Equipo
Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Margarita Ledo Andión
Research Team
margarita.ledo@usc.es
+34 881 816 539

Margarita Ledo Andión is Professor of Audiovisual Comunication and Adversitsin at the Universidade de Santiago de Compostela and coordinator of the Grupo de Estudos Audiovisuais (Audiovisual Studies Research Group- GI-1786).

Her research lines of work include Communication and Culture Policies, Diversity and Geo-linguistic Spaces of Communication, Feminist theories in the universes of creation and expression, Cinematographic Theory, and the Uses and discourses of Photography.

She was head of research of several R+D projects, such as: “EU- VOS. Patrimonio Cultural Inmaterial. Para un programa europeo de subtitulado en lenguas no hegemónicas” [EU-VOS. Inmaterial Cultural Heritage. Towards an European Programme for Subtitling in non-hegemonic languages (AEI. CSO2016-76014- R),“Hacia el Espacio Digital Europeo. El papel de las cinematografías pequeñas en versión original” [Towards European Digital Space. The role of small cinemas in original version] ( MINECO- CSO2012-35784); “Cine, Diversidad y Redes” [Cinema, Diversity and Networks] (MINECO- CSO2009-13702); “Lusofonía:  interactividade e  interculturalidade” [Lusophony: interactivity and interculturality] (Xunta de Galicia:INCITE08 PXIB212124 PR).

Among her most recent publications, some should be highlighted: “Diáspora en feminino e cinema” (2018) in Cinema & Território, Revista Internacional de Arte e Antropologia das Imagens, “Acciones (in)diferentes, tensiones latentes” (2016) in IC: Revista Científica de Información y Comunicación; “Cinema europeo en linguas de nacións sen estado e pequenas nacións” (2016), in co-authorship with A. López and M. Pérez in Revista Latina de Comunicación Social; “La Diversidad Cultural a través de la Red: el caso del cine identitario” (2013) with E. Castelló in Comunicar, Revista Científica Iberoamericana de Comunicación e Educación; and “Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space: communication, interculturality, citizenship, and interactivity”. In the image field, we can mention “Ver y querer ver: foto de guerra contra periodismo” (2014) en Chasqui. Revista Latinoamericana de Comunicación, “Cinema Documental. Cibercultura, tecnologías de proximidad” (2015) in Telos; “El cuerpo, esa insoportable lengua comunal” in the book  El tratamiento informativo de la violencia contra las mujeres  (2015), coordinated by  I. Postigo and Ana  J. Alonso;  and the chapter “Vestigio y Extrañeza: sobre la obra de Bernardo Tejeda” from the book Imagen, cuerpo y sexualidad, (2014), edited by Francisco Zurian.

In the field of cinematographic and photographic image, we can highlight the edition of the book Marcas na Paisaxe (2018, Vigo: Galaxia), the writing of the “Proemio”  and of the chapter “O amador no cinema militante” both included in the book, the chapter “A intimidade da imaxe”  in Anna Turbau. Galicia 19756-1979 (2017, Santiago de Compostela: CCG), besides the books Cine de fotógrafos (2005, Barcelona: Gustavo  Gili, Premio “Fundació  Espais d’ Art  Comtemporani”); Del Cine Ojo a Dogma 95 (2004, Barcelona: Paidós); Documentalismo fotográfico (1998, Madrid: Cátedra), Documentalismo fotográfico comtemporáneo (1995, Vigo: Xerais) or Foto-Xoc e Xornalismo de Crise (1988, Sada: Edicións Do Castro, Grupo Foto-Libro del Año Documental Award)

With 4 sexenios of research and an index h-10 and ih-12, she participated as an expert in the commissions of the FCT, Fundação para a Ciência e a Tecnoloxía and of the Agência para a Acreditação e a Avaliação do Ensino Superior, A3ES (Portugal).

