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EUVOS. Intangible Cultural Heritage. For an European Programme for Subtitling in Non-Hegemonic Languages

FEDER/Ministerio de Ciencia, Innovación y Universidades – Agencia Estatal de Investigación/ ref. CSO2016-76014-R

The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy.

The European Charter for Regional or Minority Languages (ECRML), issued on 25th June 1992 as a Convention by the Council of Europe –and signed on 5th November 1992 by eleven Member States, including Spain-, commits the signatories explicitly (art. 12b) to “to foster the different means of access in other languages to works produced in regional or minority languages by aiding and developing translation, dubbing, post-synchronisation and subtitling activities”.

Among the actions to preserve the Intanglible Cultural Heritage in Europe, the priorities are those geared towards fostering the subtitling of audiovisual content. However, the unequivocal formal commitment derived from the Conventions –at a European, national and regional level- is materialized in the implementation of random, fragmented and contingent measures, which, in general, lead to a systemic lack of results.
The EU-VOS. Patrimonio Cultural Inmaterial. Para un programa europeo de sutitulado en lenguas no hegemónicas project (EU-VOS. Intangible Cultural Heritage. for a European programme of subtitling in non-hegemonic languages) aims, thus, to reveal in a determined and rigorous manner the ins and outs of the retrospective, contemporary and prospective situation of subtitling in the European sphere. The aim is to propose a proactive programme of measures to take into account in a harmonic subtitling policy for the audiovisual and cinematographic production in non-hegemonic European languages.

Being aware of the deep-rooted institutional and professional resistance to academic knowledge in subtitling –favouring instead economic indicators that simplify the complexity of the so-called creative industries-, our aim is to bring about a change of mindset creating spaces for exchange and reflection for the main stakeholders involved: academics, institutional and professional representatives. This is a change of perspective that can have an impact on both the access and transnational mobility of films made in non-hegemonic languages and the consideration of the Intangible Cultural Heritage in Europe itself.

To this end, we set out to make geographical references to the current state of European subtitling in non-hegemonic languages by means of a) a comparative mapping of public policies and sectorial practices, b) a taxonomy of the main challenges and/or motivations in the access to original versions, c) singling out the most innovative experiences at a technological and creative level which, on the basis of the quality of the subtitles and their integration in the film, allow to use the contributions to universal design applied to media access, the contributions to partial subtitling, and creative subtitling.

As evidence of the expectations raised at institutional and industrial level and of the immediate applicability of its results, the project is supported by a significant amount of academic, institutional and professional entities, organisations and associations.

 

 

Financing Entity: FEDER/Ministerio de Ciencia, Innovación y Universidades – Agencia Estatal de Investigación/ ref. CSO2016-76014-RStart Date: 30/12/2016End Date: 30/12/2019I.P.: Margarita Ledo Andión y Enrique Castelló MayoParticipating Researchers: Margarita Ledo Andión Marta Pérez Pereiro Andrés Fraga Pérez José Luis Castro de Paz Enrique Castelló Mayo Antía López Gómez Fernando Redondo Neira , Xose Henrique Monteagudo Romero (USC), Carlos Pío del Oro Sáez (USC), Silvia Roca Baamonde (USC), Miren Manias Muñoz (UPV), Pablo Romero Fresco (Uvigo), María Soliña Barreiro González (ESUPT-UPF), Francisco Javier Azpillaga Goenaga (UPV-EHU), María José Deogracias (UPV-EHU), Beatriz Zabalondo Loidi (UPV-EHU), Judith Clares Gavilán (UOC), Jaques Guyot (Universitè Paris 8), Steve Blandford (University of South Wales), Ruth McElroy (University of South Wales), Pietari Kääpa (University of Stirling) Participating Entities: Universidade de Santiago de Compostela, Universidade de Vigo, Euskal Herriko Unibertsitatea, Escola Universitária Politécnica Mataró-UPF, Universitat Oberta de Catalunya, Universitè Paris 8, University of South Wales, University of Stirling
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Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
ACTIVITIES
Presentation “A foresta e as árbores” 10 Jul Na libraría cartabón de Vigo
Small Cinemas, Small Spaces 25 Sep Organizado polo Instituto das Ciencias Sociais da ULisboa
VIII International Conference on Small Cinemas 20 Sep Diversity in Glocal cinemas: language, culture, identity
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17th International Conference on Minority Languages 22 May Organizada por Mercator European Research Centre on Multilingualism and Language Learning
XIII International Congress Lusocom 28 Nov Comunicación e información para o desenvolvemento
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