The R+D Project EDCINEMA organizes the workshop: Vers l’Espace Numérique Européen. Le rôle des petites cinématographies en V.O.
Os días 4 de decembro terá lugar en París o seminario Vers l’Espace Numérique Européen. Le rôle des petites cinématographies en V.O.”, que organiza Grupo de Estudos Audiovisuais en colaboración coCentre d’Études sur les Médias, les Technologies et l’Internationalisation da Université París 8.
Investigadores internacionais levarán a debate a redefinición dos cinemas nacionais europeos na procura de novas fórmulas, novas expresións, que lles permitan ocupar o espazo xeopolítico que lles é propio.
O debate estará dirixido polo investigador Jaques Guyot (Université París 8) e contará coa presenza de Margarita Ledo Andión, investigadora principal do Grupo de Estudos Audiovisuais da USC.
O evento forma parte das actividades de difusión proxecto do Plan Nacional de I+D+i “Cara o Espazo Dixital Europeo. O papel das cinematografías pequenas en versión orixinal”(ref. CSO2012-35784. Ministerio de Economía e Competitividade).
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]