The Research Project on the imprint of Wenceslao Fernández Flórez in the post-war Spanish Cinema will organize a symposium next spring
Coinciding with the fiftieth anniversary of Wenceslao Fernández Flórez’s death, at the beginning of the spring of 2014 will be held a symposium on core issues of the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”. The Symposium will be headed by the Principal Investigator (José Luis Castro de Paz) and will be called “Costumbrismo, humor, melancolía, reflexividad: Impronta de Wenceslao Fernández Flórez en el cine español”. Several members of the Project Team and other experts in disciplines related to the object of the study will attend the meeting. Subsequently, all contributions will be published in a volume that will serve as a central hub to the project. We can confirm that José-Carlos Mainer will handle the inaugural conference and will focus on the figure of the Galician writer view from today.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]