For the third consecutive year, the Research Project Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark (CSO2012-34648, Plan Nacional de I+D+i 2013-2015, Mineco – Gobierno de España) will be present at the Congreso Internacional de Literatura Española Contemporánea, which this year will be held at the universities of Cambridge, Complutense de Madrid and La Coruna during the next seven days.
The congress will begin on Saturday 13 in a journey that will culminate at 18:15 with the conference of José Luis Castro de Paz Homenaje a Wenceslao Fernández Flórez: Historias de cine with which the Principal investigator will speak on relations between literature of the Galician writer and Spanish cinema.
In addition, two other members of the Project will also participate in the scientific sessions with a paper about the film La manigua sin dios (Arturo Ruiz-Castillo, 1947), which will be presented on Friday the 19th, just before the conclusion of the congress at the University of La Coruña.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]