of periodically monitoring the news of the radio stations. and television in Galicia with higher ratings and regional…
  • Análise de contido, tratamento e estética, e de linguaxe dos informativos de radio e televisión
    Ana Isabel Rodríguez Vázquez , María Salgueiro Santiso, Anxela Chillón Álvarez
    2008 Actas do Congreso Internacional Fundacional AE-IC I+C Investigar la Comunicación
    Within the framework of a research project of the Group of Audiovisual Studies of the Department of Communication Sciences of the USC, a system of audiovisual information expenditure has been designed with the objective of carrying out a periodic follow-up of the news of the radio stations. and television in…
  • “Mar adentro” (Alejandro Amenábar. 2004) y las zozobras del cine español
    2008 Foro hispánico: revista hispánica de Flandes y Holanda | Pietsie Feenstra e Hub. Hermans (dirs)
    An approach to the obsessive authorial career of Alejandro Amenábar and the striking critical and social conflict that gave rise to the premiere of “Mar adentro”, both for his (apparent) vocation of active proclamation in favor of euthanasia, and for its extraordinary international repercussion and the extreme critical reactions aroused.…
  • Por debajo del cine documental, lo real: la inclusión del mundo
    2008 El Valor de la Palabra
  • Terra do Xicle. Carlos Velo, México, 1952
    2007 Trípodos
  • Ante la aparición de Tierra del chicle, Carlos Velo, México, 1952
    2007 Trípodos
    A producer, Barbachano Ponce; an ideologue and cultural animator, Fernando Gamboa; an exiled republican cineaste, Carlos Velo, are part of a generation which transformed the way of thinking about documentaries while at the same time applying it to the making of certain works which comprise the body of film work…
  • La información en televisión: espectáculo y realidad manipulada
    Xosé Soengas Pérez
    2007 Revista ICONO14. Revista científica de Comunicación
    This research addresses the main aspects that correspond to the scope and context of television information: origin of the information, nature of the sources and protagonists, characteristics of the news, treatment and focus of the contents and analysis of the characters protagonists of the events. Studying these details will determine…
  • El control de la información en televisión
    Xosé Soengas Pérez
    2007 Ámbitos (Revista internacional de comunicación)
    This research analyses the main aspects of broadcast news: Information origin, sources and the leading characters, news´s characteristics, news´s treatment and analysis of the main facts. To study all this will show us if there is, o not censorship, news manipulation and inappropriate news treatment. We focused our main interest…
  • A experiencia dunha proposta audiovisual on line
    2007 Maremagnum, publicación galega sobre os transtornos do espectro autista
    In 2009 the University of Santiago de Compostela starts the Platform for the Innovation and Experimentation and Innovation in Digital Contents (CIDUS): a pioneering experience of transdisciplinary collaboration between 81 investigators of reference in the digital contents area, with a technological and sociocommunicative profile, from fields as different as Physics,…
  • Singularización e indiferenciación: la paradoja contemporánea de la esfera cultural
    2006 Anuário Internacional de Comunicaçao Lusófona 2005: Comunicaçao, Identidades, Migraçoes e culturas na Lusofonía
  • A identidade galega nas televisións estatais e na TVG
    Ana Isabel Rodríguez Vázquez , Xosé Soengas Pérez
    2005
  • El discurso radiofónico. Particularidades de la narración sonora
    Xosé Soengas Pérez
    2005 PRISMA.COM. Revista de Ciencias da Informaçao e da Comunicaçao do CETAC.
    The narrative characteristics of the radio story are defined by the diversity of the elements that compose the message. The sonorous dimension of radio implies some peculiarities that differentiate it from other media and, at the same time, conditions the construction of the story. Besides, it is important to analyse…
  • Los contenidos informativos en las televisiones generalistas
    Xosé Soengas Pérez
    2005 Ámbitos (Revista internacional de comunicación)
    There’s a great homogeneity on Spanish television. The structure of many tv production departments and the contents analysis of their news show that television works are based in strictly defined balances between political, economical and society news. Powerless people are silenced. Their problems aren’t correctly reflected. Formal pluralism doesn’t mean…
  • O tratamento informativo dos acontecementos de relevancia extraordinaria
    Xosé Soengas Pérez
    2005
    Informative events of outstanding significance need a specific treatment due to their peculiar characteristics. Since they have a huge impact in society and bring highly relevant consequences to it, these events endure much longer than everyday news. Facts are measured out and different dimensions of events are progressively amplified. This…
  • El Paradigma Mercantil en la Generación de la Cultura Mediática: Experiencia vs. Consumo
    2004 Razón y Palabra. Primera revista electrónica en América Latina especializada en tópicos de comunicación
    The generation of the more recent media culture as a huge mosaic points to communication media and, more widely, to cultural industries, as their main authors. The cultural grid resulting will answer to a series of characteristics analysed, such as segmentation, excision, disconnection, and incoherence, but also the tendency to…
  • A impronta sociocultural da televisión local: o valor da identidade local no mundo global
    O impacto das novas tecnoloxías da dimensión televisiva de proximidade. O caso galego
    2004 AGIR (Asociaçao para a Investigaçao e Desenvolvimento Sócio-Cultural)
  • Violence in Television Fiction Aimed at the Child-Juvenile Audience: An Alternative Analysis
    2004 Newsletter on Children, Youth &Media in the World
  • Os estados xerais da cinematografía e do audiovisual
    2003 Anuário Internacional de Comunicaçao Lusófona, LUSOCOM, Federaçao Lusófona de Ciencias da Comunicaçao, Ano I
  • O xornalista especializado: formación e características
    Xosé Soengas Pérez
    2003
    The specialised information was born from the journalist purpose to deepen in public interest topics and to process them as monographs. The proliferation of information proposals and the increasing of competitiveness forced many media to look for a new place in the market by means of the specialization of contents,…
  • La manifestación de la violencia en televisión: la crisis del texto publicitario
    2003 Anuario de Sphera Pública. Revista de Ciencias Sociales y de la Comunciación “La violencia en la generación de culturas fronterizas”
    The increasing concern for the presence of violent demonstrations manifestations in television, one of the main agents in the configuration of individual and collective reality in the modern societies, has been translated in a myriad of investigations that, despite its omnipresence, usually exclude the advertising texts. Even though advertising discourse…
  • La producción del presente social en Televisión
    2003 Publicación anual I/C. Revista científica de Información y Comunicación
    The increasing mediation of the experience, articulated by the so called communication media –and in a hegemonic way by the TV dispositive–, constitutes one of the defining elements of the configuration of the individual and collective reality in modern societies. It is a mediation whose intensity and omnipresence pushes the…
  • Radiografía de la Televisión Local en Galicia
    2003 Emisiones Tv
  • Variantes na mundialización: Galiza na Lusocom
    2003 Tempo Exterior, revista de análise e estudios internacionais
    As often happens in history, the idea precedes its implementation; necessity created a certain state of consciousness; thinking about diversity and the European policy of cultural exceptionalism, which we apply to the field of cinematography and audiovisual, allowed us to take the debate to a new stage, and everything is…
  • La mirada documental
    2002 Temes de Disseny
    There is a way of producing images that brings with it the inevitability of the viewer, the relationship between author, characters and representation, towards an out of field in which a caryatid maintains with his diaphanous hand the passage of time and the contingent construction of the time on the…
  • Quince Anos de Televisión
    2001 Estudios de Comunicación
    The assessment and analysis of television are approached from the setting and evolution of certain programming constants, from budgetary aspects and, especially, from their role in a process -regular- that we call “normalization”. As a result and as an operator in the construction of a national collective subject, public television…
  • Documental y nación.com
    Políticas públicas e identidad: Québec-Canadá.
