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Machadian Film Bilogy: The Sombra de Caín on the ¡Hermosa tierra de España!

Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo Ruiz- Castillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition of a romance of the Sevillian poet, while the post-war account Dos caminos seem to be nourished by a dense allegorical invocation of Machadian thought. Scarcely known and barely considered by historiography film, both films make up an unmistakable biology with an unusual semantic density that needs to be vindicated urgently.

Author: José Luis Castro de Paz , Natalia Alonso Ramos, Fernando Gómez Beceiro Year: 2021Titulo: Machadian Film Bilogy: The Sombra de Caín on the ¡Hermosa tierra de España! Category: Scientific article Title magazine/book: Signa, Revista De La Asociación Española De SemióticaVolume: 30Beginning page: 473Ending page: 499URL: https://doi.org/10.5944/signa.vol30.2021.26474
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