Novas e Axenda Bota un ollo á actividade do GEA

The project on the post-war Spanish Cinema will collaborate in Lyon in a scientific conference on Wenceslao Fernández Flórez


October 10 will be held in Lyon the Congress Jornada Wenceslao Fernández Flórez: Cine y literatura linked to the Research Project Towards a reconsideration of post-war culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark (CSO2012-34648, Plan Nacional de I+D+i 2013-2015, Mineco – Gobierno de España).
It’s a scientific meeting in which relevant researchers (some of them members of the Project Team) will reflect the decisive influence of the work of Wenceslao Fernández Flórez in Spanish cinema.
The Congress will be organized by the University of Santiago de Compostela (Grupo Estudos Audiovisuais), the University of Lyon, the GRIMH group and the Instituto Cervantes of Lyon, and is part of the events commemorating the fiftieth anniversary of the death of the Galician writer.
In addition, the previous day will be screened at Instituto Cervantes the film El destino se disculpa (1945) directed by José Luis Sáenz de Heredia from a work of Wenceslao Fernández Flórez.

Relatos melancólicos y costumbristas de la “pobre gente española”
José Luis Castro de Paz (signed together with Héctor Paz Otero and Fernando Gómez Beceiro)

Las dos versiones (1918 y 1940) de “Las gafas del diablo”: costumbrismo y crítica social
Jacques Soubeyroux

Del texto a la imagen o de los mitos fundamentales de la obra de Wenceslao Fernández Flórez
Philippe Merlo

“Odio”, un guion olvidado de Wenceslao Fernández Flórez
Jean-Claude Seguin

Antropología del deseo en Volvoreta (1976) de José Antonio Nieves Conde
Sonia Kerfa

Histriones y cómicos: los actores en el cine español
Santos Zunzunegui

“El bosque animado”, fictions cinématographique, littéraire et légendaire
Marion Le Corre-Carrasco

Mª Soliña Barreiro participates in the “Cycle on photography and the construction of reality” in Ribadavia
GEA researcher María Soliña Barreiro González participates with the dissertation "From play to fire: John Heartfield's photomontages in the Weimar Republic"

Cycle on photography and the construction of reality at the Ethnological Museum of Ribadavia. In this cycle, which is linked to the exhibition Lying with mastery. Photographic montages by Agusto Pacheco (1948-1973), the main theme will be photomontage, drawing on different artists, techniques and expressions. On Friday 3 November, at 8 p.m., we begin with: […]

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Faísca Cultural: “Effective Narratives for communicating climate change”
On 7 November in the Faculty of Communication Sciences at 11 a.m.

The Faíscas Culturais programme is an initiative of the Vice-Rector’s Office for Students and Culture that aims to ignite cultural reflection in the classrooms of the USC and complement the training of students through interventions and activities of a cultural nature. A trail of fury and algae. Reflections on the future of planet Earth is […]

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Palestinian Film Days ’23
Screening of the film Stitching Palestine directed by Carol Mansour at 12:00 p.m. at the Faculty of Communication Sciences.

As international media, world leaders and major social media platforms engage in censorship and distortion of the narrative, while perpetuating the dehumanisation of Palestinians and their continued suffering, we extend our platforms in support of the forcibly cancelled Palestinian Film Days Festival. On the darkest anniversary of the Balfour Declaration, signed on 2 November, and […]

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