    2001 Anàlisi, Quaderns de Comunicació i Cultura
    A new way of inserting reality into documentaries. The wide-angle lens apparatus, as part of the relationship between the film and the viewer, make Les Raquetteurs (1958, by Michel Brault/Gilles Groulx) a good example of the direct before the direct cinema. The street, the ritual, the sense of belonging, the…
  • Diversificar a mundialización
    2000 Eptic, revista electrónica sobre TIC
    «We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
  • A mundialización, en plural
    2000 A Trabe de Ouro, publicación galega de pensamento crítico
    «We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
  • Aquel, máis que neve branco
    2000 Revista de estudios rosalianos
  • Tv and interculturalism in Brittany, Galicia and Wales
    1998 Anuario Unesco/Umesp de Comunicaçao regional 1998, Ano II
  • A propósito de la visibilidad
    1998 Forum Mundial de la Televisión Infantil 1997/World Forum on Chlindren’s Television
  • Televisión e interculturalidade: Bretaña, Galicia e País de Gales
    1998 A Trabe de Ouro, publicación galega de pensamento crítico
  • A tele, metáfora virtual
    1996 A Trabe de Ouro, publicación galega de pensamento crítico
  • A tecnoloxía como contido
    1995 A Trabe de Ouro, publicación galega de pensamento crítico
  • De xornalismo en lingua galega
    1995 Colóquio/Letras
  • Documentalismo contemporáneo: da inocencia á lucidez
    1993 Revista de Comunicaçao e Linguagens, Centro de Estudios de Comunicaçao e Linguagens (CECL)
  • Réplica a “Nacionalismo e Información”
    1991 A Trabe de Ouro, publicación galega de pensamento crítico
  • Dereito de autodeterminación
    Un exemplo dos límites democráticos do Estado Español verbo das Nacionalidades
    Margarita Ledo Andión , Josep M. Sole i Sabaté
    1990 A Trabe de Ouro, publicación galega de pensamento crítico
  • En defensa da subxectividade
    1990 A Trabe de Ouro, publicación galega de pensamento crítico
  • Escritores en Lingua Galega: opoñentes, orgánicos, mediáticos
    1989 Journal of Interdisciplinary Literare Studies
Book
  • Perante a nova Lei do Audiovisual: Análise e perspectivas
    María Soliña Barreiro Antía López Gómez , Ramón Zallo, Marcos Maceira, Francesc Marco-Palau, Paul Bilbao, Uxía Caride, Lidia Fraga, Samuel Solleiro
    2023 Perante a nova Lei do Audiovisual: análise e perspectivas
    This volume is the result of the collaboration between academia, the audiovisual sector and citizens, united by the concern about the consequences that the new General Law on Audiovisual Communication will have for the Galician audiovisual sector and the cultural and linguistic diversity of the sector, with the aim of…
  • Angueiras de sal. Novas olladas á costa galega
    María Soliña Barreiro Jennifer Novoa Domínguez , Colectivo fotográfico Ollo
    2023 Angueiras de sal. Novas olladas á costa galega
    Novas olladas á costa galega was the closing event of the Encontro de Fotografía Documental Contemporánea Galega titled Fx: Ollos para ver. The project, promoted by the Grupo de Estudos Audiovisuais de la Universidade de Santiago de Compostela in conjunction with the photographic collective Ollo, ended with a documentary photography…
  • CloudClass: Virtual Communication for Educational Innovation
    Enrique Castelló Mayo Roi Méndez Fernández Antía López Gómez Rocío del Pilar Sosa Fernández Sara Calvete Lorenzo , Jorge Clemente Mediavilla; Julio Cabero Almenara; Carmen Llorente Cejudo; Luísa Magalhães; Francisco Ibáñez; Andrea Castelli; Giorgio P. De-Marchis; Javier de-la-Vara-López; Mario Montagud Climent; Gianluca Cernigliaro; Miguel Arevalillo-Herráez; Miguel García-Pineda; Jaume Segura-Garcia; Sergi Fernández Langa; Elena Llorca-Asensi; Jim Playfoot; Andrés Rozados Lorenzo
    2023
    CloudClass: Virtual Communication for Educational Innovation brings together the results of work representative of the many approaches and perspectives adopted in research on virtual communication, immersing the reader in the most innovative trends in communication applied to education. This book explores, among other issues, the following elements: analysis of the…
  • Cadernos de comunicación e xénero Co(m)xénero 2
    Marta Pérez Pereiro María Soliña Barreiro Silvia Roca Baamonde , Rosa Cabecinhas; Guadalupe Jiménez-Esquinas; Rosalía Quiroga Trasorras; Brigitte Vasallo; Xavier Giró
    2023 Cadernos de Comunicación e Xénero
    The second CO(M)XÉNERO monograph continues to grow the bet and collects various contributions from seminars 4, 5 and 6 that we held in the period 2020-2021 and in March 2022. Contra a desmemoria e a prol da auto-representación rganised the proposal of exit to be able to advance them towards…
  • EUVOS: THE CONTRIBUTION OF SMALL CINEMATOGRAPHIES TO EUROPE’S INTANGIBLE CULTURAL HERITAGE
    Enrique Castelló Mayo Antía López Gómez Sara Calvete Lorenzo María Soliña Barreiro Fernando Redondo Neira Marta Pérez Pereiro Roi Méndez Fernández Silvia Roca Baamonde Claudia Neira Expósito , Jacques Guyot, Henrique Monteagudo, Marijo Deogracias, Beatriz Zabalondo, Denize Correa Araujo, Mario Montagud Climent, Álvaro Egea Benavente, Isaac Fraile Vila,
    2023 EUVOS: La aportación de las pequeñas cinematografías al patrimonio cultural inmaterial europeo
    The vindication of a dialogic and inclusive interculturality, through small cinematographies, emerges as an effective alternative to the incessant questioning of the European identity and its common culture, subjected both to the exogenous pressure of global multimedia groups and to the endogenous proliferation of extremist reactions to any social, ethnic,…
  • La revuelta en la mirada: Las imágenes del tiempo en el cine de vanguardia europeo de los años veinte
    2022 La revuelta en la mirada: Las imágenes del tiempo en el cine de vanguardia europeo de los años veinte
    Avant-garde filmmakers travelled through modernity rescuing images and times discarded by the dominant visual and historical discourses. Cinema allowed them to give vent to a joie de voir not only for the pleasure of astonishment, but also for the disarmament of the discursivisation of life, of the image and of…
  • De illas e sereas
    Para unha historia do cinema en lingua galega (3)
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
    «Para unha historia do cinema en lingua galega, 1, 2 e 3» é a proba fáctica do noso «desexo de comunidade» tal e coma Jacques Rancière observa determinados acontecementos contemporáneos que queren ocupar a esfera pública, evitar o seu aniquilamento. E a creación, en calquera soporte, linguaxe ou formulación, é…
  • Cadernos de Comunicación e Xénero CO(M)XÉNERO 1
    Marta Pérez Pereiro Silvia Roca Baamonde , Ana Jorge Alonso, Ana Catarina Pereira, Elena Oroz, Carla Cerqueira, Dhaunae De Vir
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
    Presentamos o primeiro Caderno de Comunicación e Xénero CO(M)XÉNERO, resultado das tres primeiras sesións do seminario, para ampliar o debate sobre os temas e motivos que nos levaran á realización destes encontros. Situámonos no pensamento crítico, na súa aplicación aos lugares que habitamos, ás propostas que construímos, ás obras onde…
  • A foresta e as árbores
    Para unha historia do cinema en lingua galega (2)
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
    «So o enunciado A foresta e as árbores, neste novo volume adentrámonos na análise dunha mostra representativa de filmes que, en presente, contrúen, balizan e normalizan un ámbito singular da cultura: producir películas na lingua propia de Galiza […] Sobordando tópicos, este é un libro no que as árbores deixan…
  • Os amorodos de Bergman
    Premio Ramón Piñeiro de Ensaio 2018
    Between 1925 and 1934, the group of excursionists called Sociedade Amigos do Campo shot about one hundred films that showed their interest for the landscape. These travel films, instead of exceptional events, gather up trivial moments. Fernando Redondo Neira’s essay departs from that film register, without montage or other complements,…
  • El cuerpo y la cámara
    By Margarita Ledo Andión
    2019 El cuerpo y la cámara
    Margarita Ledo reflects on the body when is  filmed, photographed, represented. In the era of “selfies”, when “smartphones” have turned photography into a daily, proliferating and domestic gesture for all of us, a pertinent question may be who, in truth, are we representing to? What do we seek to put…
  • Marcas na paisaxe. Para unha historia do cinema en lingua galega
    Para unha historia do cinema en lingua galega
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega.
    «On the occasion of two ephemeris, the fiftieth year of 1968 as an animator of the militant cinema and the 2018 declaration as ‘European Year of Cultural, Material, Immaterial and Digital Heritage’, we wanted to resume the paths of cinema with chapters that bring us back again to the of…
  • Cine y exilio. Forma(s) de la ausencia
    2017 Cine y exilio. Forma(s) de la ausencia
    What could has been perhaps one of the causes of the republican defeat, that bustling disorder of the febrile and burning masses that  inhabit the war reports of the loyal band to the democratic government, would turn later into in the most painful procession of humiliated and mutilated people, barely…
  • Fernando Rey. Cabaleiro de cinema (1917-2017)
    José Luis Castro de Paz , Rubén Ventureira
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017)
  • Alén das Fronteiras. Redes na diversidade
    Margarita Ledo Andión Ana Isabel Rodríguez Vázquez , Francisco Campo, Carlos Toural, Xosé Rúas, Carmen Costa, María Salgueiro, Marta Rodríguez (Eds)
    2017 Alén das Fronteiras. Redes na diversidade. Actas do I Congresso Internacional da Asociación Galega de Investigadoras e Investigadores en Comunicación
    It is always a motive of pride to present the achieves to a scientific meeting. But in this case it becomes specially relevant since under the title Alén das fronteiras: redes na diversidade, the AGACOM, Galician association of researchers on Communication, celebrates its first international congress. The event conjugates, therefore,…
  • La televisión pública regional
    El caso de Televisión de Galicia: digitalización y evolución tecnológica en Televisión de Galicia (1985-2012)
    Rubén García-Loureda Díaz
    2017 La televisión pública regional. El caso de Televisión de Galicia: digitalización y evolución tecnológica en Televisión de Galicia (1985-2012)
    «This thesis analyzes the technological evolution of the TV of Galicia (TVG) since the launch of the first broadcasts in 1985 until the year 2012, which inaugurated what we could consider the first MAM digitalization of this company in the Delegation Provincial de Lugo of the autonomous public television of…
  • Finlandia, Galicia, Gales. Os retos dos pequenos cinemas en linguas non hexemónicas
    2016 Finlandia, Galicia, Gales. Os retos dos pequenos cinemas en linguas non hexemónicas. Margarita Ledo Andión (coord.)
  • A construción da(s) identidade(s) a través da comunicación
    Anais do XI Congreso LUSOCOM 2014
    Margarita Ledo Andión , Emma Torres Romay; José Rúas Araújo; Francisco Campos Freire
    2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
    The lusophone research in Communication conquers new spaces. This new edition of the yearbook collects, under the prism of an approach of the cartographies of the lusophone investigation, a group of approaches that reflect the progressive dynamism that characterizes the work of consolidated research teams in the different countries. Some…
  • eDCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o.
    2016 eDCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o. Margarita Ledo Andión (coord.)
  • Vida en sombras
    El cine español en el laberinto (1939-1953)
    2016 Vida en sombras. El cine español en el laberinto (1939-1953)
    The book, born from the homonymous season of Reina Sofía’s Museum, seeks to give light to one of the darkest times of the Spanish film history. An age marked by the organization imposed by the dictatorial regime, that has arrived to our days with the heavy charge of clichés that…
  • Anais do XI Congreso Lusocom
    Margarita Ledo Andión , Emma Torres Romay, José Rúas Araújo e Francisco Campos Freire
    2016 Anais do XI Congreso Lusocom
    Alongside these 2 decades of LUSOCOM, our mark-territory of esteem, as is collected in the statutes of the Federaçao, has resulted in the approach of the Angolan, Brazilian, Galician, Portuguese, from Mozambique, Guinea or Cabo Verde academic communities, translated in scientific events, publications and in the edition of the Anuário…
  • La renovación del periodismo en la sociedad en red
    Ana Isabel Rodríguez Vázquez , Xosé López García, Carlos Toural Bran
    2016
    The journalism has become complex in the complex contemporary society. Any approach to current journalism, for thorough it intents to be, always takes the risk of resulting partial because in the world panorama there are many journalistic nuances. There is not only one way of understanding journalism, despite there are…
  • Comunicación, Cultura e Esferas de Poder
    Margarita Ledo Andión , Maria Immacolata Vassallo de Lopes
    2015 Comunicación, Cultura e Esferas de Poder. Maria Immacolata Vassallo de Lopes e Margarita Ledo Andión (eds.)
  • Cine Diversidad y Redes.Pequeñas cinematografías, políticas de la diversidad y nuevos modos de consumo cultural
    This book has been written in the framework of the research “Cinema, Diversity and Networks” developed by the Grupo de Estudos Audiovisuais (GI 1786) of the Universidade de Santiago de Compostela with the collaboration of the Instituto Universitario Nacional del Arte de Argentina, the Universidad Nacional de Quilmes, the Instituto Escuela…
  • Terra, Festas e Música Popular
    Pequenas historias de Vedra de 1891 a 1900
    Henrique Neira Pereira
    2013
  • Cine, Diversidad y Redes. Pequeñas cinematografías, Políticas de la Diversidad y Nuevos Modos de Consumo Cultural, Buenos Aires
  • Modos de representación en el cine español posbélico
    José Luis Castro de Paz offers, from the footprint of Wenceslao Fernández Flórez, a culmination and a starting point after more than two decades of research on Spanish cinema in the forties. As such, it is destined to become the inescusible historiographical foundation from which to look with meticulousness to…
  • José Sellier en A Coruña: los comienzos del cine español
    José Luis Castro de Paz , José María Folgar de la Calle
    2013
    Although he lives in A Coruña part of his childhood, José Sellier Loup (France, 1850, A Coruña, 1922) settled permanently in the Galician city in 1886. Immediately relevant photographer, acquires a cinematograph as soon as it is available for sale in May of 1897. That same month, he shoots “several…
  • Comunicación na diáspora e diásporas na comunicación
    Anuário Internacional de Comunicaçao Lusófona 2013
    Margarita Ledo Andión , Xosé López García; María Salgueiro Santiso
    2013 Comunicación na diáspora e diásporas na comunicación. Anuário Internacional de Comunicaçao Lusófona 2013. Margarita Ledo Andión, Xosé López García; María Salgueiro Santiso (eds.)
