This seminar proposes a biofilmographic journey that locates Akerman’s cinematography in the convergence of feminism with the new European cinemas and with the American experimental cinema. At the same time, the multidisciplinary nature of the author stands out and, especially, the journey of her work from the big screen to…

The need to rename European cinema -identified as national cinema or auteur cinema- can be interpreted as the symptom of an act of resistance that anticipates a new paradigm. From the “cultural exception” (1994) to diversity, which is the cornerstone of the Creative Europe program (2014), cinema in minority languages…

The persistence of the androcentric discourse in the contents, the editorial line and the organizational structures of the current media reflects and perpetuates an asymmetric and dysfunctional society that silences and disables divergent positions. In order to put an end to this disabling dynamic, the construction of audiences and collectives…