Equipo
Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Margarita Ledo Andión
Coordination, Research Team
margarita.ledo@usc.es
+34 881 816 539

Margarita Ledo Andión is Professor of Audiovisual Comunication and Adversitsin at the Universidade de Santiago de Compostela and coordinator of the Grupo de Estudos Audiovisuais (Audiovisual Studies Research Group- GI-1786).

Her research lines of work include Communication and Culture Policies, Diversity and Geo-linguistic Spaces of Communication, Feminist theories in the universes of creation and expression, Cinematographic Theory, and the Uses and discourses of Photography.

She was head of research of several R+D projects, such as: “EU- VOS. Patrimonio Cultural Inmaterial. Para un programa europeo de subtitulado en lenguas no hegemónicas” [EU-VOS. Inmaterial Cultural Heritage. Towards an European Programme for Subtitling in non-hegemonic languages (AEI. CSO2016-76014- R),“Hacia el Espacio Digital Europeo. El papel de las cinematografías pequeñas en versión original” [Towards European Digital Space. The role of small cinemas in original version] ( MINECO- CSO2012-35784); “Cine, Diversidad y Redes” [Cinema, Diversity and Networks] (MINECO- CSO2009-13702); “Lusofonía:  interactividade e  interculturalidade” [Lusophony: interactivity and interculturality] (Xunta de Galicia:INCITE08 PXIB212124 PR).

Among her most recent publications, some should be highlighted: “Diáspora en feminino e cinema” (2018) in Cinema & Território, Revista Internacional de Arte e Antropologia das Imagens, “Acciones (in)diferentes,  tensiones latentes” (2016) in IC: Revista Científica de Información y Comunicación;  “Cinema europeo en linguas de nacións sen estado e pequenas nacións (2016), in co-authorship with A. López e M. Pérez in Revista Latina de Comunicación Social; “La Diversidad Cultural a través de la Red: el caso del cine identitario” (2013) with E. Castelló in Comunicar, Revista Científica Iberoamericana de Comunicación e Educación; and “Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space: communication, intercultura. In the image field, we can mention “Ver y querer ver: foto de guerra contra periodismo” (2014) en Chasqui. Revista Latinoamericana de Comunicación, “Cinema Documental,  Cibercultura y tecnologías de proximidad” (2015) in Telos; “El cuerpo, esa insoportable lengua comunal” in the book  El tratamiento informativo de la violencia contra las mujeres  (2015), coordinated by  I. Postigo and Ana  J. Alonso;  and the chapter “Vestigio y Extrañeza: sobre la obra de  Bernardo  Tejeda” from the book Imagen, cuerpo y sexualidad,(2014), edited by Francisco  Zurian.

In the field of cinematographic and photographic image, we can highlight the edition of the book Marcas na  Paisaxe (2018, Vigo: Galaxia), the writing of the “Proemio”  and of the chapter “O amador no cinema militante” both included in the book, the chapter “A intimidade da imaxe”  in Anna Turbau. Galicia 19756-1979 (2017, Santiago de Compostela: CCG), besides the books Cine de fotógrafos (2005, Barcelona: Gustavo  Gili, Premio “Fundació  Espais d’ Art  Comtemporani”); Del Cine Ojo a Dogma 95 (2004, Barcelona: Paidós):  Documentalismo fotográfico (1998, Madrid: Cátedra),  Documentalismo fotográfico comtemporáneo (1995, Vigo: Xerais) o Foto-Xoc e Xornalismo de Crise (1988, Sada: Edicións Do Castro, Grupo Foto-Libro del Año Documental Award)

With 4 sexenios of research and an index h-10 and ih-12, she participated as an expert in the commissions of the FCT,,  Fundação para a  Ciência e a Tecnoloxía  and of the Agência para a Acreditação e a  Avaliação  do  Ensino Superior, A3ES (Portugal).

Her activity as professor in the USC is extended with the teaching of graduate and doctorate courses in centers such as Université París 8,  the City University of  New York, the Universidad de Buenos Aires,  the Universidade Lusófona de Lisboa, the Instituto Politécnico de Porto, the Universitat Pompeu Fabra, the Universitat Autónoma de Barcelona, the Universidad Carlos 3 de Madrid, or the Euskal Herriko Unibertsitatea; and whe was member of the Centre Européen des Études et des Recherches sur les Practiques  Politiques (Marc  Abélès, Coord.)