    A singular ephemeris opens the door to this new edition of the Anuário: the institutional recognition of Galician as the only own language of Galiza, that was the condition for the Lei de Normalización Lingüística de 1983 and that, in a volume articulated around a, is relevant to be aware…
  • Medios Públicos e Espazo Lusófono
    Anuario Lusocom 2012
    2013 Medios Públicos e Espazo Lusófono. Anuario Lusocom 2012
    The multiple landscape in which the different public systems of communication of the lusophone space are developed constitutes the origin of the 2012 yearbook that, in addition to this wide and plural theme regarding gazes, analysed aspects and objects, delves into the discussion around questions of language and communication, ciberculture…
  • Investigar la comunicación en Loja-ecuador
    El valor de la formación, producción y consumo
    Ana Isabel Rodríguez Vázquez , Gabriela Coronel Salas
    2012
    Investigar la comunicación is a collective work of investigations of 22 authors in the area of study of communication in Ecuador and in a international level. For those who do not have information about it, Loja is traditionally known for its richness in culture, music, and as a university city.…
  • Anuário Internacional de Comunicação Lusófona
    Medios púbicos e espazo lusófono
    Margarita Ledo Andión , Xosé López e María Salgueiro (Eds)
    2012
    The mulpiple landscape in which the different public systems of communication of the lusophone space are developed constitutes the core of the Anuário 2012 that, in addition to this wide and plural theme regarding gazes, aspects and objects of analysis, deepens in the debate of questions relative to language and…
  • Sombras desoladas. Costumbrismo, humor, melancolía y reflexividad en el cine español de los años cuarenta
    A close and unprejudiced historiographical and textual analysis of the cinema of the 1940s demonstrates the survival, despite everything, of varied (often rich, always conditioned) filmic formulations able to maintain a common underground current that constitutes its authentic genetic material and that assures the recognition of its public and the…
  • Lusofonía, interactividade e interculturalidade
  • Do palco ao escenario. Unha aproximación analítica á industria da música nas festas populares de Galicia. (e-pub)
    Xaime Fandiño (comp.)
    2011
  • Indicios de desaparición e tres fotografías dende onde o mundo se chama Galicia
  • Galicia 1936-2011: Estudos sobre o filme de Carlos Velo
    Margarita Ledo Andión , Ramiro Ledo Cordeiro, Pablo Cayuela Miguel
    2011
    Ledo Andión, M; Ledo Cordeiro, R. & Cayuela, P. (2011)- Galicia 1936-2011. Estudos sobre o filme de Carlos Velo. Santiago de Compostela: USC, Grupo de Estudos Audiovisuais.  Galicia 1936-2011. Estudos sobre o filme de Carlos Velo Serie de 3 estudos sobre ‘Galicia’ (Carlos Velo, 1936), co gallo da aparición, en…
  • A discapacidade en imaxe
  • Cine + Guerra Civil. Novos achádegos: Aproximacións analíticas e historiográficas
    José Luis Castro de Paz , David Castro de Paz
    2009
  • Do bucle e da fenda. Para un ensaio crítico sobre a cultura galega
    2009 Do bucle e da fenda. Para un ensaio crítico sobre a cultura galega
    «Will the  Real Academia Galega be able to become one of these places for memory, of conscious and unconscious models that hold that new and old treasure that makes that many of us can share the act of seeing, beyond the individualities of this ritual, of this board of 30…
  • El enfoque informativo. Los puntos de vista de una noticia en televisión
    Xosé Soengas Pérez
    2008
    The liberal theories about objectivity that rested on the idea of ​​information as a neutral and transparent representation of reality, showed as simplistic as critical theories that identified the means with instruments of power, which led to explain the contents in role of owners controlling the media. The reality is…
  • Políticas de comunicación e identidad cultural: estrategias gubernamentales sobre la comunicación social.
    «This work constitutes, firstly, a tentative of covering an abandoned field by the essay production, the one constituted by the theme of communication policies. A desertion that results even more evident if we link this to other theme, the relating to cultural identity. Verified the difficulty of finding related literature,…
  • Cine de fotógrafos
    Respect for the camera and a kind of empathy with what is going to be filmed connotes a type of film made by photographers: the documentary. In it, subjectivity gave way to self-referentiality, to the author as part of his material, and to the exploration of interstitial practices that unite…
  • Comunicación audiovisual en la era digital
    Xosé López García, Xosé Soengas Pérez
    2005
  • El Espéctaculo de lo Real en el Texto Televisivo: Gran Hermano
    The purpose of this work is to study the Spectacle of the Real Televised (SRT), in general, as well as the analysis of a paradigmatic television format of the SRT, “GRAN BROTHER”, in particular. The investigation is divided into four chapters. The first one is devoted to the study of…
  • Os “Estados Xerais” da Cinematografía e do Audiovisual en Galiza
  • Del Cine-Ojo a Dogma 95
    The documentary, that cinema in the photographic way that for so long was considered a minor product, now reappears not only as an auteur cinema, but as one of the most appropriate products for the new contemporary reflection on the cultural industry and its exceptionality . The idea, the camera,…
  • Informativos radiofónicos
    Xosé Soengas Pérez
    2003
    Twenty-five years after the restoration of freedom of information on Spanish radio, the prestigious institutional image of this media is still linked to journalism with a program aimed mainly at the treatment of news in its different formats and journalistic genres. This book presents in a clear and simple way…
  • El tratamiento informativo de lenguaje audiovisual
    Xosé Soengas Pérez
    2003
  • La dimensión de lo axiológico en el discurso del spot publicitario
    Thesis
    The statement that, in the shape of the unknown, leads since its beginning this research, is summed up in an attempt for positioning, detecting, if possible, the place of a particular request, the subject of unconscious, in the framework of an emblematic discourse, for its omnipresence, of our contemporary age:…
  • Galicia-Finlandia. Modos de Pensar, Santiago de Compostela
    Margarita Ledo Andión , Tapio Varis (Editores)
    2002
  • Observatorio do Audiovisual Galego: Informe e catálogo 1999-2000
  • Production télévisée et identité culturelle en Bretagne, Galice et Paes de Galles, Rennes
    Margarita Ledo Andión , Jacques Guyot, Roland Michon
    2000
  • Comunicar no século XXI
    Xosé López García, Xosé Soengas Pérez
    2000
    The reports collected in this book were exposed during the conference “Comunicar no Século XXI”, which was held between the days 22nd and 26th of November, 1999, organized by the Department of Communication Sciences of the University of Santiago de Compostela.
  • Comunicación Audiovisual: Investigación e Formación Universitarias
    Margarita Ledo Andión , Margarida Krohling Kunsch (Editoras)
    1999
  • A comunicación audiovisual na era dixital
    Xosé López García, Xosé Soengas Pérez
    1999
    The audiovisual landscape is undergoing important transformations and there is a growing need for new skills among professionals. Now we witness the consolidation of the Net Based Communication, whose main attributes are the following: first, it is multimedia; second, it is hypertextual; third, it has a synchronous character; and fourth,…
  • Tv and Interculturalism: Brittany, Galicia and Walles/Tv e Interculturalidade. Bretaña, Galicia, Gales, Santiago de Compostela
    Margarita Ledo Andión , Jacques Guyot, Roland Michond, Ellan Closs Stephens
    1998
  • Documentalismo fotográfico. Éxodos e Identidade
    The uses of image in the press can be classified through the search of the truth-effect, from the illusion of resemblance, when the photo presents itself as proof in the history of something that happened somewhere. The photo-truth was shaped in the 1930s as a need in the modeling of…
  • Comunicación na Periferia Atlántica / Communication in the Atlantic Periphery
  • Os informativos na radio
    Xosé Soengas Pérez
    1996
  • Documentalismo fotográfico contemporáneo
    There was a time, the time of universal language, in which the photo was presented as the record of the plainly truth. After that, the genders of realism, the documentary and the report came, and the photo became part of the press and the credible. Meanwhile, the sublime was classified as…
  • A linguaxe da radio
    Xosé Soengas Pérez
    1993
  • Los informativos diarios en las televisiones autonómicas (TVG, TV3 y ETB)
    Xosé Soengas Pérez
    1993
    The goal of this text is to prove the degree of transformations of the representation of the reality conveyed by the TV newsreel with the appearance of the autonomic televisions in the historical nationalities of the Spanish state, as well as the level of decentralization induced by the emergence of…
  • O diario post-televisivo
    1993 O diario post-televisivo
  • Linguas mortas. Serial radiofónico
    1989 Linguas mortas. Serial radiofónico
  • Foto-xoc e Xornalismo de Crise
Book chapter
  • Found in Translation: Film Festivals, Documentary and the Preservation of Linguistic Diversity