Her activity as professor in the USC is extended with the teaching of graduate and doctorate courses in centers such as Université París 8,  the City University of  New York, the Universidad de Buenos Aires,  the Universidade Lusófona de Lisboa, the Instituto Politécnico de Porto, the Universitat Pompeu Fabra, the Universitat Autónoma de Barcelona, the Universidad Carlos 3 de Madrid, or the Euskal Herriko Unibertsitatea; and whe was member of the Centre Européen des Études et des Recherches sur les Practiques  Politiques (Marc  Abélès, Coord.)

She is former president of the Federação Lusófona de Ciências da Comunicação (LUSOCOM), she was first vicepresident of the Asociación Española de Investigación en Comunicación (AE- IC ), and she is vicepresident of the Asociación Iberoamericana de Comunicación (ASSIBERCOM) and President with Honor of the Asociación Galega de Investigadores e Investigadoras da Comunicación (AGACOM). She is member of the editorial board of several scientific journals such as Telos, Chasqui, Discursos fotográficos, Infoamérica, L’ Atalante, Quaderns do CAC, Revista Latinoamericana de Comunicación, Trípodos, Uztaro, Comuniació or AdComunica.

Numerary of the Real Academia Galega, writer and filmmaker, she received the Premio Nacional da Cultura Galega en Cinema e Audiovisual (2008) and the Premio Otero Pedrayo (2018).

 

