New communications related to the Research Project of the post-war Spanish cinema at the XIV Congreso de Literatura Española Contemporánea

Last June the universities of A Coruña and Santiago de Compostela hosted the XIV Congreso Internacional de Literatura Española Contemporánea, dedicated this time to the social question in literature, film and press. Continuing with the work of diffusion of the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”, three members of the working group participated in the Congress with two communications related to the scope of the study. Thus, on Thursday, Fernando Gómez Beceiro and the Principal investigator, José Luis Castro de Paz, presented “Shanti Andía en el cine español posbélico. El complejo debut de Arturo Ruiz-Castillo”, while on Friday was the turn of Héctor Paz Otero and, again, J. L. Castro de Paz with “Estudio analítico, histórico y textual, del film Ha entrado un ladrón (1949), de Ricardo Gascón”. In both speeches he delved into stylization modes configured in Spanish films of the 1940s, as well as the influence of Wenceslao Fernández Flórez literature on the cinema of this period.