    Antía López Gómez María Soliña Barreiro , Aída Vallejo; Amanda Paz Alencar
    2020 Documentary Film Festivals Vol. 1 Methods, History, Politics.Vallejo, Aida, Winton, Ezra (Eds.)
    Written by Antía López Gómez, Aida Vallejo, Mª Soliña Barreiro and Amanda Paz Alencar, this chapter argues that research about minority-language films can be highly enriched if focused on the documentary genre. In opposition to the artificial imposition of dubbing practices, documentary films favour subtitling practices, providing the means for…
  • Proemio. De illas e sereas
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Desexo de cinema: emoción e inscrición de clase
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Entre illas. Reciclaxe e arquivo no cinema galego
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Illas descoñecidas
    Alberte Pagán
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Illas espello
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • ‘Lúa vermella’, de Lois Patiño. Unha mirada onírica a propósito dun universo real
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Se fan sufrir é porque sofren. Réquiem pola Galiza rural. (‘O que arde’, Oliver Laxe, 2019)
    José Luis Castro de Paz , Pablo Suárez-Mansilla
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Illas no deserto. Cinema galego na diáspora
    2020 De illas e sereas. Para unha historia do cinema en lingua galega
  • Género e jornalismo. Representações e (in)visibilidades
    Propostas para un tratamento informativo livre de tópicos sexistas
    Carla Cerqueira
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • Proemio. Caderno CO(M)XÉNERO 1
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • A Análise Crítica do Discurso
    Ana Jorge Alonso
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • A creación do suxeito feminino no cinema
    Inicios, consolidación e novos camiños da teoría e crítica feministas
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • Uma câmara só para ela: A construção de identidades através do cinema
    Ana Catarina Pereira
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • Soft monies/Hard realities: fronteira, tecnoloxía e xénero nos primeiros vídeo-ensaios de Ursula Biemann
    Elena Oroz
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • A muller como creadora, protagonista e consumidora de videoxogos e transmedia
    Dhaunae De Vir
    2020 Cadernos de Comunicación e Xénero CO(M)XÉNERO
  • Prefacio. A foresta e as árbores
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
    So o enunciado A foresta e as árbores, neste novo volume adentrámonos na análise dunha mostra representativa de filmes que, en presente, constrúen, balizan e normalizan un ámbito singular da cultura: producir películas na lingua propia de Galiza. Outra volta a distinción dos capítulos vai cara a aspectos que pasan…
  • Filmar o dó
    Dó de nós. Filmar a perda
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar o velado
    Xosé Nogueira Otero
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar o traballo
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar a ollada
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar as pulsións
    Formas e montaxes do desexo. As pulsións e os seus destinos no cine en galego actual
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar a pantasma
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Filmar a tribo
    Filmar a tribo, filmar o íntimo no cinema galego contemporáneo
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • Fóra de campo
    Traumas históricos e persoais no cinema galego
    Iván Villarmea Álvarez
    2019 A foresta e as árbores. Para unha historia do cinema en lingua galega
  • No corpo da fala
    2018 De la escritura como resistencia. Textos in honorem Jenaro Talens
  • Alma Pneumática/Alma neumática/Pneumatic Soul
    2018 Juliao Sarmento WITHOUT
  • Prologue. National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian Peninsula
    2018 National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian Peninsula
    Margarita Ledo signs the prologue of this book that collects a selection of articles developed from the most inspiring presentations at the XV Forum for Iberian Studies. Here, the concepts of Nation and Identity are analyzed from the literary, theatrical and filmic points of view.
  • Proemio. Marcas na paisaxe
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega
  • O Cine en Galiza, un relato descontinuo
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
  • Filmar a Terra. A paisaxe como cuestión de clase
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
  • O amador no cinema militante
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega
  • Identidades buscadas e construídas: imaxes da emigración galega no cinema
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
  • Un debate arredor da lingua
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
  • Cinema nacional-popular: de “Fendetestas” até “A Esmorga”
    José Luis Castro de Paz , Xosé Nogueira
    2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
  • Reception studies in live and pre-recorded subtitles for the deaf and hard of hearing
    2018 Reception Studies and Audiovisual Translation. Elena Di Giovanni y Yves Gambier (eds.)
    This chapter aims to provide an overview of reception research in the field of subtitling for the deaf and hard of hearing (SDH). Given that the development of reception research in this area is closely linked to the development of SDH as a professional practice and academic field of study,…
  • Eye-tracking, Subtitling and Accessible Filmmaking
    2018 Seeing into Screens: Eye Tracking and the Moving Image. Tessa Dwyer, Claire Perkins, Sean Redmond y Jodi Sita (eds.)
    «Film and translation have not always been divorced from one another. They once lived happily together when the translation of intertitles was carried out as part of the post-production process in silent films, and even more happily throughout the 1930s with the so-called multiple-language versions (Vincendeau 1999), when films were…
  • Respeaking: subtitling through speech recognition
    2018 The Routledge Handbook of Audiovisual Translation Studies. Luis Pérez-González (ed.)
    In broad terms, respeaking may be defined as the production of subtitles by means of speech recognition. A more thorough definition would present it as ‘a technique in which a respeaker listens to the original sound of a (live) programme or event and respeaks it, including punctuation marks and some…
  • Accessible Filmmaking: Translation and Accessibility from Production
    2018 The Routledge Handbook of Audiovisual Translation Studies. Luis Pérez-González (ed.)
    Accessible filmmaking sets out to address the issues and integrate audiovisual translation (AVT) and accessibility as part of the filmmaking process through collaboration between filmmakers and translators. This chapter provides an overview of how the notion of accessible filmmaking is being applied in research, training and professional practice. It focuses…
  • Periodismo de futuro y con futuro
    Ana Isabel Rodríguez Vázquez , Xosé López García, Jorge Vázquez Herrero e Cruz Negreira Rey.
    2018 Periodismo con futuro. Puentes Rivera, I.; Campos Freire, F.; López García, X. (coords).
    Journalism has present and future. It is said by many academics, professional organizations and social and political actors. But that is not enough. It is not about convictions, desires or good intentions. The debates on the journalism future, needed and opportune in this time of transformation and change, feed declarations…
  • The funny others on our screens
    Stereotype, self-loathing and resistance in the audiovisual representation of Wales and Galcicia
    Marta Pérez Pereiro , Daryl Perrins
    2018 National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)
    Comparative analysis of humour in television and cinema narratives in Wales and Galicia in order to understand the evolution of both stereotypes.
  • Candida, The Emigrant
    2018 National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)
  • El “cambio de ola” en la investigación de audiencias
    Efectos en la planificación estratégica de los medios
    Ana Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez
    2018 Periodismo con futuro. Puentes Rivera, I.; Campos Freire, F.; López García, X. (coords).
    The updating of the communication paradigm in the digital era urges media to examine in deep its productive processes as well as its strategies to approach an audience that demands new enriched experiences, also in the consumption of informative products. Digital audiences position journalism in a new scenario of changes…
  • As pasaxes múltiples: apuntamentos sobre as relacións de investigación da Galiza co espazo Iberoamericano
    2017 Cenários Comunicacionais: Entre as Sociedades Industriais e as Emergentes.
    The intersection between the two areas that this collective work calls “Ibero-American World”, the Portuguese-speaking and Spanish-speaking world, was one of the principles that guided the development of significant lines and research programs within the framework of the University of Santiago de Compostela, USC, in close collaboration with the Galician…
  • Hacia el Total View y la medición integrada: la televisión pública y su conexión con la audiencia
    Ana Isabel Rodríguez Vázquez , Sabela Direito-Rebollal
    2017 La comunicación en la nueva sociedad digital
    Total Brand / Total View / Total Audience, total, integrated and crossmedia measurement, is the immediate final destination of the changes that are being made in audience measurement systems. Although not all the value is quantitative, public television, like the rest of the media in the current digital communication ecosystem,…
  • A Intimidade da Imaxe
    2017 Anna Turbau. Galicia 1975-1979
  • Comunicación, Cultura, Internacionalización. Á volta do compromiso intelectual
    2017 A Internacionalização das Comunidades Lusófonas e Ibero-americana de Ciências Sociais e Humanas
  • La realitat resideix entre els plecs…
    2017 Una trilogía de la conducta
  • O cinema de Carlos Velo: expresión e construción de esfera pública
    2017 Galicia. Un século de creación 1916-2016
    A small film named Galicia by Carlos Velo (1936), lost as a result of the Spanish Civil War (1936-1939) and provisionally recomposed in 2011 from the appearance of two reels in a Russian archive, serves as pretext for a journey to the inner work-example of the “artistic mass production” that…
  • Ver e querer ver. Foto de guerra contra Jornalismo
    2017 Comunicação, Guerra e Paz
  • Montando «El mundo sigue». Entrevista con Rosa G. (Graceli) Salgado
    José Luis Castro de Paz , Juan Estelrich, Héctor Paz Otero
    2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),
    The 27th of May of 2016 we visited in her adress in Madrid Rosa G. Salgado, editor of El mundo sigue and other thirteen titles of the filmography of Fernando Fernán-Gómez as director. Despite what is generally stated, her debut as chief editor was, in fact, El mensaje (1953), second…
  • El bosque animado
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
  • La culminación de la mirada crispada, violenta y popular de Fernando Rey: «El mundo sigue» (1963)
    2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),
    Fernán-Gómez’s work as director has a wide variety of influences: the literary tradition of the sainete and the costumbrismo of authors such as Arniches or Fernández Flórez, Spanish filmmakers he worked with such as Neville, Serrano de Osma or Saenz de Heredia, and last but not least Italian Neorealism, which…
  • Locura de amor
    José Luis Castro de Paz , Rubén Ventureira
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
  • Marcelino, pan y vino
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
  • Voces sobre películas: Los últimos de Filipinas
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
  • O Cine de Fernando Rey. Azar, dor, tenacidade e talento
    2017 Fernando Rey. Cabaleiro de cinema. (1917-2017). Rubén Ventureira e José Luis Castro de Paz.
  • Television and Social Networks
    An analysis of the influence of Live-Tweeting in the Social Audiences
    Ana Isabel Rodríguez Vázquez , Sabela Direito-Rebollal, Diana Lago-Vázquez
    2017 Recent Advances in Information Systems and Techologies. Álvaro Rocha, Ana Maria Correia, Hojjat Adeli, Luís Paulo Reis, Sandra Costanzo (eds.)
