The Research Project on the Post-war Spanish Cinema will participate next week in the 16th Congreso Internacional de la Asociación Española de Semiótica
On 4, 5, and 6 November will be held in Bilbao the 16th Congreso Internacional de la Asociación Española de Semiótica and 5th Congreso Internacional del Departamento de Comunicación Audiovisual y Publicidad de la UPV/EHU, with the title Historias del presente. Del documento al documental. The Professor José Luis Castro de Paz, Principal investigator of the I+D+i Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark (CSO2012-34648, Plan Nacional de I+D+i 2013-2015, Mineco – Gobierno de España), will present the paper El análisis textual y la historiografía del cine español, which will offer a reflection on the importance of the use of certain mechanisms of film analysis by new historiographical currents of Spanish cinema, which the concerned project is a clear example. The participation in the Congress begins the latest acts of dissemination of results provided by the project, which will end in the coming months.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]