Equipo
Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Antía López Gómez
Research Team
antiamaria.lopez@usc.es
+34 881 816 527
Doctor in Communication Sciences from the Complutense University of Madrid. Professor of Audiovisual Communication and Publicity of the Faculty of Communication Sciences of the University of Santiago de Compostela. She is the author of several books, including: Políticas de comunicación e identidad cultural: estrategias gubernamentales sobre la comunicación social or La dimensión de lo axiológico en el discurso del spot publicitario. She focuses hes research on textual theory and analysis and the study of European audiovisual policies.
DESTACADOS
Projects
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
PROJECTS
eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.
31/12/2013
Ministerio de Economía e Competitividade
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
CONTRACTS
Análise dos modelos de televisión educativa vixentes na área española e latinoaméricana
30/11/2000
Centro Nacional de Información e Comunicación Educativa o Ministerio de Educación, Cultura e Deporte
PUBLICATIONS
Ensuring language diversity through subtitling the audiovisual in small nations
An approach to Scottish Gaelic
2018
Ponencia en ICCPR 2018, 10th International Conference on Cultural Policy Research. Universidade de Tallín.
La participación ciudadana en la gestión de su Patrimonio Cultural Inmaterial
Reflexiones y actuaciones en torno al subtitulado audiovisual
2018
Ponencia en VI Congreso Internacional AE-IC. Comunicación & Conocimiento. Universidade de Salamanca
Ensuring Language Diversity. Through Subtitling the Audiovisual In Small Nations: An Approach to Scottish Gaelic
2018
Ponencia Convidada en Foro Internacional ‘As linguas e o cinema. Indicadores para un programa europeo de subtitulado’. Universidade de Santiago de Compostela
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
EU-VOS (Subtitling in non-hegemonic languages)
2017
I Media Accessibility Platform International Conference. Universidade de Vigo
A responsabilidade pública sobre a discapacidade no texto cinematográfico
2012
Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono
The present work analyzes the cinematographic text and his relation with the presence of the disability. After considering the logic of functioning of the different levels of the text, we come to the question of the foundation of the sense, as principal function of the text, relating the above mentioned…
Políticas de comunicación e identidad cultural: estrategias gubernamentales sobre la comunicación social.
«This work constitutes, firstly, a tentative of covering an abandoned field by the essay production, the one constituted by the theme of communication policies. A desertion that results even more evident if we link this to other theme, the relating to cultural identity. Verified the difficulty of finding related literature,…
Singularización e indiferenciación: la paradoja contemporánea de la esfera cultural
2006
Anuário Internacional de Comunicaçao Lusófona 2005: Comunicaçao, Identidades, Migraçoes e culturas na Lusofonía
La producción del presente social en Televisión
2003
Publicación anual I/C. Revista científica de Información y Comunicación
The increasing mediation of the experience, articulated by the so called communication media –and in a hegemonic way by the TV dispositive–, constitutes one of the defining elements of the configuration of the individual and collective reality in modern societies. It is a mediation whose intensity and omnipresence pushes the…
© 2019 Estudos Audiovisuais