    Social networks have transformed the conception of the television audience. In order to adapt to a viewer increasingly active on the Internet, televisions conducted social media strategies to generate interactivity and attract users to their social profiles. One of them is based on the live-tweeting phenomenon, in which the conversation…
  • Mesa redonda: El reestreno de “El mundo sigue”
    José Luis Castro de Paz , Juan Estelrich, Cristina Ros Berenguer, Belén Vidal, Ralf Junkerjürgen
    2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),
    In the framework of the congress “El mundo sigue, redescubrimiento de un clásico”, Juan Estelrich, fil director, restorer of El mundo sigue and godson of Fernando Fernán-Gómez, José Luis Castro de Paz (University of Santiago de Compostela), film historian and specialist in the film work of Fernán-Gómez, Cristina Ros Berenguer…
  • “Devuélvanme lo que me han quitado”. Entrevista con Gemma Cuervo
    José Luis Castro de Paz , Juan Estelrich, Cristina Alonso-Villa
    2017 «El mundo sigue», de Fernando Fernán-Gómez. Redescubrimiento de un clásico. Ralf Junkerjürgen e Cristina Alonso-Villa (Eds.),
    In a few days Gemma Cuervo is going tobe 80 years old and we want to discuss a job that she carried out more than 50 years ago. Alongside the interview, we not only go deep in the knowledge about her work with Fernán-Gómez in this film, but, through the…
  • Saúda
    Alén das Fronteiras. Redes na diversidade
    2017 Alén das Fronteiras. Redes na diversidade. Actas do I Congresso Internacional da Asociación Galega de Investigadoras e Investigadores en Comunicación
  • Experimentar, innovar e aprender
    Ana Isabel Rodríguez Vázquez , Xosé López García
    2017 Media e jornalismo de proximidade na era digital. Pedro Jerónimo (org.)
    20 years of ciberjournalism of proximity have allowed many and varied initiatives in different places of the globe. We can sum up the way, that allows us to speak of a majority of age of Ciberjournalism in this modality, at least in the conventions applied to the evolution of people,…
  • Carlos Velo y el documental español de los años treinta
    2017 Cine, modernidad y cultura popular en los años treinta. M. García Carrión (ed.)
  • Testemuñas do seu tempo. Cinema en Galicia nos anos vinte e trinta
    2017 Camiños da imaxe. Joaquín García Portela ‘Costiña’. Xurxo González e Isabel Martínez (coord.)
  • Trends in Journalism for Metamedia of Connectivity and Mobility
    Ana Isabel Rodríguez Vázquez , Xosé Soengas Pérez
    2017 Media and Metamedia Management. Francisco Campos Freire, Xosé Rúas Araújo, Valentín Alejandro Martínez Fernández, Xosé López García
    The evolution of the networked society is defining journalistic practices and trends. While the elements of journalism remain, there is no doubt that the possibilities offered by existing tools feed experiencing renewed dimensions, from which there arise formats and pieces that help professionals to develop more quality information, according to…
  • Reseñas
    2017 Anuário Internacional de Comunicaçao Lusófona 2015/2016. Metologias da pesquisa, cibercultura, regulaçao e cooperaçao
  • La industria de la comunicación en Galicia (2010-2015)
    Ana Isabel Rodríguez Vázquez , Xosé Soengas Pérez
    2017 Observatorio Europeo de los Estudios en Comunicación. Competencias y Formación en Comunicación para el Empleo en la Economía Digital. Vivar-Zurita, H. e Abuín-Vences, N. (Eds.)
  • Registrar el concierto pop: usos amateurs de las tecnologías digitales de imagen y sonido
    2017 Música, Sonido y Silencio en el Audiovisual: El sonido documental. Daniel Torras i Segura (ed.)
    Audio and video recording technologies have evolved in a relatively parallel way. In the two cases their cost has come down, their use has become easier and, consequently, their usage has been widespread. In the current digital era, the access of non-professional users to these technologies provides of register capacity…
  • Algunas cuestiones sobre el cine republicano español
    Margarita Ledo Andión , Alfonso Del Amo; Félix Fanés; Jesús García de Dueñas; Joan Minguet; Alfonso Punyal; Julio Pérez Perucha
    2016 Faros y Torres Vigía. El cine español durante la segunda república
  • Galicia 1936-2011. Estudos sobre o filme de Carlos Velo.
    Margarita Ledo Andión , Ramiro Ledo Cordeiro; Pablo Cayuela de Miguel
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • Galicia y la construcción de un cine nacional
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • Limiar. edCINEMA. Cara o Espazo Dixital Europeo
    2016 edCINEMA. Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en v.o.pp.
  • Medios sociais e ensaio documental feminista
    2016 Comunicação, Cultura e Mídias Sociais. Lopes, M.I.V. & Kunsch, M.M.K. (Coords.)
  • El malestar en el tiempo moderno
    La melancolía como índice de las transformaciones históricas temporales y perceptivas en la urbe moderna a través del cine de vanguardia de los años 20
    2016 Faros y Torres Vigía. El cine español durante la II República. José Pérez Perucha e A. Rubio Alcober (eds.)
  • “Condenado a vivir” (Roberto Bodegas, 2001) y “Mar adentro” (Alejandro Amenábar, 2004): diferentes formas y propuestas de sentido
    2016 Javier Maqua, más que un cineasta. Análisis de sus obras. A. Montiel, J. Moral e F. Canet (coords.)
  • “Lombrices que palpitan en el culo de la historia”
    "Tu estás loco, Briones" (Javier Maqua, 1980)
    2016 Javier Maqua, más que un cineasta. Análisis de sus obras. A. Montiel, J. Moral e F. Canet (coords.)
  • Un fértil humus literario entre la aurora y la melancolía
    Las dos versiones de «El malvado caravel» de Wenceslao Fernández Flórez (Edgar Neville, 1935; Fernando Fernán Gómez, 1955)
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • «¡Qué bello es vivir!» (1946)
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Destellos de genio» (2008)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «El dilema» (1999)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «El jardinero fiel» (2005)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «El mercader de Venecia» (2008)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «El soplón» (2009)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Gilda» (1946)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «La red social» (2010)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Lloyd de Londres» (1936)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Margin call» (2011)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Perdición» (1946)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Plácido» (1961)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • «Wall Street» (1987)
    José Luis Castro de Paz , David Castro de Paz
    2016 Cine y Derecho Mercantil. Pablo Fernández Carballo Calero (dir.)
  • Unha aproximación ao escenario laboral da industria da música en Galicia
    Xaime Fandiño, Zósimo López Pena e Henrique Neira Pereira
    2016 A comunicación en Galicia 2015. Xosé López García e Rosa Aneiros (coord.)
    The music industry in Galicia, due to its dimension, strategy, identity elements, authorship, entrepreneurship… needs of punctual studies and following in time that show its reality and evolution. With the data obtained and the hypothesis formulated in these sector works, we will be in conditions of reaching proposals and strategies…
  • Cara o espazo dixital europeo
    Análise das políticas de distribución do cine galego no contexto das cinematografías pequenas en versión orixinal
    2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
  • Las raíces culturales de un cineasta olvidado
    Aproximación a la trayectoria artística de Arturo Ruiz Castillo durante la Segunda República
    Fernando Gómez Beceiro
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • Una película histórica de la posguerra civil española sobre la discordia y la conciliación
    «La manigua sin Dios» (Arturo Ruiz-Castillo, 1947)
    Fernando Gómez Beceiro, Héctor Paz Otero
    2016 Diversidad en la literatura, el cine y la prensa española contemporánea. Fidel López Criado (coord.)
  • Proemio-Prólogo
    Faros y Torres Vigía. El cine español durante la II República
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • Saúda
    Anais do XI Congreso Lusocom
    2016 Anais do XI Congreso Lusocom
  • Looking for a Place in Social Media Without Getting Trapped in Networks
    Ana Isabel Rodríguez Vázquez , Xosé López García, Xosé Soengas Pérez
    2016 New Advances in Information Systems and Technologies. Álvaro Rocha, Ana Maria Correia, Hojjat Adeli, Luis Paulo Reis, Marcelo Mendonça Teixeira (coord.)
    Journalism today is looking for new ways to ensure its survival in a context of reconfiguration of media and communication processes. It tests several options, even it is aware that it is at risk of being trapped in some dimensions of the digital world. As the change progresses, there arise…
  • Evaluación preliminar del sensor Kinect V2 para su uso en platós virtuales de televisión con interacción natural
    Enrique Castelló Mayo , Roi Méndez, Julián Flores, R. Arenas
    2016 Actas del XVII Congreso Internacional de Interacción Persona-Ordenador. Interacción 2016
  • Galicia en NO-DO: Comunicación, cultura e sociedade (1942-1981)
    Catalogación e análise
    José Luis Castro de Paz , Héctor Paz Otero, Natalia Alonso Ramos
    2016 Represión franquista e memoria histórica. Novos enfoques e achegas
  • La retransmisión de un acontecimiento solemne
    Entre el espectáculo y el protocolo. La sucesión del papa.
    Pérez Feijoo, P. e García Crespo, O.
    2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
  • Novo Cinema Galego
    Cartografías audiovisuais trazadas desde a periferia
    2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
  • Escribir de cine durante la Segunda República
    Algunos ejemplo de la reflexión y el debate de ideas
    2016 Faros y Torres Vigía. El cine español durante la segunda república. Pérez Perucha, Julio / Rubio Alcover, Agustín (Eds.)
  • Linguas minorizadas, cinema e identidade
    Da ausencia do galego na produción e exhibición cinematográficas
    2016 A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
  • El cuerpo, esa insoportable lengua comunal
    2015 El tratamiento informativo de la violencia contra las mujeres. Cuadernos Artesanos de Comunicación Social
  • Entre-fronteiras: o cinema como lugar xeo-político
  • Limiar. Comunicación, Cultura e Esferas de Poder
  • All photographs are a form of transport and an expression of absence
  • Propuestas para pensar la diversidad desde el cine nación
    2013 Cine, Diversidad y Redes. Pequeñas cinematografías, Políticas de la Diversidad y Nuevos Modos de Consumo Cultural | Margarita Ledo Andión (coord.)
