Archivo
"Tag: Film analysis: historical and social contexts"
CO(M)XÉNERO IX. Memes, adolescence and uncertainties
Adolescence and humour in their contemporary forms

The ninth edition of the Permanent Seminar on Communication and Gender CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais, will work on adolescence and humour in their contemporary forms, understanding these practices as a symptom, on the one hand, of the violent reactions to feminism and, on the other, of…
Cinema and sport. Class, gender and the national question
Activity organised by the Grupo de Estudos Audiovisuais, Cinema.Col.lectiu d'Investigació Estètica des Mitjans Audiovisuals and Cineclube de Compostela

On 14 and 15 September 2023, the seminar Cinema and sport. Class, genre and national question will be held in the Auditorium of the Faculty of Communication Sciences of the USC. This seminar is organised by the Grupo de Estudos Audiovisuais of the University of Santiago de Compostela, Cinema. Col.lectiu d’Investigació Estètica des Mitjans Audiovisuals of the Pompeu Fabra University and…
CO(M)XENERO VIII. Video-essay: minor cinema?
The Permanent Seminar on Communication and Gender is entitled on this occasion 'Video essay: minor cinema'

The cinema of the self and from the self, the cinema process as a reflexive formula, the cinema essay as a method of thinking the world through images and as a method of letting images recover their weight will be the practices that we will address in this eighth edition…
The visual strategies of struggle: domestic workers in hybrid filmic forms of confronting reality in Spain (2000-2020)
This article studies the critical and activist documentaries produced in Spain in the last twenty years that address the situation of invisibility and exploitation of domestic workers and hotel maids. In these films, the features of labor struggles permeate the filmic construction. These documentaries are characterized by the work on…
La revuelta en la mirada: Las imágenes del tiempo en el cine de vanguardia europeo de los años veinte
Avant-garde filmmakers travelled through modernity rescuing images and times discarded by the dominant visual and historical discourses. Cinema allowed them to give vent to a joie de voir not only for the pleasure of astonishment, but also for the disarmament of the discursivisation of life, of the image and of…
Illas no deserto. Cinema galego na diáspora
Se fan sufrir é porque sofren. Réquiem pola Galiza rural. (‘O que arde’, Oliver Laxe, 2019)
‘Lúa vermella’, de Lois Patiño. Unha mirada onírica a propósito dun universo real
Illas espello
Illas descoñecidas

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