Focalización, distancia y tratamiento temporal. Estudio de la implicación subjetiva en el discurso fílmico a través del análisis narratológico

Every cinematographic story constructs a certain way of leading to see and leading to know. Among the discursive levels of showing and telling that every film constructs and communicates, there is a wide range of subjective implication that focuses the narrative material and extend it to spectator. This article proposes the narratological analysis of three films of very different discursive nature. These are some examples through which to find out how the enunciating device orders the story between (intimate) proximity, (intimate) indifference and the precarious knowledge.