Open registration for CO(M)XÉNERO X. Images of the crime
The seminar will take place on 8 and 9 April 2024 at the Faculty of Communication Sciences.
On 8 and 9 April 2024, the tenth edition of CO(M)XÉNERO, organised by the Grupo de Estudos Audiovisuais (GEA), addresses feminist photographic practices, the spaces in which they are produced, the positions from which they are enunciated and their mechanisms of visibilisation.
Pilar Aymerich, winner of the National Photography Award 2021, captured with her camera the resurgence of rebellious women in the public sphere during the Transition (their own crimes, demonstrations, congresses, self-incriminations), with her we will review this new genealogy of the photographic image of women and with her gallery owner, Rocío Santacruz, we will think about the ways of circulating feminist documentary photography.
Laure Mojo‘s outsider’s self-recognition in her photographic projects will help us to ask ourselves from where women enunciate their images with freedom; and the work of photographic recovery in the form of a short film developed by Mar Caldas closes the circle with the recovery of a memory in absent images repressed by Franquismo.
Registration is free of charge until full capacity is reached. It will be open until April 5th through this form.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]
Start Date: 12/11/2018End Date: 15/11/2023I.P.: Margarita Ledo AndiónParticipating Researchers: María Soliña Barreiro