Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Cibrán Tenreiro Uzal
Research Team

CV in USC research portal

Cibrán Tenreiro is Assistant Professor at the Faculty of Communication Sciences at the
da Comunicación of the USC. D. from the same university, he also holds a
Master in Film and Contemporary Audiovisual Studies from the Universitat Pompeu Fabra and has a specialisation in Audiovisual Documentary and Film Researcher from the Universitat Oberta de Catalunya. His work as a researcher examines the creative uses of low-budget tools of low-budget tools, the relationship between music and cinema and the creative production of communities of fans and scenes, as well as different lines related to and scenes, as well as different lines related to Galician cinema, such as the use of archive material or the role of criticism. His text “Precarious balances. An approximation to the videos of a Galician underground scene Galician underground scene” was awarded the María Luz Morales Prize for essays written on Galician audiovisuals. Outside the academy, she has worked as a cultural journalist for cultural journalist in media such as Radio Gallega or VEINTE, and in the communication team of
communication team of festivals such as Cortocircuito or the Carballo Interplay, and participates in projects such as Cineclube de Compostela.

Galicia’s voice: Ana Kiro, reception and national identity
AusArt Journal for Research in Art, número
When an artist’s work is identified with a particular national identity, the artist usually becomes an object of debate and gives room to antagonistic readings. That is the case of Ana Kiro, a singer who since the 1970s became an enormously popular figure in Galicia by dealing with the experience…
De illas e sereas
Para unha historia do cinema en lingua galega (3)
«Para unha historia do cinema en lingua galega, 1, 2 e 3» é a proba fáctica do noso «desexo de comunidade» tal e coma Jacques Rancière observa determinados acontecementos contemporáneos que queren ocupar a esfera pública, evitar o seu aniquilamento. E a creación, en calquera soporte, linguaxe ou formulación, é…
Registrar el concierto pop: usos amateurs de las tecnologías digitales de imagen y sonido
Música, Sonido y Silencio en el Audiovisual: El sonido documental. Daniel Torras i Segura (ed.)
Audio and video recording technologies have evolved in a relatively parallel way. In the two cases their cost has come down, their use has become easier and, consequently, their usage has been widespread. In the current digital era, the access of non-professional users to these technologies provides of register capacity…
© 2024 Estudos Audiovisuais