The Estudos Audiovisuais Research Group has just uploaded to its Vimeo channel the videos that summarize the different sessions of the past International Forum Cinema of Small Nations, Film Literacy and New Audiences. The intentions of the Forum were linking all the variables that could contribute to the building of new audiences. In order to do that, the Forum was attended by experts with different origins and backgrounds; professional, academic and creative. The focus was on small nations as communicative spaces, on cinema in original version and situations of minorization of the language, in addition to treat diversity policies. The videos include a fragment of the intervention of each expert in each one of the sessions.
The Forum is part of the R+D project ‘Towards the European Digital Space. The role of small cinemas in original version” (Ref. CSO2012-35784. Ministry of Economy and Competitiveness) developed by the Audiovisual Studies Research Group in the framework of the National Plan of R+D+i of the Spanish Government and under the direction of Prof. Margarita Ledo Andión.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]