Marta Pérez Pereiro
Research Team
marta.perez.pereiro@usc.es
+34 881 816 532
+34 881 816 532
Doctor from the University of Santiago de Compostela. Professor hired doctor of the Faculty of Communication Sciences (USC), where she teaches Audiovisual Communication and Journalism. He defended his thesis Humor modalities in the Galician television comedy. Humor and ideology in the televised formula of sitcom in 2007.
DESTACADOS
Projects
FEDER/Ministerio de Ciencia, Innovación y Universidades – Agencia Estatal de Investigación/ ref. CSO2016-76014-R
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
PROJECTS
eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.
31/12/2013
Ministerio de Economía e Competitividade
Ministerio de Economía e Competitividade
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
PUBLICATIONS
Media accountability in the age of social media: Participatory transparency of the audience in Spain
2021
Global Media and Communication
Global Media and Communication
The mass media is increasingly promoting public participation. Taking as a starting point the participatory transparency concept enunciated by Karlsson (2010), our research studies the audience’s active role in holding Spanish media to account through a range of online tools. We study the role of the audience by analyzing the…
De illas e sereas
Para unha historia do cinema en lingua galega (3)
Margarita Ledo Andión
José Luis Castro de Paz
Antía López Gómez
Marta Pérez Pereiro
Fernando Redondo Neira
Cibrán Tenreiro Uzal
2020
De illas e sereas. Para unha historia do cinema en lingua galega
De illas e sereas. Para unha historia do cinema en lingua galega
«Para unha historia do cinema en lingua galega, 1, 2 e 3» é a proba fáctica do noso «desexo de comunidade» tal e coma Jacques Rancière observa determinados acontecementos contemporáneos que queren ocupar a esfera pública, evitar o seu aniquilamento. E a creación, en calquera soporte, linguaxe ou formulación, é…
Illas no deserto. Cinema galego na diáspora
2020
De illas e sereas. Para unha historia do cinema en lingua galega
De illas e sereas. Para unha historia do cinema en lingua galega
A creación do suxeito feminino no cinema
Inicios, consolidación e novos camiños da teoría e crítica feministas
2020
Cadernos de Comunicación e Xénero CO(M)XÉNERO
Cadernos de Comunicación e Xénero CO(M)XÉNERO
Cadernos de Comunicación e Xénero CO(M)XÉNERO 1
2020
Cadernos de Comunicación e Xénero CO(M)XÉNERO
Cadernos de Comunicación e Xénero CO(M)XÉNERO
Presentamos o primeiro Caderno de Comunicación e Xénero CO(M)XÉNERO, resultado das tres primeiras sesións do seminario, para ampliar o debate sobre os temas e motivos que nos levaran á realización destes encontros. Situámonos no pensamento crítico, na súa aplicación aos lugares que habitamos, ás propostas que construímos, ás obras onde…
Perceived Effectiveness of Established and Innovative Media Accountability Instruments in Spain. Comparative Analysis in Andalusia, Euskadi, Catalonia, Galicia, Madrid and Valencia
2020
Estudios sobre el Mensaje Periodístico
Estudios sobre el Mensaje Periodístico
The perceived effectiveness of established and innovative media accountability instruments is analyzed in Andalusia, Euskadi, Catalonia, Galicia, Madrid and Valencia, and by means of a survey conducted among journalists, focus groups with media consumers in each community, and in-depth interviews with experts. Some differences are observed across professionals, citizens and…
Transgressive humour and extreme speech on social media. PewDiePie’s fandom response to the #killalljews controversy
2020
Revista De La Asociación Española De Investigación De La Comunicación
Revista De La Asociación Española De Investigación De La Comunicación
On March 15, 2019 the Australian Brenton Tarrant broadcasted in Facebook live his attack to the mosque Al Noor in Christchurch, which caused 42 deaths. In the beginning of his broadcast Tarrant reminded his audience to subscribe to PewDiePie YouTube channel. The account of PewDiePie, the Swedish youtuber Felix Kjellberg,…
The Tragedy in Abeyance of Cándida. Emigration and assimilation in the cinema of Niní Marshall
2019
Quintana
Quintana
In his writings about cinema, Jean Epstein poetically explained that every film contains a ‘tragedy in abeyance’ that is not explicit in the narrative. This cinematic idea guides the analysis of the films Cándida (1939) and Cándida millonaria (1941), two of three comedies that Luis Bayón Herrera directed about a…
Dubbing, subtitling and other lesser evils
The two versions of the series Vidago Palace
2018
Translatologia
Translatologia
One of the aims contemplated in Law 1/2014, of 24 March, on the use of the Portuguese language and Ties with Lusophony, popularly known as the Paz Andrade Law, was for Galician Television to promote the exchange of audiovisual productions and collaborate in the creation of new projects. One of…
Identidades buscadas e construídas: imaxes da emigración galega no cinema
2018
Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
Marcas na paisaxe. Para unha historia do cinema en lingua galega. Margarita Ledo Andión (coord.)
