Archivo
"Tag: Film analysis: historical and social contexts"
AAAG’s ‘Escaramuzas Artísticas’ debates
Documentary cinema in Galicia. Carlos Velo's legacy

‘Escaramuzas Artísticas’ is the title of a series of monthly debate-meetings in which renowned voices specialized in the audiovisual and audiovisual sectors of the scene will exchange their points of view about different topics that reach the professionals of these disciplines. The ‘artistic skirmishes’, which are sponsored by the Galician…

The Portuguese Association of Researchers of the Moving Image (AIM) prepares the 9th AIM Annual Meeting, which will be hosted at the University of Santiago de Compostela on May 13-16, 2019, in a joint organization of AIM and the Faculty of Geography and History of the University of Santiago de Compostela. This is an…
Identidades al margen y en los márgenes
Frontera y laberinto en Arraianos (Eloy Enciso, 2012)
The film we are studying here, Arraianos (Eloi Enciso, 2012), emerges as a crossroad where the fictional and the documentary converge, where an anti-naturalistic representation of a space is confined, and of the human group that it inhabits, and a will of visual investigation of this space, in which the…
Galicia en V.O. El cine militante y el lugar de Llorenç Soler en la construcción del cine gallego contemporáneo
From 1976 to 1978, Llorenç Soler shot f in Galiciaour medium-length films which became a reference for militant cinema, for cinema in Galician language and  as signature of the filmmaker himself. The cinematographic landscape of the 70s in Galicia; the texts, the memories, the description that the author makes of…
De la no ficción
On non fiction
Beyond certain narrative styles of non-fiction in fiction, what is posed - through such different authors (by genre, age and film culture) as Winterbotton or Marguerite Duras - is the relationship of personal experience with the way to give body, through a work, to that intensity that the real brings…
Acciones (in)diferentes, tensiones latentes
A propósito de feminismo y “Novo Cinema Galego”
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identified as feminist? Following this link, we propose a reflection the reasons why critics tend to ignore such relation. Therefore, our text derives from a…
The Role of Original Version Cinema into the European Digital Space
One of the most remarkable research results is summarized as an indicator of the conflict between the clearly demonstrated ov influences to make progress towards achieving the ideal of a real language diversity, and Community-wide application of packages of random measures, which often leads to lack of expected results. Consequently,…
European cinema in the languages of stateless and small nations
A recente incorporación ao dominio da reflexión académica dunha denominación diversa: cinema de pequenas nacións, identitario, en linguas minoritarias/minorizadas. A reconceptualización do termo cinema nacional, síntoma da multiplicidade de prácticas de linguas aínda sobreviventes. E unha abordaxe da política comunitaria en dúas vertentes: lingüística e cinematográfica, serán os nosos asuntos. Metodoloxía. Isto…
Marcas na paisaxe. Para unha historia do cinema en lingua galega
Para unha historia do cinema en lingua galega
«Ao abeiro de dúas efemérides, os cincuenta anos do 1968 como animador do cinema militante e a declaración de 2018 como 'Ano europeo do Patrimonio Cultural, Material, Inmaterial e Dixital', quixemos retomar os vieiros do cinema con capítulos que nos traian outra volta o cine de emigración, presente en cada…
“Mar adentro” (Alejandro Amenábar. 2004) y las zozobras del cine español
© 2018 Estudos Audiovisuais