  • Festas e música popular en Sanxenxo na última década do século XIX. A visión dende a prensa
    Henrique Neira, Zósimo López
    2013 Sanxenxo na Historia. Vol. III: Arquitectura, música e economía mariñeira.
  • No interior do frame/Inside the frame
    2013 Imagens do Real Imaginado 10 anos
  • Antes del Cinematografista. José Sellier
    José Luis Castro de Paz , José María Folgar de la Calle
    2013 José Sellier en A Coruña: los comienzos del cine español. | José Luis Castro de Paz (coord.)
  • José Sellier Loup (Givors, 1850-A Coruña, 1922)-Fotógrafo y cineasta
    2013 José Sellier en A Coruña: los comienzos del cine español. | José Luis Castro de Paz (coord.)
  • Prólogo. La década del miedo. Dramaturgias audiovisuales post-11 de septiembre
    2013 La década del miedo. Dramaturgias audiovisuales post-11 de septiembre
  • Vestigio y extrañeza: sobre la obra de Bernardo Tejeda
    2013 Imagen, cuerpo y sexualidad. Representaciones del cuerpo en la cultura audiovisual contemporánea
  • Diáspora e experiencia migratoria desde a proposta anovadora dun Novo Cine Galego
    2013 Anuario Internacional da Comunicación Lusófona I 2013
    Emigration as a life experience, but also as nostalgia and a wound, conforms the semantic universe of two films that aim to find a representation of the untold: the life-changing voyages, the expression of hidden feelings, the lessons of time. This is the proposal of Vickingland (Xurxo Chirro, 2011) and…
  • O dereito a ver: Cine, Diversidade e Redes
    2012 Comunicación, Políticas y Redes en Europa. Valentín Alejandro Martínez e Xosé Rúas Araújo (Coord.)
  • Galicia en V.O El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
    2012 La mirada comprometida de Llorenç Soler. | Miguel Francés (ed.)
  • La televisión española mirando a Europa: tiempos difíciles
    2012 Economía de la Cultura y la Comunicación en la era Digital. | Fernando Salgado e Valentín Alejandro (coords.)
  • Las formas de Drácula entre las sombras del cinematógrafo
    2012 Drácula. Un monstruo sin reflejo. Cien años sin Bram Stoker . Jesús Egido (coord).
  • Ahí le ha dao’ … Santos Zunzunegui, las vetas creativas del cine español y nosotros
    2012 Composiciones de lugar. Ensayos in honorem Santos Zunzunegui | Asier Aranzubía, Carmen Arozena, Pilar Carrera, Imanol Zurralde (eds.)
  • La exhibición cinematográfica primitiva: el caso gallego (1896-1906/08)
    José Luis Castro de Paz , José María Folgar de la Calle
    2012 Cines de Galicia | J. Cabo Villaverde e J.A. Sánchez García (eds)
  • Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
    2012 Llorenç Soler. La mirada comprometida
    From 1976 to 1978, Llorenç Soler shot in Galicia four medium-length films which became a reference for militant cinema, for cinema in Galician language and  as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
  • Cine, Diversidade e Redes
    2012 Comunicaçao Iberoamericana. Sistemas Midiáticos, Diversidade Cultural, Pesquisa e Pos-Graduaçao
  • Comunication, citizenship and Lusophony: Rethinking difference
    2012 Comunication and Citizenship. Rethinking crisis and change
  • Os paradoxos das políticas da diversidade
    2012 Economía de la Cultura y la Comunicación en la Era Digital
  • Pieza de aprendizaje. Image et Éducation
    2012 Image et Éducation
  • La variante lusófona
    2011 Cultura Latina y Revolución Digital
  • El cuerpo y la forma / The body and the shape
    2011 Outumuro looks
  • Filmar as cicatrices do real
    2011 A discapacidade en imaxe
  • Peza de aprendizaxe: comunicación, cidadanía, lusofonía
    2011 Á beira de Beiras
  • La proyección del fantasma o “El niño soy yo”
    2010 François Truffaut: el deseo del cine. | Carlos Losilla Alcalde (coord.)
  • Castelao como mediação
    2010 Sempre Castelao
  • Medios e identidade
    2010 Políticas de Comunicação e da Cultura: contribuições acadèmicas e intervenção social
  • O(s) sentido(s) da relación Galiza-países lusófonos
    2010 Teorias e prácticas dos Media: Situando o Local no Global. Cláudia Alvarez e Manuel José Damásio (eds.)
  • Anos setenta: elipse e cinema
    2009 Unha achega ás artes e á cultura na galicia dos anos setenta. Portas de Luz
  • Ollar o real: Manuel María nos xornais
    2009 Actas do congreso. Manuel María Literatura e Nación
  • Michael Brault: momentos de conquista
  • A creación e a imaxe
    2008 Galicia. Unha cultura para un novo século
  • O malestar da comunicación: sobre a pertinencia de pensar a investigación en comunicación como realizativo
    2007 Mercado e Comunicaçao na Sociedade Digital
  • A propósito del aprendizaje: documental y ética
    2007 El lenguaje de las pantallas: del cine al ordenador Publicación: 2007
  • Ben-Cho-Shey, entre a tradición popular e o xornalismo crítico
    Xosé Seongas Pérez
    2007 Xornalistas con opinión
  • Cine inscripción. Cine descripción
    2007 DOCS, observaciones de lo real, Tercer Cine
  • A televisión local en Galicia ante a dixitalización
    Ana Isabel Rodríguez Vázquez , Xosé Seongas Pérez
    2007 Comunicación local no espazo lusófono
  • A televisión local na estrutura audiovisual de Galicia. O impacto tecnolóxico no valor da identidade. Estigmas, condicionamentos e retos do medio televisivo local
    2007 Comunicación e Cultura en Galicia e Portugal. Relatorios e comunicacións do III Congreso Luso-Galego de Estudos Xornalísticos.
  • Contradicciones sobre la telebasura
    2007 Propuestas para una comunicación de calidad. Contenidos, efectos y formación
  • DDT, é dicir, sobre a diferencia, a diversidade e mais a tele
    2007 Mulleres en Galicia e outros pobos na península
  • Más allá de la Misión Pedagógica
    2007 70 años de Periodismo y Comunicación en América Latina
  • La involución de la ficción televisiva generalista
    2006 Propuestas para una comunicación de calidad
  • Identity, Utopia, Knowledge Society: some reasons in order to make research part of national wealth
  • Narrativa radiofónica
    Xosé Seongas Pérez
    2006 Narrativa audiovisual (Francisco García y otros, Ed.)
  • Narrativa radiofónica
    Xosé Seongas Pérez
    2006 Narrativa audiovisual
  • A televisión local en Galicia ante a dixitalización. Transformacións e redefinición do modelo televisivo de proximidade
    2006 Do local ao Global nos Meios de Comunicaçao Lusófonos: especificidades nacionais, fluxos e contra-fluxos
  • A Misión Pedagóxica
  • La atmósfera como figura artística/L’atmosphere comme figure artistique
    2006 Paloma Navares: Del alma herida/de l´âme blessèe/L´anima ferita
  • A ollada documental en Cursos de verán 2002. Realidade e ficción: a imaxe na arte e nos medios de comunicación
    2005, LU-134-2005
  • O ensino no documental, o documental no ensino. Encontro internacional de investigadores
  • Vanguardia y pensamiento documental como arte aplicada
    2005 Documental y Vanguardia | Casimiro Torreiro e Josetxo Cerdán (eds.)
  • El doble bucle de la foto como colección
    2005 Experimentación en la colección fotográfica del IVAM
  • Entre cine e foto: o sorriso á cámara
    2005 Estética e tecnologias da imagem
  • Atando cabos. Libro homenaxe a Francisco Pillado
    2005 Atando cabos. Libro homenaxe a Francisco Pillado
  • El doble bucle de la foto
    2004 (versión en catalán e en inglés) Experimentación en la colección fotográfica do IVAM
  • O papel da televisión de Galicia e da Radio Galega na normalización lingüística
    Xosé Seongas Pérez
    2004 A lingua galega: historia e actualidade
  • Fotografía do monumento, fotografía do movemento
    2004 Eduardo Blanco Amor. A ollada do desexo. Obra fotográfica 1933-1973
  • ¿Herencia de la Fotografía?: Si
    2004 Documental, carcoma de la ficción
  • A importancia da tecnoloxía no proceso informativo: ventaxas e perigos
    Xosé Seongas Pérez
    2004 Jornalismo de referencia
  • La descodificación en la narración sonora: las imágenes auditivas
    Xosé Seongas Pérez
    2004 Información, producción y creatividad en la comunicación
  • A televisión local en Galicia. Inquedanzas e problemas non resoltos cara o futuro dixital e a concentración
    Ana Isabel Rodríguez Vázquez , Marcelo Martínez Hermida
    2004
  • A importancia da tecnoloxía no proceso informativo: ventaxas e perigos, en Jornalismo de referencia (Jorge Pedro Sousa, Ed.)
    Xosé Soengas Pérez
    2004
  • Prensa e Galeguismo
    2004 O Xornal Galicia (1922-1926) o alento da modernidade
  • Políticas de comunicación y tendencias descentralizadoras: A propósito del marco comunitario
    2003 Televisiones en Europa: Proximidad, Programación y Políticas de Comunicación
  • Televisións Locais en Galicia. 20 anos de andadura
    2003 Medios locais e prensa gratuíta. XIII Xornadas de Comunicación Interdepartamental da Xunta de Galicia
  • Spanish Documentary Photo: A Kind of Paradox
    2002 (versión en inglés e finlandés) Backlight 02, Antti Haapio e Harri Laakso (Editores)
  • Baixo o signo do plural
    2002 Galicia-Finlandia: Modos de pensar
  • Un mundo diverso è possibile
    2002 A Comunicación en Galicia 2002, Xosé López (Editor)
  • Los medios de comunicación en la escuela
    Xosé Seongas Pérez (Soengas, X., Pena, A. y Maceira, A., Ed.)
    2002
  • La audiencia como factor determinante de las políticas de programación
    Xosé Soengas Pérez
    2002 Los medios del tercer milenio. Actas del III congreso de investigadores audiovisuales
  • Del doble al autor
    2002 Literatura española y cine, Norberto Miguez (Coord.)
  • De identidade y contenidos: vectores políticos en la investigación
    2001 Valores y Medios de Comunicación, Benavides Delgado e Fernández Blanco (Comp.
  • Multiculturalismo e Globalización: unha relación paradoxal
    2001 Comunicaçao e Multiculturalismo – Krohling Peruzzo, Cicilia Maria e Pinho, José Benedito (Comp.)
  • Ver vs. Escrever
    2001 A Utopia do Real
  • Tecnologia e Solidao
    2001 Resistência
  • Nuevos formatos audiovisuales, en Valores y medios de comunicación
    Xosé Seongas Pérez
    2001 De la innovación mediática a la creación cultural – Juan Benavides y otros, Ed.
  • Como una película. Sobre “Asaltar los Cielos”
    2001 Imagen, memoria e fascinación. Notas sobre el documental en España
  • Da investigación na formación: Prosa do Observatorio
    2001 Jornadas sobre tendencias en el Periodismo
  • Louvor de Ferrín
    2001 Un escritor nos xornais, Xosé Luis Méndez Ferrín, artigos periodísticos
  • Mujeres viendo mujeres
    2001 Comunicación y género, Aeala Castro, Fernández Soriano & Fernández de la Torre (Comp.)
  • Galicia: Televisión pública e mercado audiovisual
    2000 Televisión e Desarrollo. Francisco Vacas (coord.), Junta de Extremadura, Badajoz
  • O audiovisual
    2000 A Comunicación en Galicia 2000, Xosé López, (Comp.)
  • O fascinio do segredo, a ironía da súa visión
    2000 Rituais (Vítor Vaqueiro, fotos)
  • La imagen velada o la inquietante extrañeza
    2000 Las Convergencias de la Comunicación. Problemas e perspectivas investigadoras
  • Radio en Galicia, 1980-2000
    Xosé Soengas Pérez
    2000 Gran enciclopedia gallega
  • Sobre el deseo de ser optimista
    2000 El oficio de vivir. Literaturas de la imagen de Carmelo Herando
  • Prensa e novas tecnoloxías
    Xosé Soengas Pérez
    1999, (Versión en gallego) As fronteiras do novo xornalismo. AA.VV.
