Equipo
Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Fernando Redondo Neira
Research Team
fernando.redondo@usc.es
881 811000 EXT: 16563
Doctor in Sciences of Information from the University of Santiago de Compostela. Contracted Doctor Professor in the area of Audiovisual Communication and Advertising. Author of the book Carlos Velo. Documentary itineraries in the thirties and coordinator of the volume Citizenship and Documentary. Mari Luz Morales Prize for short essay on Galician Audiovisual, awarded by the Department of Culture. Member of the Spanish Association of Historians of Cinema (AEHC) and of the Galician Association of Researchers of Communication (AGACOM).
DESTACADOS
PUBLICATIONS
A foresta e as árbores
Para unha historia do cinema en lingua galega (2)
«So o enunciado A foresta e as árbores, neste novo volume adentrámonos na análise dunha mostra representativa de filmes que, en presente, contrúen, balizan e normalizan un ámbito singular da cultura: producir películas na lingua propia de Galiza […] Sobordando tópicos, este é un libro no que as árbores deixan…
Marcas na paisaxe. Para unha historia do cinema en lingua galega
Para unha historia do cinema en lingua galega
2018
Marcas na paisaxe. Para unha historia do cinema en lingua galega.
«On the occasion of two ephemeris, the fiftieth year of 1968 as an animator of the militant cinema and the 2018 declaration as ‘European Year of Cultural, Material, Immaterial and Digital Heritage’, we wanted to resume the paths of cinema with chapters that bring us back again to the of…
Festivales de cine y tendencias de futuro. Un estudio de caso
2015
Opción. Revista de Ciencias Humanas y Sociales
This article aims to study the phenomenon cinema festival from its capacity to conform a specific personality and, thus, influence issues of aesthetic nature and advance the cinematographic art in a certain direction. On this basis, we analyze a case of success, the Curtas Vila do Conde-International Film Festival, a…
Identidades al margen y en los márgenes
Frontera y laberinto en Arraianos (Eloy Enciso, 2012)
2015
Fonseca Journal of Communication
The film we are studying here, Arraianos (Eloi Enciso, 2012), emerges as a crossroad where the fictional and the documentary converge, where an anti-naturalistic representation of a space is confined, and of the human group that it inhabits, and a will of visual investigation of this space, in which the…
Ausencia y representación, mirada y poder: la imagen que no vimos de Bin Laden
2012
Estudios sobre el Mensaje Periodístico
The picture of Barak Obama and his group of collaborators, all watching to a screen that provided information on the operation that led to the death of Bin Laden, represents nowadays the visual reference that reports that momentous event. In view of the absence of the image of the terrorist…
© 2019 Estudos Audiovisuais