DESTACADOS
Projects
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
Projects
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
Projects
The project “Cinema, diversity and networks” aims to know and analyze the reception of Galician film products, based on certain technological variables that affect the new modes of circulation of film and audiovisual production, in those countries with migrant communities which are signified by their status as citizens with the…
PROJECTS
eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.
31/12/2013
Ministerio de Economía e Competitividade
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
CONTRACTS
Television and interculturality: Galicia, Brittany and Wales
12/05/1997
UE - DG XXII
Towards an integrated European Minority Language Television
01/06/1998
UE - DG XXII
Communication in the Atlantic periphery
20/07/2001
PGIDT - PXI (Programa Xeral de Investigación)
Lusophony, Interactivity and Interculturality
02/10/2008
PGIDT - PXI (Programa Xeral de Investigación)
Cinema, diversity and networks
01/01/2010
6 PN - Ciencias sociales
Audiovisual Studies. Consolidation and structuring of competitive research units 2012 (GPC)
17/06/2012
Consellería de Cultura, Educación e Ordenación Universitaria
Towards the European Digital Space. The role of small cinemas in original version
01/01/2013
6 PN - Ciencias sociales
Consolidation and structuring. GPC GI-1786 Audiovisual communication: contents, formats and technology
24/06/2014
Consellería de Cultura, Educación e Ordenación Universitaria
Consolidation and structuring. Audiovisual communication: contents, formats and technology (GEA)
01/01/2017
Consellería de Cultura, Educación e Ordenación Universitaria
Sociedade da información e investigación en comunicación
01/01/2008
Consellería de Innovación e Industria-Xunta de Galicia
Investigar a comunicación
01/01/2007
Secretaría Xeral de Comunicación-Presidencia, Xunda de Galicia
Observatorio do Audiovisual, Catálogo de Produción 2001-2002
31/12/2001
Compañía de Radiotelevisión de Galicia, S.L.
PUBLICATIONS
Marcas na paisaxe. Para unha historia do cinema en lingua galega
Para unha historia do cinema en lingua galega
2018
Marcas na paisaxe. Para unha historia do cinema en lingua galega.
«On the occasion of two ephemeris, the fiftieth year of 1968 as an animator of the militant cinema and the 2018 declaration as ‘European Year of Cultural, Material, Immaterial and Digital Heritage’, we wanted to resume the paths of cinema with chapters that bring us back again to the of…
Diáspora en feminino e cinema
2018
Cinema & Território, Revista Internacional de Arte e Antropologia das Imagen
‘Forget who you are in order to be yourself/another’, says the voice and body in exile of the actor of Galician origin, Maria Casares, in Alain Resnais’s 1945 film, Gernika. So as not to forget the barbarity, the bombing of the civil population, the losses. To feel your body in…
Prologue. National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian Peninsula
2018
National Identities at the Crossroads. Literature, Stage and Visual Media in the Iberian Peninsula
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
As pasaxes múltiples: apuntamentos sobre as relacións de investigación da Galiza co espazo Iberoamericano
2017
Cenários Comunicacionais: Entre as Sociedades Industriais e as Emergentes.
The intersection between the two areas that this collective work calls “Ibero-American World”, the Portuguese-speaking and Spanish-speaking world, was one of the principles that guided the development of significant lines and research programs within the framework of the University of Santiago de Compostela, USC, in close collaboration with the Galician…
A Intimidade da Imaxe
2017
Anna Turbau. Galicia 1975-1979
Comunicación, Cultura, Internacionalización. Á volta do compromiso intelectual
2017
A Internacionalização das Comunidades Lusófonas e Ibero-americana de Ciências Sociais e Humanas
Acciones (in)diferentes, tensiones latentes
A propósito de feminismo y “Novo Cinema Galego”
2016
IC Revista Científica de Información y Comunicación
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
Resistencia e dereito á renacenza
2016
Boletín da Real Academia Galega
It’s Monforte. It is the dining room of a rationalist house with a semi-gallery facing the street. I finished the first course at the School of Journalism in Barcelona. I’m nineteen years old and I’m comming to meet Manuel María and Saleta. A few months ago I wrote a letter…
Sen ir máis lonxe
2015
Boletín da Real Academia Galega
¿E ti dirás? ¿A que vén todo isto? ¿E ten que vir a algo? Pois ben, a nada. A ter con quen falar. A ter a quen lle dicir certas cousas que pensamos moitos e case todo o mundo cala. (Roberto Vidal Bolaño. Sen ir máis lonxe) And it was…
A construción dunha xinea
2014
Grial. Revista Galega de Cultura
Galicia e a construción dun cinema nacional
2013
A Trabe de Ouro: publicación galega de pensamento crítico
Carta da Galiza
2013
Anuário Internacional de Comunicaçao Lusófona 2013. Comunicación na diáspora e diásporas na comunicación.
Carta da Galiza
2012
Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
Thinking the lusophony as a material and intellectual communication project, as a place for the relationship between knowledge and as a territory of concrete proposals, takes us to a scenario, that of globalization under neoliberal guidelines, where it is easy to lose foot when talking of expression, information and communication,…
Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
2012
Llorenç Soler. La mirada comprometida
From 1976 to 1978, Llorenç Soler shot in Galicia four medium-length films which became a reference for militant cinema, for cinema in Galician language and  as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
Dedos no texto: conversa con Antonio Tàpies vinte e oito anos despois
2012
Grial. Revista Galega de Cultura
Tres fotografías: dende onde o mundo se chama Galicia
2011
Fotocinema. Revista Científica de Cine y Fotografía
If our main goal is to reconstruct the history of photojournalism in Galicia from the photograph as part of the journalistic discourse, it leads us to confirm some uncertainties that disable a linear story by being unable to construct, much less in the case of a social institution as the…
La variante lusófona
2011
Cultura Latina y Revolución Digital
Photographs from where the world is called Galicia
2010
Revista Latina de Comunicación Social
De la no ficción
On non fiction
2010
L'Atalante. Revista de Estudios Cinematográficos
Beyond certain narrative styles of non-fiction in fiction, what is posed – through such different authors (by genre, age and film culture) as Winterbotton or Marguerite Duras – is the relationship of personal experience with the way to give body, through a work, to that intensity that the real brings…
Nós, imaxinar a nación
2010
A Trabe de Ouro: Publicación galega de pensamento crítico
O(s) sentido(s) da relación Galiza-Países lusófonos
2010
Grial. Revista Galega de Cultura
Uxío Novoneyra. Letras galegas 2010
2010
Boletín da Real Academia Galega
Algunhas notas sobre a investigación como realizativo
2008
Anuário internacional da comunicaçao lusófona 2007
Por debajo del cine documental, lo real: la inclusión del mundo
2008
El Valor de la Palabra
Un filme político, por favor
2006
Andaina, revista galega de pensamento feminista
Alterity, the passage through the experience, that bite in the apple without the temptation of the snake; the body, the selfreference; the invisible spaces, inside the family, roles well in sight. The documentary film as inscription-truth. And the journy: the  next one that takes the fair distance for coming back…
Vanguardia y pensamiento documental como arte aplicada
2005
Documental y Vanguardia | Casimiro Torreiro e Josetxo Cerdán (eds.)
Vous avez dit “Carlos Velo”? / Did you say “Carlos Velo”?
2005
Cinéma du Réel. 27º Festival International
Del Cine-Ojo a Dogma 95
The documentary, that cinema in the photographic way that for so long was considered a minor product, now reappears not only as an auteur cinema, but as one of the most appropriate products for the new contemporary reflection on the cultural industry and its exceptionality . The idea, the camera,…
Variantes na mundialización: Galiza na Lusocom
2003
Tempo Exterior, revista de análise e estudios internacionais
As often happens in history, the idea precedes its implementation; necessity created a certain state of consciousness; thinking about diversity and the European policy of cultural exceptionalism, which we apply to the field of cinematography and audiovisual, allowed us to take the debate to a new stage, and everything is…
Documental y nación.com
Políticas públicas e identidad: Québec-Canadá.
2001
Anàlisi, Quaderns de Comunicació i Cultura
A new way of inserting reality into documentaries. The wide-angle lens apparatus, as part of the relationship between the film and the viewer, make Les Raquetteurs (1958, by Michel Brault/Gilles Groulx) a good example of the direct before the direct cinema. The street, the ritual, the sense of belonging, the…
Diversificar a mundialización
2000
Eptic, revista electrónica sobre TIC
«We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
A mundialización, en plural
2000
A Trabe de Ouro, publicación galega de pensamento crítico
«We tend to think that producing content can become supported by public policies, but it does not seem so easy to ensure that a public is built in the same way. But it is also that the fact of producing content without building an audience makes useless the first of…
Aquel, máis que neve branco
2000
Revista de estudios rosalianos
A propósito de la visibilidad
1998
Forum Mundial de la Televisión Infantil 1997/World Forum on Chlindren’s Television
Televisión e interculturalidade: Bretaña, Galicia e País de Gales
1998
A Trabe de Ouro, publicación galega de pensamento crítico
Le photomontage politique: Fakture, Frakture et Agit-Prop
1997
Ethique, Esthétique, Politique
A tele, metáfora virtual
1996
A Trabe de Ouro, publicación galega de pensamento crítico
A tecnoloxía como contido
1995
A Trabe de Ouro, publicación galega de pensamento crítico
De xornalismo en lingua galega
1995
Colóquio/Letras
Documentalismo contemporáneo: da inocencia á lucidez
1993
Revista de Comunicaçao e Linguagens, Centro de Estudios de Comunicaçao e Linguagens (CECL)
Réplica a “Nacionalismo e Información”
1991
A Trabe de Ouro, publicación galega de pensamento crítico
Dereito de autodeterminación
Un exemplo dos límites democráticos do Estado Español verbo das Nacionalidades
1990
A Trabe de Ouro, publicación galega de pensamento crítico
En defensa da subxectividade
1990
A Trabe de Ouro, publicación galega de pensamento crítico
Escritores en Lingua Galega: opoñentes, orgánicos, mediáticos
1989
Journal of Interdisciplinary Literare Studies
© 2019 Estudos Audiovisuais