  • Triple Nacionalidade
    1999 Comunicación Audiovisual: Investigación e Formación universitarias, Ledo Andión, M. e Krohling Kunsch. M. (Comp.)
  • Galicia telépolis: redes e interculturalidade
    1999 Galicia, España, Portugal e as factorías do futuro
  • Isto non é unha foto
    1999 As fronteiras do novo xornalismo
  • O galego visíbel
    1999 Actas do V Congreso Internacional de Estudios Galegos, Dieter Kremer (ed.)
  • Baixo o signo do real
    1999 Cinguidos por unha arela común. Homaxe ao Prof. Alonso Montero (Tomo I), Alvarez, R e Vilavedra, D, (Comp.)
  • Postelevisivo, postelevisión
    1999 Comunicación Audiovisual na Era Dixital, López, X. e Soengas, X. (Comp.)
  • Las formas de consumo de la televisión como generadoras de identidade
    1998 El debate de la comunicación
  • De la memoire à la nostalgie
    1998 Image e Politique; Docquiert, F. & Piron, F. (Coord.)
  • Sobre el deseo de ser optimista
    1998 El oficio de vivir. Literaturas de la imagen de Carmelo Hernando
  • Le photomontage politique: Fakture, Frakture et Agit-Prop
    1997 Ethique, Esthétique, Politique
  • Muntadas: Comme simulation et comme ressemblance
    1997 Ethique, Esthétique, Politique
  • Como o corte no corazón dun albre
    1997 De Asorey ós noventa: a escultura moderna en Galicia
  • Galice Celtique
    1997 Printemps Celte
  • A guerra e a imaxe da guerra
    1996 Construir a Paz; Jares, Xesús R. (Coord.)
  • Falsos e información na televisión, en Falso pero crible. A metamorfose mediática
    Xosé Soengas Pérez
    1995
  • As pernas do ciclista
    1995 Falso pero críble
  • Astuta serpente antiga
    1995 Antoni Muntadas: Verbas, A Sá de Prensa
  • De los cincuenta a los sesenta
    1995 Cuélguese en un bar visible. Ricard Terré
  • Duplicidades
    1995 Cultura e a creatividade galegas cara ao ano 2000
  • Introducción. Comunicación na Periferia Atlántica
    1994 Comunicación na Periferia Atlántica/Communication in the Atlantic Periphere
  • Le droit à l’autodétermination
    Margarita Ledo Andión , Josep Maria Solé Sabaté
    1993 Politique Symbolique en Europe/Symbolische Politik in Europe
  • Deseño, fotografía, gráficos, Infográficos
    1993 Informe sobre a Comunicación en Galicia. Rivas, M. & López, X. (eds)
  • Mal se lle acomodan…
    1993 Santiago, pequena historia natural. Anna Turbau
  • No porto de Anveres
    1993 Sobre Santiago. Tres de Magnum
  • A foto dun lápis
    1992 Sebastiao Salgado. Outras américas
  • De la Foto en los Medios
    1991 10 Anos de Fotoxornalismo en Galicia 80-90
  • Fotos de Diario
    1991 Las Mentiras de la Guerra. Desinformación y censura en el conflicto del Golfo
  • O Pre-existente como Modelo
    1991 Introducción a la edición facsimil del periódico A Nosa Terra
  • Un quinto de estrella
    1991 Barcelona, Murs. Cano, G. & Rabuñal, A. (coord.)
  • O último organizador colectivo
    1989 Prólogo a la edición facsimil de la revista Vieiros (México 1959-1968)
  • Foto-reportaxe: a disfunción no tempo para ollar
    1988 Social Communication and Cultural Identity
  • Do proceso de connotación na fotografía de prensa
    1984 1º Seminario Galego de Arte/Comunicación
  • ¿In-dependencia da prensa?
    1982 Medios de comunicación social en Sociedades Dependientes, Miguel Cancio (ed)
Publications in congresses
  • De la cultura lingüística a la política lingüística. Reflexiones desde el Finis terrae
    Henrique Monteagudo
    2018 lnternationale Fachtagung ‘Methoden zur Erforschung der Kultur der regionalen Mehrsprachigkeit’. Christian-Albrechts-Universität zu Kiel
  • Ensuring language diversity through subtitling the audiovisual in small nations
    An approach to Scottish Gaelic
    Antía López Gómez , Miren Manias Muñoz
    2018 Ponencia en ICCPR 2018, 10th International Conference on Cultural Policy Research. Universidade de Tallín.
  • De los Medios a las Mediaciones
    2018 Invitada Panel en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
  • La participación ciudadana en la gestión de su Patrimonio Cultural Inmaterial
    Reflexiones y actuaciones en torno al subtitulado audiovisual
    2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
  • Programación, promoción y circulación a través de los festivales de cine
    Análisis del uso de subtítulos en lenguas no hegemónicas
    2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
  • Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega
    2018 Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
  • Language(s), subtitling and cultural diversity in Europe
    2018 Ponencia Convidade en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • A Methodologial Approach to the project EUVOS-Intangible Cultural Heritage
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • Film and subtitling in Catalonia
    Policies, Practices and Strategies (2015-2017)
    María Soliña Barreiro , Judith Clarés
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • Traducción y subtitulado en la cinematografía y el audiovisual en Euskadi
    Beatriz Zabalondo, Patxi Azpillaga e Marijo Deogracias
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • Ensuring Language Diversity. Through Subtitling the Audiovisual In Small Nations: An Approach to Scottish Gaelic
    Antía López Gómez , Miren Manias Muñoz
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • O subtitulado nunha lingua minorizada
    Reflexións desde o galego
    Henrique Monteagudo
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • Subtitles available in Sami (?)
    The absence of cultural policy for minority languages
    Pietari Käapä
    2018 Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
  • A desaparición do galego nas axudas ao audiovisual 2000-2015
    2018 Ponencia en Galician Interdisciplinary Studies. University of Edimburgh
  • Accessible Filmmaking: Producións cinematográficas accesibles
    2018 Conferencia Plenaria no Congreso e Festival de Cine Inclusivo de Vigo
  • The Accessible Filmmaker. Translation, dubbing and accessibility: a new professional field
    2018 Ponencia en "Accessibility to the Audiovisual Product International Conference". Universidade de Turín
  • Literacía Digital, Cidadanía e Democracia
    2017 Conferencia Convidada en III Congresso Internacional sobre Culturas. Interfaces da Lusofonía. Universidade do Minho
  • Dobraxe e subtitulado ás dúas beiras da Raia
    A dobre versión da serie Vidago Palace na TVG e a RTP
    2017 Conferencia en I Congreso Internacional AGACOM. Alén das Fronteiras: redes na diversidade. Universidade de Santiago de Compostela
  • Collaboration between filmmakers and translators
    2017 Conferencia Plenaria en Simposio sobre trasvases culturales: Accesibilidad y traducción en entornos multilingües. Universidade do País Vasco
  • Diáspora en feminino
    2017 Ponencia Convidada en IV Encontro Internacional Cinema e Territorio. Universidade da Madeira
  • EU-VOS (Subtitling in non-hegemonic languages)
    2017 I Media Accessibility Platform International Conference. Universidade de Vigo
  • La accesibilidad garante de la integración-inclusión de lenguas minoritarias en medios audiovisuales
    Marijo Deogracias
    2017 Ponencia en I Media Accessibility Platform International Conference. Universidade de Vigo
  • Basque Language and cinema: policies, production and translation
    Patxi Azpillaga Goenaga
    2017 Ponencia en I Media Accessibility Platform International Conference. Universidade de Vigo
  • Widening the Scope of Media Access: Interlingual Live Subtitling and Accessible Filmmaking
    2017 Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
  • Subtitling in a kingdom of dubbing
    Policies and practices of subtitling in Galician language
    2017 Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
  • On Small Cinemas, Film Festivals and Transnational Circulation
    2017 Mesa Redonda en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
  • Rethinking diversity: cinema in non-hegemonic languages as a symptom
    2017 Keynote Speaker en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidad del País Vasco. Donosti/Bilbo
  • La subtitulación cinematográfica en catalán en VOD: legislación y práctica
    María Soliña Barreiro , Judith Clarés
    2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
  • Hizkuntza ez da oztopo ikus-entzunezkoen kontsumoa partekatzeko
    Marijo Deogracias
    2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
  • Euskara sustatzeko politikak Euskal Herriko zinematografia sisteman
    Patxi Azpillaga Goenaga e Beatriz Zabalondo.
    2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
  • Policies and collaborative practices for subtitling in Galician
    2017 Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
  • Accessible filmmaking: Film For All
    2017 Conferencia Plenaria en Access VFX Conference
  • Cine, Lenguas No Hegemónicas e Identidad
    Subtitulado y Nuevos Territorios para la Diversidad
    2017 Ponencia en Congreso Internacional IAMCR 2017. New Discourses and New Territorialities: Cultural and political mutations and communication. UNIMINUTO
  • The Social Impact of Audiovisual Translation: Past, Present and Future
    2017 Conferencia Plenaria na 8th Annual International Translation Conference. Hamad Bin Khalifa University
  • Estudios de recepción en TAV
    2017 Ponencia en Doble o Nada: VI Congreso de Traducción e Interpretación. Universidade de Alicante
  • Patrimonio Cultural Inmaterial. Para un programa europeo de subtitulado en lenguas no hegemónicas
    2016 Conferencia Plenaria en Colloque International Cultures de Résistance. Peuples & Langues Minorisés. Université Paris 8
  • La situación del idioma gallego en el cine gallego
    2016 Ponencia en Colloque International Cultures de Résistance. Peuples & Langues Minorisés. Université Paris 8
  • Política científica e política de lingua
    O Espaço Lusófono como Espaço de Conhecimento
    2016 Conferencia Plenaria en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação. Universidade de Cabo Verde
  • Cibercultura, Regulação Mediática e Cooperação
    2016 Conferencia Plenaria de Apertura en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação
  • Encerramento
    2016 Conferencia Plenaria en XII Congresso LUSOCOM e III Mediacom. Cibercultura, Regulação Mediática e Cooperação. Universidade de Cabo Verde
  • Acciones (in)diferentes, tensiones latentes
    2016 Conferencia Plenaria en Seminario IC. Visualidades en tension. Universidade de Sevilla
  • Bringing Translation and Accessibility Closer to Filmmaking
    2016 Conferencia Plenaria en 4th Edition of E por falar em Tradução. Institute of Language Studies, State University of Campinas
  • Accessible Filmmaking
    2016 Ponencia Plenaria en Congreso Internacional de Actualización en Traducción e Interpretación, Universidade César Vallejo.
