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eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.

From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament Resolution of November 2011), the transition to digital technology brings an uncertain horizon for most European cinematographies.
The current European programs for cinematography refer to its contribution to linguistic and cultural diversity, pointing it out as an asset to overcome fragmentation. At the same time as they confirm structural deficiencies in what refers to its circulation and assessment.
Taking this hypothesis as a starting point, we have the O.V. as an unequivocal indicator of the existence of a plural European universe formed by small cinematographies, and digital migration which facilitates the interchange, the accessibility and the new patterns of consumption. From this perspective, the research will prove:
a) what measures must be envisaged by any program of public policies which intend to transform the threats of the new scenery in an opportunity for visibility and the increase of use and exchange value of the cinema in O.V.
b) what elements must be considered so that creative diversity is, at the same time, a mark for its international renown.

Financing Entity: Ministerio de Economía e CompetitividadeStart Date: 31/12/2013End Date: 31/12/2015I.P.: Margarita Ledo AndiónParticipating Researchers: Margarita Ledo Andión Enrique Castelló Mayo Antía López Gómez Marta Pérez Pereiro Ana Isabel Rodríguez Vázquez , Demetrio Brisset, Francisco Apillaga, José Gabriel Ferreras, Begoña Gutiérrez, Miren Manias, Mª Ángeles Martínez, Francisco Reyes, Francisco Sierra, Javier Sierra, Xosé Soengas, Mónica Valderrama Participating Entities: Universidade de Santiago de Compostela, Universidad Complutense de Madrid, Universidad de Málaga, Universidad de Murcia, Universidad de Salamanca, Universidad de Sevilla, Universidad del País Vasco, Universidade de Vigo
Identidades al margen y en los márgenes
Frontera y laberinto en Arraianos (Eloy Enciso, 2012)
2015 Fonseca Journal of Communication
The film we are studying here, Arraianos (Eloi Enciso, 2012), emerges as a crossroad where the fictional and the documentary converge, where an anti-naturalistic representation of a space is confined, and of the human group that it inhabits, and a will of visual investigation of this space, in which the…
Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
2012 Llorenç Soler. La mirada comprometida
From 1976 to 1978, Llorenç Soler shot f in Galiciaour medium-length films which became a reference for militant cinema, for cinema in Galician language and  as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
Creative Destruction as Economic Pattern of Europe’s Small-Scale Audiovisual Media Markets and Minority -Language Film Industries
The small cinematography model as well as its incorporation into creation of the European digital space emerges as a paradigm of the creative destruction phenomenon in the way that Sombart spoke about and, afterwards, Schumpeter disseminated it seven decades ago. Working from this perspective, the University of Santiago de Compostela (USC)’ audiovisual…
Renaiming Itself. Nuevas definiciones en el cine contemporáneo
The idea of ​​renaming the cinema from certain practices, taking a position and aspects that are not well regulated, when not made invisible, took shape in the conjunction of the use of technologies as a resource for diversity policies and a growing critical commitment, as well from the Academy, to…
Acciones (in)diferentes, tensiones latentes
A propósito de feminismo y “Novo Cinema Galego”
2016 IC Revista Científica de Información y Comunicación
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
European cinema in the languages of stateless and small nations
2016 Revista Latina de Comunicación Social
A recente incorporación ao dominio da reflexión académica dunha denominación diversa: cinema de pequenas nacións, identitario, en linguas minoritarias/minorizadas. A reconceptualización do termo cinema nacional, síntoma da multiplicidade de prácticas de linguas aínda sobreviventes. E unha abordaxe da política comunitaria en dúas vertentes: lingüística e cinematográfica, serán os nosos asuntos. Metodoloxía. Isto…
Marcas na paisaxe. Para unha historia do cinema en lingua galega
Para unha historia do cinema en lingua galega
2018 Marcas na paisaxe. Para unha historia do cinema en lingua galega.
«Ao abeiro de dúas efemérides, os cincuenta anos do 1968 como animador do cinema militante e a declaración de 2018 como ‘Ano europeo do Patrimonio Cultural, Material, Inmaterial e Dixital’, quixemos retomar os vieiros do cinema con capítulos que nos traian outra volta o cine de emigración, presente en cada…
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