Arqueoloxía(s) do saber
A crítica feminista desde as orixes até a actualidade
2018
A Cuarta Parede
A Cuarta Parede
«Un her article “The Crisis of Naming in Feminist Film Criticism”, published in Jump Cut in 1978, Ruby Rich recuperated the main events and publications of the feminist film criticism of the decade, as well as the premieres of the first feminist films according to this criticism. Rich thus made…
Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega
2018
Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
Políticas para a subtitulación e prácticas de creación e distribución de subtítulos en lingua galega
2018
Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
The funny others on our screens
Stereotype, self-loathing and resistance in the audiovisual representation of Wales and Galcicia
2018
National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)
National Identities at the Crossroads, Literature, Stage and Visual Media in the Iberian Peninsula. Payá X. & Sáez, L. (Eds.)
Comparative analysis of humour in television and cinema narratives in Wales and Galicia in order to understand the evolution of both stereotypes.
Getting the mob angry
The satire of Masa Enfurecida as political incorrectness in social networking
2017
Humor. International Journal of Humor Research
Humor. International Journal of Humor Research
ince Ancient Greece satirists are feared figures in any group articulation. Often protected by anonymity, authors have defied political and social order with a harsh and unpleasant sense of humour, which pushes the limits of political correction. This form based in breaking news and everyday life has a particularly suitable…
Dobraxe e subtitulado ás dúas beiras da Raia
A dobre versión da serie Vidago Palace na TVG e a RTP
2017
Conferencia en I Congreso Internacional AGACOM. Alén das Fronteiras: redes na diversidade. Universidade de Santiago de Compostela
Conferencia en I Congreso Internacional AGACOM. Alén das Fronteiras: redes na diversidade. Universidade de Santiago de Compostela
Subtitling in a kingdom of dubbing
Policies and practices of subtitling in Galician language
2017
Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
Ponencia en Congreso Intermedia 2017 - International conference on audiovisual translation. Adam Mickiewicz University
Policies and collaborative practices for subtitling in Galician
2017
Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
Ponencia en VIII International Conference on Small Cinemas. Diversity in Glocal cinemas: language, culture, identity. Universidade do País Vasco
O sucesso dos cinemas menores
Baixo orçamento e alternativas cinematográficas no Brasil e na Galiza
2016
Eptic online: revista electronica internacional de economia política da informaçao, da comuniçao e da cultura
Eptic online: revista electronica internacional de economia política da informaçao, da comuniçao e da cultura
This article discusses the existence of an increasingly prominent film industry that opera- tes on the margins of the commercial system and that, despite limited resources – both economic and technical –, presents notable visibility within the international festival circuit. Even though low-budget films from Brazil and the limited production…
Novo Cinema Galego
Cartografías audiovisuais trazadas desde a periferia
2016
A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
A construción da(s) identidade(s) a través da comunicación. Anais do XI Congreso LUSOCOM 2014
Diáspora e experiencia migratoria desde a proposta anovadora dun Novo Cine Galego
2013
Anuario Internacional da Comunicación Lusófona I 2013
Anuario Internacional da Comunicación Lusófona I 2013
Emigration as a life experience, but also as nostalgia and a wound, conforms the semantic universe of two films that aim to find a representation of the untold: the life-changing voyages, the expression of hidden feelings, the lessons of time. This is the proposal of Vickingland (Xurxo Chirro, 2011) and…
Lusofonía, interactividade e interculturalidade