Equipo
Estudos Audiovisuais: Contidos, formatos e tecnoloxía Grupo de Referencia Competitiva do SUG
Enrique Castelló Mayo
Research Team
Doutor en Ciencias da Comunicación pola Universidade Complutense de Madrid. Profesor titular de Comunicación Audiovisual e Publicidade da Facultade de Ciencias da Comunicación da Universidade de Santiago de Compostela. É autor de varios libros, entre eles: La producción mediática de la realidadLa decadencia de la narratividad en TV y El espectáculo de lo real en el texto televisivo, sendo as súas liñas principais de investigación a análise de contidos audiovisuais, as metodoloxías de investigación en comunicación e a narratoloxía audiovisual. Na súa andaina profesional destaca o seu paso pola Agencia EFE, Antena 3 TV e o Programa de Nuevas Tecnologías de la Información y la Comunicación.
DESTACADOS
Projects
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
PROJECTS
EUVOS. Intangible Cultural Heritage. For an European Programme for Subtitling in Non-Hegemonic Languages
30/12/2016
Agencia Estatal de Investigación
The European Union and its Member States have made numerous pledges regarding the unyielding and non-negotiable preservation and fostering of the cultural and linguistic diversity in Europe and the value of Film as meeting point for technological innovation, culture and economy. The European Charter for Regional or Minority Languages (ECRML),…
eDCINEMA: Towards the European Digital Space. The role of small cinemas in original version.
31/12/2013
Ministerio de Economía e Competitividade
From the perspective of cultural and creative industries, the cinema stands out as one of the most representative territories for innovation and application of digital technologies, in both levels of production and diffusion of works. However, by having to face a “very competitive audiovisual context worldwide” (see the European Parliament…
Cine, diversidade e redes
31/12/2010
Ministerio de Innovación. Plan Nacional de I+D+i
O proxecto Cine, diversidade e redes, ten como finalidade coñecer e analizar a recepción de produtos cinematográficos galegos, a partir de determinadas variábeis tecnolóxicas que afectan aos novos modos de circulación da produción cinematográfica e audiovisual, naqueles países onde existen comunidades emigrantes que se significan pola súa condición de cidadáns…
PUBLICATIONS
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
Creative Destruction as Economic Pattern of Europe’s Small-Scale Audiovisual Media Markets and Minority -Language Film Industries
The small cinematography model as well as its incorporation into creation of the European digital space emerges as a paradigm of the creative destruction phenomenon in the way that Sombart spoke about and, afterwards, Schumpeter disseminated it seven decades ago. Working from this perspective, the University of Santiago de Compostela (USC)’ audiovisual…
La diversidad cultural a través de la Red: el caso del cine identitario
2013
Comunicar, Revista Científica Iberoamericana de Comunicación y Educación
Identification of barriers and motivations in the circulation of audiovisual media contents in the Lusophone space
2012
Communication and Society/Comunicación y Sociedad
This research article analyses the main barriers and motivations in the understanding and acceptance of Galician audiovisual media products by a sample of consumers located in different areas of the Lusophone space, according to the new circulation and consumption modes of audiovisual products. To this end, we examined the influence…
A incidencia do espazo mediático na identidade cultural cotiá: espazo público vs. espazo privado
2012
Anuário Internacional da Comunicaçao Lusófona 2012. Medios públicos e espazo lusófono. Santiago de Compostela: Lusocom/Agacom
Cidus, de la integración digital a la consiliencia
2012
Estudios sobre el mensaje periodístic
Singularización e indiferenciación: la paradoja contemporánea de la esfera cultural
2006
Anuário Internacional de Comunicaçao Lusófona 2005: Comunicaçao, Identidades, Migraçoes e culturas na Lusofonía
El Paradigma Mercantil en la Generación de la Cultura Mediática: Experiencia vs. Consumo
2004
Razón y Palabra. Primera revista electrónica en América Latina especializada en tópicos de comunicación
Violence in Television Fiction Aimed at the Child-Juvenile Audience: An Alternative Analysis
2004
Newsletter on Children, Youth &Media in the World
La manifestación de la violencia en televisión: la crisis del texto publicitario
2003
Anuario de Sphera Pública. Revista de Ciencias Sociales y de la Comunciación “La violencia en la generación de culturas fronterizas”
La producción del presente social en Televisión
2003
Publicación anual I/C. Revista científica de Información y Comunicación
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