Carried out the first coordination meetings between the members of the different universities involved in the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”
At the beginning of this year the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark” started with first works dedicated primarily to the design and review of the theoretical framework, the collection and the structuring of the material constituting the object of study, and the allocation of specific tasks to the different members of the team. Taking into account the abundance of entities involved in the project, during the month of April the Principal Investigator made several trips to the universities distributed over Spanish geography (Basque Country, Valencia and Madrid) to coordinate the work of the researchers belonging to these institutions. This ensures a permanent communication, sustained by internet platforms that allow the exchange of information, as well as future meetings in order to supervise the work and to organize the next stages of the investigation.
The film Morlaix will be screened in the auditorium of the Faculty of Communication Sciences of the University of Santiago de Compostela on Tuesday, February 4, at 11 am. Afterwards there will be a colloquium attended by the director of the film, Jaime Rosales, the Professor of Audiovisual Communication and Advertising José Luis Castro de […]
Last Friday, 29th of November, Rocío del Pilar Sosa Fernández, member of the Audiovisual Studies Group, successfully defended her doctoral thesis. She obtained the qualification of Excellent Cum Laude, unanimously, as well as the international mention for her research stay at the University of Aalto in Finland. The thesis was under the supervision of Roi […]
The political auto-biography, making known its construction, the mark of the device, the real as material that ‘must be fictionalised in order to be thought (Rancière) is one of the signs and also the archives re-signified by the writings of the “I”, by the body, by its echoes, by the performance… are entrances through which […]