She is former president of the Federação  Lusófona de Ciências da Comunicação (LUSOCOM), she was first vicepresident of the Asociación Española de Investigación en Comunicación, (AE- IC ), and she is vicepresident of the Asociación Iberoamericana de Comunicación (ASSIBERCOM) and President with Honor of the Asociación Galega de Investigadores e Investigadoras da Comunicación (AGACOM). She is member of the editorial board of several scientific journals such as Telos,  Chasqui, Discursos fotográficos,  Infoamérica,  L’ Atalante,  Quaderns do  CAC, Revista Latinoamericana de Comunicación, Trípodos,  Uztaro,  Comuniació or  AdComunica.

Numerary of the Real Academia Galega, writer and filmmaker, she received the Premio Nacional da Cultura Galega en Cinema e Audiovisual (2008) and the Premio Otero Pedrayo (2018).

 

DESTACADOS
Projects
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
Projects
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
Projects
O proxecto Cine, diversidade e redes, ten como finalidade coñecer e analizar a recepción de produtos cinematográficos galegos, a partir de determinadas variábeis tecnolóxicas que afectan aos novos modos de circulación da produción cinematográfica e audiovisual, naqueles países onde existen comunidades emigrantes que se significan pola súa condición de cidadáns…
PROJECTS
EUVOS. Intangible Cultural Heritage. For an European Programme for Subtitling in Non-Hegemonic Languages
30/12/2016
Agencia Estatal de Investigación; FEDER
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.
31/12/2013
Ministerio de Economía e Competitividade
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
Cine, diversidade e redes
31/12/2010
Ministerio de Innovación. Plan Nacional de I+D+i
O proxecto Cine, diversidade e redes, ten como finalidade coñecer e analizar a recepción de produtos cinematográficos galegos, a partir de determinadas variábeis tecnolóxicas que afectan aos novos modos de circulación da produción cinematográfica e audiovisual, naqueles países onde existen comunidades emigrantes que se significan pola súa condición de cidadáns…
CONTRACTS
Sociedade da información e investigación en comunicación
01/01/2008
Consellería de Innovación e Industria-Xunta de Galicia
Investigar a comunicación
01/01/2007
Secretaría Xeral de Comunicación-Presidencia, Xunda de Galicia
Comunicación na Periferia Atlántica
31/05/2001
Secretaría de I+D, Presidencia, Xunta de Galicia
Observatorio do Audiovisual, Catálogo de Produción 2001-2002
31/12/2001
Compañía de Radiotelevisión de Galicia, S.L.
PUBLICATIONS
Marcas na paisaxe. Para unha historia do cinema en lingua galega
Para unha historia do cinema en lingua galega
2018
Marcas na paisaxe. Para unha historia do cinema en lingua galega.
«Ao abeiro de dúas efemérides, os cincuenta anos do 1968 como animador do cinema militante e a declaración de 2018 como ‘Ano europeo do Patrimonio Cultural, Material, Inmaterial e Dixital’, quixemos retomar os vieiros do cinema con capítulos que nos traian outra volta o cine de emigración, presente en cada…
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
As pasaxes múltiples: apuntamentos sobre as relacións de investigación da Galiza co espazo Iberoamericano
2017
Cenários Comunicacionais: Entre as Sociedades Industriais e as Emergentes.
The intersection between the two areas that this collective work calls “Ibero-American World”, the Portuguese-speaking and Spanish-speaking world, was one of the principles that guided the development of significant lines and research programs within the framework of the University of Santiago de Compostela, USC, in close collaboration with the Galician…
European cinema in the languages of stateless and small nations
2016
Revista Latina de Comunicación Social
A recente incorporación ao dominio da reflexión académica dunha denominación diversa: cinema de pequenas nacións, identitario, en linguas minoritarias/minorizadas. A reconceptualización do termo cinema nacional, síntoma da multiplicidade de prácticas de linguas aínda sobreviventes. E unha abordaxe da política comunitaria en dúas vertentes: lingüística e cinematográfica, serán os nosos asuntos. Metodoloxía. Isto…
Acciones (in)diferentes, tensiones latentes
A propósito de feminismo y “Novo Cinema Galego”
2016
IC Revista Científica de Información y Comunicación
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
Resistencia e dereito á renacenza
2016
Boletín da Real Academia Galega
