The aim of this research project is the quantitative and qualitative evaluation of the impact on the audiovisual sector of Law 13/2022, of 7 July, General Law on Audiovisual Communication, with a special focus on independent audiovisual production in those geographical and linguistic frameworks that share official status with Spanish,…

En decembro de 2010, o profesor ruso Vladimir Magidov visita a Facultade de Ciencias da Comunicación da USC e porta canda si unha lata de celuloide con 16 novos minutos dos materiais rodados por Carlos Velo para o seu filme «Galicia-Finisterre 1936». A recuperación destes fondos perdidos permite a Margarita…

The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…

The Lusophone countries constitute a plural and asymmetric geo-linguistic space with a common thread, a division of languages of the same linguistic system of inestimable value of use –and of change– for the circulation of products of the cultural industries. The project of research and development “Lusofonía, Interactividade e Interculturalidade”…

From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…

The Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark” aims to thoroughly explore the Spanish filmography from the period between 1939 and 1962 in order to define –from the analysis of the preserved films, as well…

The research project “Galicia in NO-DO. Communication, culture and society (1942-1981)” constitutes an analytical observation on the image of Galicia built from the newsreel, as a crucial instrument in the Franco propaganda apparatus and, consequently, indoctrination by the dictatorial regime. A meticulous film analysis was designed for this purpose, which…

The project “Cinema, diversity and networks” aims to know and analyze the reception of Galician film products, based on certain technological variables that affect the new modes of circulation of film and audiovisual production, in those countries with migrant communities which are signified by their status as citizens with the…