Inauguration of Virtus
Virtus. Technological platform for virtual research of the USC
Virtus, USC’s technological platform for virtual research, was created as a common space for advanced virtual solutions for teaching innovation and research dissemination as well as for technology and knowledge transfer to the Galician ICT and audiovisual sector. Its potential will be presented at the ‘Jornada de Puertas a Virtus’…
CO(M)XÉNERO XI. Na letra pequena. As mulleres nos oficios do cinema.
Filmmaking occupations.
On Wednesday the 6th and Thursday the 7th of November 2024, the 11th edition of CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais (GEA), will address the essential and often underrated role of women in cinema, understand how they have become versatile and multifaceted figures as well as review their…
Discomforts in the spec(tac)ular culture: critical perspectives from psychoanalysis
El simposio organizado por el GEA tendrá lugar el 12 y 13 de junio en la Facultade de Cc. da Comunicación
Under the title ‘Malestares na cultura espec(tac)ular: perspectivas críticas desde a psicanálise’, the Grupo de Estudos Audiovisuais (GEA) is organising a symposium on 12 and 13 June to address the breakdowns of contemporary subjectivities from an interdisciplinary approach that, from the common constellation of the psychoanalytic field, integrates audiovisual analysis,…
Novas olladas á costa galega (2ª ed.). Documentary photography workshop with the Ollo Collective
The 2nd edition of this activity will take place on the 6th and 7th of July.
On July 6 and 7 at the Sociedad Liceo de Noia (Noia) and under the direction of Mª Soliña Barreiro González and Jennifer Novoa Domínguez, the 2nd edition of this documentary photography workshop organized by the Audiovisual Studies Group and the photographic collective Ojo will take place. It will consist…
CO(M)XÉNERO X. Images of the crime
Feminist photographic practices.
On 8 and 9 April 2024, the tenth edition of CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais (GEA), addresses feminist photographic practices, the spaces in which they are produced, the positions from which they are enunciated and their mechanisms of visibilisation. Pilar Aymerich, winner of the National Photography Award…
CO(M)XÉNERO IX. Memes, adolescence and uncertainties
Adolescence and humour in their contemporary forms
The ninth edition of the Permanent Seminar on Communication and Gender CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais, will work on adolescence and humour in their contemporary forms, understanding these practices as a symptom, on the one hand, of the violent reactions to feminism and, on the other, of…
CO(M)XENERO VIII. Video-essay: minor cinema?
The Permanent Seminar on Communication and Gender is entitled on this occasion 'Video essay: minor cinema'
The cinema of the self and from the self, the cinema process as a reflexive formula, the cinema essay as a method of thinking the world through images and as a method of letting images recover their weight will be the practices that we will address in this eighth edition…
CO(M)XÉNERO 6. Cracks in the chalk circle
Permanent Seminar on Communication and Gender
The sixth edition of CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais (GEA) with the support of the Oficina de Igualdade de Xénero of the USC and Xornalistas Galegas, focuses on this occasion on the possibilities of journalism to transform, from conscious practices, the heteropatriarchal discourse of the media. The…
12th edition of the Small Cinemas Conference
From Celluloid to Streaming: Conservation and Circulation of Small Cinemas
The flow of globalization has renewed the debate on centre-periphery inequalities. The irruption of new technologies for distributing, consuming and archiving cinema pose a challenge to small cinemas already fighting for a place in traditional screening venues and events. Small cinema products are now part of the Video on Demand…
CO(M)XÉNERO 4. Fighting dismemory
Permanent Seminar on Communication and Gender
The persistence of the androcentric discourse in the contents, the editorial line and the organizational structures of the current media and creative industries reflects and perpetuates an asymmetric and dysfunctional society that silences and disables divergent positions. In order to put an end to this disabling dynamic, the construction of…