30th AGAPI anniversary
The second journey will take place on Wednesday 17 April at the Faculty of Communication Sciences of the University of Santiago de Compostela (USC).
In 2024 AGAPI celebrates its 30th anniversary and one of the actions it is going to carry out is the celebration of itinerant training sessions in the three Galician universities in the faculties of Information Sciences within the Audiovisual Communication Degree at the University of Santiago de Compostela (USC), University of Vigo (UVigo) and University of A Coruña (UDC).
This conference, which is subsidised by the Diputación de A Coruña, will focus its contents on a historical overview of the Galician audiovisual scene over the last 30 years, starting by analysing the beginnings of independent production companies, passing through the major milestones reached by Galician cinema and the importance of internationalisation, and ending with the great moment of creative talent in the sector, in which women play a major role.
The second journey will take place on Wednesday 17 April at the Faculty of Communication Sciences of the University of Santiago de Compostela (USC).
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]