  • Eye tracking and Audiovisual Translation
    2016 Conferencia Plenaria en Congreso Internacional de Actualización en Traducción e Interpretación, Universidad César Vallejo
  • Integrating Film and Audiovisual Translation
    2016 Conferencia Plenaria en The Dialogue of Cultures in the Changing Global Information Space International Conference, Saint Petersburg State University
Others
  • “Photography is a silent language” Interview with Anna Turbau
    2023 Arte, Individuo y Sociedad
    Anna Turbau (Barcelona, 1949) is a Catalan photographer known for the images she took in Galicia from 1975 onwards, which helped to make visible many of the popular demands carried out in that context. Although Anna Turbau is mainly associated with her work as a photojournalist, she also carried out…
  • “You can touch it with your eyes”: hyperphotography, interview with Jean-François Rauzier
    2023 Arte, Individuo y Sociedad
    Hyperphotography, as an undercurrent of the broad concept of post-photography, has maintained a trend of high public interest for more than two decades. However, this media and socio-cultural attention is not being reciprocated by the academy. In photographic epistemology and analysis, one can find theoretical corpuses of a classical nature…
  • How to get into the second: interviews with female creators of contemporary Spanish cinema
    2023 Obra digital
    Review of the work: Scholz, A., Álvarez, M., Binimelis-Adell, M., Oroz, E. (Eds.)(2021). Entrevistas con creadoras del cine español contemporáneo. Millones de cosas por hacer. Peter Lang. This book brings together a series of interviews and encounters with women filmmakers of the 21st century whose voices are redrawing national filmmaking,…
  • Galicia 1936-2011: Estudos sobre o filme de Carlos Velo
    Margarita Ledo Andión , Ramiro Ledo Cordeiro, Pablo Cayuela Miguel
    2011
    Ledo Andión, M; Ledo Cordeiro, R. & Cayuela, P. (2011)- Galicia 1936-2011. Estudos sobre o filme de Carlos Velo. Santiago de Compostela: USC, Grupo de Estudos Audiovisuais.  Galicia 1936-2011. Estudos sobre o filme de Carlos Velo Serie de 3 estudos sobre ‘Galicia’ (Carlos Velo, 1936), co gallo da aparición, en…
Article
  • Transgressive humour and extreme speech on social media. PewDiePie’s fandom response to the #killalljews controversy
    Marta Pérez Pereiro , Julia Romay Campos
    2020 Revista De La Asociación Española De Investigación De La Comunicación
    On March 15, 2019 the Australian Brenton Tarrant broadcasted in Facebook live his attack to the mosque Al Noor in Christchurch, which caused 42 deaths. In the beginning of his broadcast Tarrant reminded his audience to subscribe to PewDiePie YouTube channel. The account of PewDiePie, the Swedish youtuber Felix Kjellberg,…
  • European Public Television’s innovation in the digital audiovisual offer: new platforms for Generation Z
    Ana Isabel Rodríguez Vázquez , Noelia Francisco Lens
    2020 Revista De La Asociación Española De Investigación De La Comunicación
    The digital revolution experienced in recent years has forced television corporations to develop new strategies of content production and dissemination. The commitment to complement its main offer with other services aims to adapt television corporations to the consumption habits of new generations. In this investigation, through a quantitative exploraty-descriptive analysis…
  • Family cinema and emigration: Image, reconstruction and memory
    2020 Novos Olhares: Revista De Estudos Sobre Práticas De Recepção a Produtos Midiáticos
    Family cinema is a very revealing tool for us to inquire into a visual knowledge of an intimate and personal past, itself useful to rebuild customs that would help us understand how contemporary societies have evolved. Our work is based in considering the words of Patricia Zimmerman, its core location…
  • The Algorithm Is Not My Boss Anymore: technological appropriation and (new) media strategies in Riders x Derechos and Mensakas
    María Soliña Barreiro , Aina Fernàndez
    2020 Contracampo-Brazilian Journal of Communication
    This paper studies how a group of delivery workers in Barcelona were able to organize a successful traditional and a social media strategy in order to claim for their rights as wage workers. They created a union, RidersxDerechos, and they also decided to create a worker’s cooperative, Mensakas, with their…
  • Spanish Asylum Fernando Fernán-Gómez’s Eccentric Debut as a Film Director Adapting Gómez de la Serna, Poe, Kuprin and Andreiev (Manicomio, 1953)
    2020 ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada
    In 1953, Fernando Fernán-Gómez, whose birth ́s first centenary is held in 2021, made his debut as a film director with a movie called Manicomio (Madhouse). At the time, not only was he in full intelectual maturity process but also he was one of the most acclaimed actors in the…
  • Emerging Journalistic Profiles Recognized in the University: Research, Conceptualization and Offer in the Degree
    Ana Isabel Rodríguez Vázquez , Pilar Sánchez-García, Berta García-Orosa, Xosé López-García
    2019 Trípodos
    Emerging Journalistic Profiles Recognized in the University: Research, Conceptualization and Offer in the DegreeThe reshaping of journalistic profiles poses one of the main professional and formative challenges in the coming decades. While the media assume the new roles in a changing process of ‘trial and error’, universities look into these…
  • Underrepresentation and distortion of identity in mass media during labour dispute: The case of the Bershka workers
    María Soliña Barreiro , Aina Fernàndez i Aragonès
    2019 Sociología del Trabajo
    News in mass media is still a battlefield during labour conflicts, even if social media has an increasing role because media are a pressure strategy and conflict socialization space. Workers usually fight against silence and distortion. This paper analyzes media coverage on the larger strike developed against Inditex, that has…
  • Education and Communication Public Policy: Discussions and Developments
    Ana Isabel Rodríguez Vázquez , Rosa García-Ruiz, Ignacio Aguaded
    2019 Trípodos
    Relations between citizens and mass media are becoming increasingly complex, making it necessary to plan and design education in a hypermediatic society, where new challenges arise: education has got the primary responsibility of training citizens to consume and produce in a media ecosystem with great capacities and potentialities for new…
  • Arqueoloxía(s) do saber
    A crítica feminista desde as orixes até a actualidade
    2018 A Cuarta Parede
    «Un her article “The Crisis of Naming in Feminist Film Criticism”, published in Jump Cut in 1978, Ruby Rich recuperated the main events and publications of the feminist film criticism of the decade, as well as the premieres of the first feminist films according to this criticism. Rich thus made…
  • Jaume Ripoll: ”En Filmin creemos que es necesaria la distribución de películas en lenguas minoritarias”
    María Soliña Barreiro , Judith Clarés
    2017 COMeIN
    «We decided to create the website filmin.cat because we considered that there was a need of coverage for the own production shot here in Catalonia or shot in Catalan and also for all those contents, series and films, feature and short films, that have been dubbed or subtitled in Catalan.…
  • Llega FilminCAT: el portal de vídeo bajo demanda de cine y series en catalán
    Judith Clarés
    2017 COMeIN
    Coinciding with the 10th anniversary celebration of Filmin, on friday 2nd of June FilminCAT arrived, the fist platform of video on demand of cinema and series integrally in Catalan accessible from Spain and Andorra.
  • Homenaxe da Asociación Española de Investigación en Comunicación (AE-IC) ao Dr. José Marqués de Melo
    2017 Anuario Internacional de Comunicação Lusófona
  • Resistencia e dereito á renacenza
    2016 Boletín da Real Academia Galega
    It’s Monforte. It is the dining room of a rationalist house with a semi-gallery facing the street. I finished the first course at the School of Journalism in Barcelona. I’m nineteen years old and I’m comming to meet Manuel María and Saleta. A few months ago I wrote a letter…
  • Linguas, globalización e interculturalidade. Unha reflexión desde o galego
    Henrique Monteagudo Romero
    2016
    Neoliberal globalization tends to reduce the value of the languages to their economic dimension, lessening them to merchandise (comodification). The old notion of linguistic-cultural community suffers from the competence of the new idea of linguistic market. On the other side, globalization also erodes the status of the official languages in…
  • Sen ir máis lonxe
    2015 Boletín da Real Academia Galega
    ¿E ti dirás? ¿A que vén todo isto? ¿E ten que vir a algo? Pois ben, a nada. A ter con quen falar. A ter a quen lle dicir certas cousas que pensamos moitos e case todo o mundo cala. (Roberto Vidal Bolaño. Sen ir máis lonxe) And it was…
  • A construción dunha xinea
    2014 Grial. Revista Galega de Cultura
  • Dedos no texto: conversa con Antonio Tàpies vinte e oito anos despois
    2012 Grial. Revista Galega de Cultura
  • O(s) sentido(s) da relación Galiza-Países lusófonos
    2010 Grial. Revista Galega de Cultura
  • Uxío Novoneyra. Letras galegas 2010
    2010 Boletín da Real Academia Galega
  • Un filme político, por favor
    2006 Andaina, revista galega de pensamento feminista
    Alterity, the passage through the experience, that bite in the apple without the temptation of the snake; the body, the selfreference; the invisible spaces, inside the family, roles well in sight. The documentary film as inscription-truth. And the journy: the  next one that takes the fair distance for coming back…
  • Vous avez dit “Carlos Velo”? / Did you say “Carlos Velo”?
    2005 Cinéma du Réel. 27º Festival International
Scientific technical article
  • Lingua e sociedade en Galicia
    Resumo de resultados 1992-2016
    Henrique Monteagudo, Xaquín Loredo e Martín Vázquez
    2018
    The article provides a wide review on the social situation of Galician language, beginning with a brief history of its contact with the Spanish and specially focusing on sociolinguistic changes of last decades, after its officialization as “own language” of Galician Autonomous Community. The work presents and analyses statistical data…
Scientific edition
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