New communications related to the Research Project of the post-war Spanish cinema at the XIV Congreso de Literatura Española Contemporánea
Last June the universities of A Coruña and Santiago de Compostela hosted the XIV Congreso Internacional de Literatura Española Contemporánea, dedicated this time to the social question in literature, film and press. Continuing with the work of diffusion of the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”, three members of the working group participated in the Congress with two communications related to the scope of the study. Thus, on Thursday, Fernando Gómez Beceiro and the Principal investigator, José Luis Castro de Paz, presented “Shanti Andía en el cine español posbélico. El complejo debut de Arturo Ruiz-Castillo”, while on Friday was the turn of Héctor Paz Otero and, again, J. L. Castro de Paz with “Estudio analítico, histórico y textual, del film Ha entrado un ladrón (1949), de Ricardo Gascón”. In both speeches he delved into stylization modes configured in Spanish films of the 1940s, as well as the influence of Wenceslao Fernández Flórez literature on the cinema of this period.
On the occasion of its 25th years old, the Galician Association of Independent Film Production Companies (AGAPI) changes its webpage with a new design and functions, seeking to improve the offered output. In this way, the webpage will try to adapt to current needs of the market and become a useful tool at service of […]
The Commission of Linguistic Normalisation of the Faculty of Communication Sciences of the USC calls for the eighth edition of the prize Somos a curta!, that rewards the best audiovisual short in Galcian language of cinema of the real presented by any member(s) of the student body of the three Galician universities, of the official […]
The audiovisual sector is going through complicated times, as the report “O cine en Galicia” concludes, registering a lost of viewers and incomes in traditional cinema. Last year, following state tendency, Galiza lost more than 100.000 spectators, what means a descent of one tenth in the medium attendance, now of 1,4 film per habitant. The […]