The next Congress of AEHC will have broad participation of the Research Project studies on Wenceslao Fernández Flórez footprint in post-war cinema
At the end of November will be held in Bilbao the 14th International Congress of AEHC focused on the relationship of the concept of gender with the Spanish Cinema, with the title “De Cimientos y Contrafuertes. El papel de los géneros en el Cine Español”. Taking into account the important framework of broadcasting that is Congress, intends a broad representation of studies related to the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”. In this sense, the Principal investigator will use the occasion to publicly present the study to the scientific community responsible for the analysis of Spanish cinema. In addition, it is expected that several members of the Work Team involved in the official sections with four papers (Héctor Paz Otero and Fernando Gomez Beceiro of the Universidade de Santiago de Compostela, Alejandro Montiel Mues of the Universidad Politécnica de Valencia, and Sonia García López of the Universidad Carlos III de Madrid) which will expose various aspects analysed from the Research Project.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]