It’s Monforte. It is the dining room of a rationalist house with a semi-gallery facing the street. I finished the first course at the School of Journalism in Barcelona. I’m nineteen years old and I’m comming to meet Manuel María and Saleta. A few months ago I wrote a letter…
Cine Documental. Cibercultura, tecnologías de proximidad.
2015
Telos. Cuadernos de Comunicación e Innovación
Cyborg automatism and cultural hybridization are at the base of an expansive terminology that indicates, in the present, the implication of technology in personal and political experience. Documentary cinema, one of those objects in which the brand of the technological device is part, at the same time, of the relationship…
Sen ir máis lonxe
2015
Boletín da Real Academia Galega
¿E ti dirás? ¿A que vén todo isto? ¿E ten que vir a algo? Pois ben, a nada. A ter con quen falar. A ter a quen lle dicir certas cousas que pensamos moitos e case todo o mundo cala. (Roberto Vidal Bolaño. Sen ir máis lonxe) And it was…
Ver y querer ver. Foto de guerra contra periodismo
2014
Chasqui. Revista Latinoamericana de Comunicación
Creative Destruction as Economic Pattern of Europe’s Small-Scale Audiovisual Media Markets and Minority -Language Film Industries
The small cinematography model as well as its incorporation into creation of the European digital space emerges as a paradigm of the creative destruction phenomenon in the way that Sombart spoke about and, afterwards, Schumpeter disseminated it seven decades ago. Working from this perspective, the University of Santiago de Compostela (USC)’ audiovisual…
La diversidad cultural a través de la Red: el caso del cine identitario
2013
Comunicar, Revista Científica Iberoamericana de Comunicación y Educación
Pieza de aprendizaje: roots & routes
2012
Telos, Revista de pensamiento sobre Comunicación, Tecnología y Sociedad
Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space
2012
Communication and Society/Comunicación y Sociedad
This research article analyses the main barriers and motivations in the understanding and acceptance of Galician audiovisual media products by a sample of consumers located in different areas of the Lusophone space, according to the new circulation and consumption modes of audiovisual products. To this end, we examined the influence…
Carta da Galiza
2012
Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
2012
Llorenç Soler. La mirada comprometida
From 1976 to 1978, Llorenç Soler shot f in Galiciaour medium-length films which became a reference for militant cinema, for cinema in Galician language and  as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
Tres fotografías dende onde o mundo se chama Galicia
2011
Fotocinema. Revista Científica de Cine y Fotografía
Photographs from where the world is called Galicia
2010
Revista Latina de Comunicación Social
De la no ficción
On non fiction
2010
L'Atalante. Revista de Estudios Cinematográficos
Beyond certain narrative styles of non-fiction in fiction, what is posed – through such different authors (by genre, age and film culture) as Winterbotton or Marguerite Duras – is the relationship of personal experience with the way to give body, through a work, to that intensity that the real brings…
Algunhas notas sobre a investigación como realizativo
2008
Anuário internacional da comunicaçao lusófona 2007
Terra do Xicle. Carlos Velo, México, 1952
2007
Trípodos
Ante la aparición de Tierra del chicle, Carlos Velo, México, 1952
2007
Trípodos
A experiencia dunha proposta audiovisual on line
2007
Maremagnum, publicación galega sobre os transtornos do espectro autista
Os estados xerais da cinematografía e do audiovisual
2003
Anuário Internacional de Comunicaçao Lusófona
Os estados xerais da cinematografía e do audiovisual
2003
Anuário Internacional de Comunicaçao Lusófona, LUSOCOM, Federaçao Lusófona de Ciencias da Comunicaçao, Ano I
La mirada documental
2002
Temes de Disseny
La mirada documental
2002
Temes de Disseny
Quince Anos de Televisión
2001
Estudios de Comunicación
Diversificar a mundialización
2000
Eptic, revista electrónica sobre TIC
Tv and interculturalism in Brittany, Galicia and Wales
1998
Anuario Unesco/Umesp de Comunicaçao regional 1998, Ano II
A propósito de la visibilidad
1998
Forum Mundial de la Televisión Infantil 1997/World Forum on Chlindren’s Television
Le photomontage politique: Fakture, Frakture et Agit-Prop
1997
Ethique, Esthétique, Politique
Muntadas:Comme simulation et comme ressemblance
1997
Ethique, Esthétique, Politique
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